I am not a Sunday morning inside four wallswith clean bloodand organized drawers.I am the hurricane setting fire to the forestsat night when no one else is aliveor awakehowever you choose to see itand I live in my own flamessometimes burning too bright and too wildto make things lastor handlemyself or anyone elseand so I run.run run runfar and wideuntil my bones ache and lungs splitand it feels good.Hear that people? It feels goodbecause I am the slave and ruler of my own bodyand I wish to do with it exactly as I please

The kissing is soft to an almost abrupt firmness as our waists adhere. I then begin to question if I can feel my body as a controlling wave of this gratifying force travels from my legs to my face. Nadia is now glowing with a pleasurable subtleness that thanks me with every inhale and exhale as our bodies move. Her calm cool hands drag across the sides of my back from my buttocks to my shoulders. Down and up again she strokes and caresses me without missing a tune as if I were a beloved instrument played by its master virtuoso.

My body is a political battlefield.It is a place of war, of death and suffering, of triumph and victory, of damage and repair, of blood and tears and sweat.It is a place where memories go to find purpose for their existence.It is a place where humans cast all inhibitions aside to discover what exists at their very core.It is a place of growth wearing a mask of destruction.It is a challenge, not for the faint of heart, beckoning us to face it with eyes wide open.The only war is within. When you are ready to fight it, the field awaits.

It is illness that makes us recognize that we do not live in isolation but are chained to a being from a different realm, worlds apart from us and by whom it is impossible to make ourselves understood: our body. Were we to meet a brigand on the road, we might manage to make him conscious of his own personal interest if not our plight. But to ask pity of our body is like talking to an octopus, for which our words can have no more meaning than the sound of the sea, and with which we should be terrified to find ourselves condemned to live.

When the finely tuned balance among the different parts of bodies breaks down, the individual creature can die. A cancerous tumor, for example, is born when one batch of cells no longer cooperates with others. By dividing endlessly, or by failing to die properly, these cells can destroy the necessary balance that makes a living individual person. Cancers break the rules that allow cells to cooperate with one another. Like bullies who break cooperative societies, cancers behave in their own best interest until they kill their larger community, the human body.

Before you either turn away in disgust or wink knowingly at one another, you should know that the artist insists that this is a picture about love. Filial love. The old man has been condemned by the Roman senate to die of hunger, and his daughter has come to his prison cell and offered her breast to feed him. This has nothing to do with with the decorous love or amorous passions one is more accustomed to seeing in a painting. It is raw and wretched and demeaning. In the end, we are physical bodies and every abstract notion about love sinks beneath this fact.

Sound has a profound effect on the senses. It can be both herd and felt. It can even be seen with the mind’s eye. It can almost be tasted and smelled. Sound can evoke responses of the five senses. Sound can paint a picture, produce a mood, trigger the senses to remember another time and place. From infancy we hear sound with our entire bodies. When I hear my own name, I have as much a sense of it entering my body through my back or my hand or my chest as through my ears. Sound speaks to the sensorium; the entire system of nerves that stimulates sensual responce.

Traditionally men have created a deep split between the inner and outer world, between body and soul, between the material and spiritual world, between love and money and between male and female qualities. The inner man and woman are related to money, creativity and financial abundance. Through investigating the roots of the inner man and woman, we can find the creative potential of both the inner man and woman. Sometimes can either the inner man or woman also provide financial support for both sides, while the other side has the idea that it cannot support itself financially.

As day gradually turns to night, Nadia then lifts her naked body from the floor, and like a goddess, she moves across the room with a stride that gives complement to every curve of her figure. She now leans over the coffee table to strike a match that breaks the light of night that clings to her. One by one, Nadia lights each candle in perfect form as the glowing contrast of light and dark dances around the edges of her beautiful body. She then looks at me again, she being this magical creature who has given me life to every body and realm; and oh how grateful I am that she has found me.

from the Prize winning poem - UNBORN in the book Terra Affirmative."Under the surface / her body is curled, / seed of the one race, / shell of the world. // She is thw waterfall, / she is the womb, / she is the bubble, /she is the tomb. // Her hair flows upward, / blood red of the birth. / Her arms are folded / deep into the earth. // She is the fern, / she is the bark, / she is the lantern, / she is the dark. // Her eyes burn the flame / of the old and the young. / Her breath is the name / of each branch of each lung. // She is the ingredient. / She is the blend. / She is the beginning. / She is the end.

That there was no God was a given, as far as Hope was concerned, and being nice to people and making the most of your life struck her as a reasonable enough conclusion to draw from it, and in any case what she wanted to do. But besides the spires of theology and the watch-towers of ideology, it seemed a very shaky hut indeed, and not one that offered her much shelter or would stand up in court.She couldn't see a way to make her objection to the fix a deduction from any body of thought. It came from a body of flesh, her own, and that was enough for her. She doubted that this would be enough for anyone else.

One of the paradoxical and transformative aspects of implicit traumatic memory is that once it is accessed in a resourced way (through the felt sense), it, by its very nature, changes. Out of the shattered fragments of her deeply injured psyche, Jody discovered and nurtured a nascent, emergent self. From the ashes of the frantically activated, hypervigilant, frozen, traumatized girl of twenty-five years ago, Jody began to reorient to a new, less threatening world. Gradually she shaped into a more fluid, resilient, woman, coming to terms with the felt capacity to fiercely defend herself when necessary, and to surrender in quiet ecstasy.

Your body is a Temple. You are what you eat. Do not eat processed food, junk foods, filth, or disease carrying food, animals, or rodents. Some people say of these foods, 'well, it tastes good'.Most of the foods today that statically cause sickness, cancer, and disease ALL TATSE GOOD; it's well seasoned and prepared poison. THIS IS WHY SO MANY PEOPLE ARE SICK; mentally, emotionally, physically, and spiritually; because of being hooked to the 'taste' of poison, instead of being hooked on the truth and to real foods that heal and provide you with good health and wellness.Respect and honor your Temple- and it will honor you.

Samsa looked down in dismay at his naked body. How ill-formed it was! Worse than ill-formed. It possessed no means of self-defense. Smooth white skin (covered by only a perfunctory amount of hair) with fragile blue blood vessels visible through it; a soft, unprotected belly; ludicrous, impossibly shaped genitals; gangly arms and legs (just two of each!); a scrawny, breakable neck; an enormous, misshapen head with a tangle of stiff hair on its crown; two absurd ears, jutting out like a pair of seashells. Was this thing really him? Could a body so preposterous, so easy to destroy (no shell for protection, no weapons for attack), survive in the world?

Now drawing four fingers up the sides of her stomach, my hands create a kind of invisible wave that sounds beneath her skin. Molding her torso every which way as if it were clay for me to experiment, I study the lines of her iridescent form flowing in a rhythmic beauty that fascinates me into this fixation. My finger circles around the rim of her belly button as if to enjoy the sounds that might come from a crystal glass. Her every touch absorbs my ability to discern thought as I become rested in this feeling of absolute ecstasy. Life without her I know would indefinitely destroy me, having already solemnly delivered my spirit to this angel that comes down to be with me.