...it occurred that the birds, whose twitters and repeated songs sounded so pretty and affirming of nature and the coming day, might actually, in a code known only to other birds," be the birds each saying 'Get away' or 'This branch is mine!' or 'This tree is mine! I'll kill you! Kill, kill!' Or any manner of dark, brutal, or self-protective stuff--they might be listening to war cries. The thought came from nowhere and made his spirits dip from some reason.
'Tragedy admires man. Comedy feels a bit sorry for him.' We think we are kings or queens, masters of the universe or at least our own destiny. We forget that a foot may crush us, or that the wind may knock us down. We are not in control. We are subject to gas and sloughing skin and dirty pores. Most of our joints will eventually fail us. We have big brains which we can imagine great things, but we can't really get off the ground. It's like we have wings but we can't fly.
The Good Lord Bird don't run in a flock. He Flies alone. You know why? He's searching. Looking for the right tree. And when he sees that tree, that dead tree that's taking all the nutrition and good things from the forest floor. He goes out and he gnaws at it, and he gnaws at it till the thing gets tired and it falls down. And the dirt from it raises other trees. It gives them good things to eat. It makes 'em strong. Gives 'em life. And the circle goes 'round.
Girl from the fifth floor, who feeds the birds every day, climbs up to the water tank and jumps off. I see her body on the road below, and feel absolutely nothing. Maybe because I expect her to get up and walk off. In a story, the birds would have joined forces in a show of gratitude and broken her fall, carried her to a faraway land of safety. As it is, they just gurgle foolishly and confer about the no-show of breakfast.I imagine myself in Pigeon girl's place - a split open bag of skin on tar.
Som barn tänkte jag mig alltid själen som en liten fågel. I en illustrerad världshistoria som min far hade såg också att egypterna avbildade den som en fågel. Men en fågel flyger inte högre än luften räcker, och den räcker inte långt. Den hör till jorden den också. I skolan hade vi en lärare i naturkunnighet som förklarade för oss att ingenting av det som finns på jorden kan komma bort ifrån den.
The perfect weather that had allowed us to get the oats and corn in ahead of time probably also contributed to the dearth of migrating warblers. With no storms to force the birds down, they overflew this area on their northward journey. At least I hope that is the reason. I fear, though, that the cutting down of the tropical rain forests (the winter home for many warblers) to create ranches that will provide cheap beef for fast-food restaurants in the United States may also be partly responsible for the dearth.
...as the slow sea sucked at the shore and then withdrew, leaving the strip of seaweed bare and the shingle churned, the sea birds raced and ran upon the beaches. Then that same impulse to flight seized upon them too. Crying, whistling, calling, they skimmed the placid sea and left the shore. Make haste, make speed, hurry and begone; yet where, and to what purpose? The restless urge of autumn, unsatisfying, sad, had put a spell upon them and they must flock, and wheel, and cry; they must spill themselves of motion before winter came.
She especially liked my bedside lamp, which had a five-sided porcelain shade. Unlit, the shade seemed like bumpy ivory. Lit, each panel came to life with the image of a bird: a blue jay, a cardinal, wrens, an oriole, and a dove. Kathleen turned it off and on again, several times. "How does it do that?""The panels are called lithophanes." I knew because I'd asked my father about the lamp, years ago. "The porcelain is carved and painted. You can see it if you look inside the shade.""No," she said. "It's magic. I don't want to know how it's done.
Mr. Jamrach led me through the lobby and into the menagerie. The first was a parrot room, a fearsome screaming place of mad round eyes, crimson breasts that beat against bars, wings that flapped against their neighbours, blood red, royal blue, gypsy yellow, grass green. The birds were crammed along perches. Macaws hung upside down here and there, batting their white eyes, and small green parrots flittered above our heads in drifts. A hot of cockatoos looked down from on high over the shrill madness, high crested, creamy breasted. The screeching was like laughter in hell.
Night was falling. Birds were singing. Birds were, it occurred to me to say, enacting a frantic celebration of day's end. They were manifesting as the earth's bright-colored nerve endings, the sun's descent urging them into activity, filling them individually with life nectar, the life nectar then being passed into the world, out of each beak, in the form of that bird's distinctive song, which was, in turn, an accident of beak shape, throat shape, breast configuration, brain chemistry: some birds blessed in voice, others cursed; some squeaking, others rapturous.
...a new day was starting, the things of the garden were not concerned with our troubles. A blackbird ran across the rose-garden to the lawns in swift, short rushes, stopping now and again to stab at the earth with his yellow beak. A thrush, too, went about his business, and two stout, little wagtails, following one another, and a little cluster of twittering sparrows. A gull poised himself high in the air, silent and alone, and then spread his wings wide and swooped beyond the lawns to the woods and the Happy Valley. These things continued, our worries and anxieties had no power to alter them.
Here is the soundless cypress on the lawn:It listens, listens. Taller trees beyondListen. The moon at the unruffled pondStares. And you sing, you sing.That star-enchanted song falls through the airFrom lawn to lawn down terraces of sound,Darts in white arrows on the shadowed ground;And all the night you sing.My dreams are flowers to which you are a beeAs all night long I listen, and my brainReceives your song, then loses it againIn moonlight on the lawn.Now is your voice a marble high and white,Then like a mist on fields of paradise,Now is a raging fire, then is like ice,Then breaks, and it is dawn.
ان الكلمات مثل العصافير ، تمضي طليقة دون نظام ولا وعي وبإمكان أي كان بقليل من السحر أن يحبسها ليتاجر بها
As women, we are always taught never to let a man know of our affections towards him, lest he laugh, run away, or think that we are psycho. But what if that's not true? Have you ever stopped to think that? What if it's like there's a beautiful little bird in our hearts and we're too afraid to let anyone see it in there? What's wrong with letting anyone know that there's a bird in your chest? Maybe there are lots of wrong ones, but maybe there's one that's just for you— the one who won't laugh or run away when he sees that little bird. After all, it’s just a pretty bird!
I don’t know [why we're here]. People sometimes say to me, ‘Why don’t you admit that the humming bird, the butterfly, the Bird of Paradise are proof of the wonderful things produced by Creation?’ And I always say, well, when you say that, you’ve also got to think of a little boy sitting on a river bank, like here, in West Africa, that’s got a little worm, a living organism, in his eye and boring through the eyeball and is slowly turning him blind. The Creator God that you believe in, presumably, also made that little worm. Now I personally find that difficult to accommodate…
