Galimybė ištirpti minioje buvo pati didžiausia laisvė. Atvykusi į Oslą irgi mėgdavau klaidžioti gatvėmis: tarp veidų, kurių nepažįstu, kurių anksčiau nesu mačiusi ir galbūt niekada nebesutiksiu, tarp cypiančių, zvimbiančių, kriuksinčių automobilių, kurie visi kartu man trukdė mažiau nei vienas vienintelis kaimyno golfas vaikystėje. Džiaugdavausi, kad gatvėje nereikia su niekuo sveikintis, kad net šalia gyvenantiems nerūpi mano batų spalva, kuprinės modelis ar mintys.
Louise was an urbanite, she preferred the gut-thrilling sound of an emergency siren slicing through the night to the noise of country birds at dawn. Pub brawls, rackety roadworks, mugged tourists, the badlands on a Saturday night - they all made sense, they were all part of the huge, dirty, torn social fabric. There was a war raging out there in the city and she was part of the fight, but the countryside unsettled her because she didn't know who the enemy was. She had always preferred North and South to Wuthering Heights. All that demented running around the moors, identifying yourself with the scenery, not a good role model for a woman.
To generate exuberant diversity in a city's streets and districts four conditions are indispensable:1. The district, and indeed as many of its internal parts as possible, must serve more than one primary function; preferably more than two...2. Most blocks must be short; that is, streets and opportunities to turn corners must be frequent.3. The district must mingle buildings that vary in age and condition, including a good proportion of old ones so that they vary in the economic yield they must produce. This mingling must be fairly close-grained.4. There must be a sufficiently dense concentration of people, for whatever purposes they may be there...
He liked however the open shutters; he opened everywhere those Mrs. Muldoon had closed, closing them as carefully afterwards, so that she shouldn't notice: he liked--oh this he did like, and above all in the upper rooms!--the sense of the hard silver of the autumn stars through the window-panes, and scarcely less the flare of the street-lamps below, the white electric lustre which it would have taken curtains to keep out. This was human actual social; this was of the world he had lived in, and he was more at his ease certainly for the countenance, coldly general and impersonal, that all the while and in spite of his detachment it seemed to give him.
Saying good-bye to a city is harder than breaking up with a lover. The grief and regret are more piercing because they are more complex and unmixed, changing from corner to corner, with each passing vista, each shift of the light. Breaking up with a city is unclouded by the suspicion that after the affair ends, you'll learn something about the beloved you wished you never knew. The city is as it will remain: gorgeous, unattainable, going on without you as if you'd never existed. What pain and longing the lover feels as he bids farewell to a tendril of ivy, a flower stall, the local butcher. The charming café where he meant to have coffee but never did.
Vasco bought a bottle of vodka to celebrate and they drank it in the old sailors' graveyard in Mangrove South. This was where the funeral business had first put down its roots. Over the wall, between two warehouses, Jed could just make out the Witch's Fingers, four long talons of sand that lay in the mouth of the river. Rumour had it that, on stormy nights a century ago, they used to reach out, gouge holes in passing ships, and drag them down. Hundreds of wrecks lay buried in that glistening silt. The city's black heart had beaten strongly even then. There was one funeral director, supposedly, who used to put lamps out on the Fingers and lure ships to their doom.
What are you thinking?” he asked in a disarmingly gentle tone.“That the city looks different depending on whom I’m seeing it with.”He nodded easily, as if this same thought had occurred to him. “I notice different things,” I continued. “Like with you, I pay more attention to the details of the buildings – the textures, the colors, the people standing in front of them. The reflections are different.”“Reflections?” he asked quietly.“They are.” I watched our bodies morph and distort in the window of an empty bank. “You’re there,” I said. “That’s how they’re different.
We leave to monsieur Le Corbusier his style that suits factories as well as it does hospitals. And the prisons of the future: is he not already building churches? I do not know what this individual -- ugly of countenance and hideous in his conceptions of the world -- is repressing to make him want thus to crush humanity under ignoble heaps of reinforced concrete, a noble material that ought to permit an aerial articulation of space superior to Flamboyant Gothic. His power of cretinization is vast. A model by Corbusier is the only image that brings to my mind the idea of immediate suicide. With him moreover any remaining job will fade. And love -- passion -- liberty.Gilles Ivain (aka Ivan Chtcheglov)
The alarming lack of ideas that is recognizable in all acts of culture, politics, organization of life, and the rest is explained by this, and the weakness of the modernist constructers of functionalist cities is only a particularly visible example of it. Intelligent specialists only ever have the intelligence to play the game of specialists: hence the fearful conformity and fundamental lack of imagination that make them admit that this or that product is useful, good, necessary. In fact, the root of the reigning lack of imagination cannot be understood if one does not have access to the imagination of lack--that is to conceiving what is absent, forbidden, and hidden, and yet possible, in modern life.
On moonlight nights the long, straight street and dirty white walls, nowhere darkened by the shadow of a tree, their peace untroubled by footsteps or a dog's bark, glimmered in the pale recession. The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. In lifeless squares and avenues these tawdry idols lorded it under the lowering sky; stolid monsters that might have personified the rule of immobility imposed on us, or, anyhow, its final aspect, that of a defunct city in which plague, stone, and darkness had effectively silenced every voice.
It seemed to him he had waited an age for some stir of the great grim hush; the life of the town was itself under a spell--so unnaturally, up and down the whole prospect of known and rather ugly objects, the blankness and the silence lasted. Had they ever, he asked himself, the hard-faced houses, which had begun to look livid in the dim dawn, had they ever spoken so little to any need of his spirit? Great builded voids, great crowded stillnesses put on, often, in the heart of cities, for the small hours, a sort of sinister mask, and it was of this large collective negation that Brydon presently became conscious--all the more that the break of day was, almost incredibly, now at hand, proving to him what night he had made of it.
Baharı getirmesi beklenirken Ankara’da her zaman soğuk geçen mart ayı, gerçekte sadece bir misafirdi. Bu şehirde benden başka bu kadar iyi yalan söyleyebilen bir şey varsa o da mart ayıydı. Onunla alıp veremediğim buydu. Zamanında okurken bir şekilde ufkumuzu genişlettiğine şaşırdığım bir yazıda bahsedilen “utangaç bok” gibiydi güneş bu dönemde. Uzun bir bekleyişten sonra çıkacak gibi olur, başını uzatır, ama evdeki misafirlerden biri tuvaletin önünden geçtiğinde ses çıkarırım diye utanıp hemen geri kaçardı.
I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down.Sometimes I just survive.But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.That's when the stories show up in me.They find me all the time.They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent.The only trouble is, I don't know which of those stories comes first.Maybe they all just merge into one.We'll see, I guess.I'll let you know when I decide.
Slowly the truth is loadingI'm weighted down with loveSnow lying deep and evenStrung out and dreaming ofNight falling on the cityQuite something to beholdDon't it just look so prettyThis disappearing worldWe're threading hope like fireDown through the desperate bloodDown through the trailing wireInto the leafless woodNight falling on the cityQuite something to beholdDon't it just look so prettyThis disappearing worldThis disappearing worldI'll be sticking right there with itI'll be by your sideSailing like a silver bulletHit 'em 'tween the eyesThrough the smoke and rising waterCross the great divideBaby till it all feels rightNight falling on the citySparkling red and goldDon't it just look so prettyThis disappearing world"~David Gray
If you aren’t paranoid before you arrive in this city, give it a few weeks and you will soon notice it creeping in, dripping into your subconscious like a leaky tap. The trick is not to give a flying fuck what anyone thinks about you, and if you are in the right frame of mind this can be an easy trick to perform but if not you’ll soon notice that for a city full of people who do a great Stevie Wonder impersonation when it comes to the homeless and beggars and casual violence towards others, wearing the wrong kind of shoes or a cheap suit brings out a sneering, hateful attitude that can have weaker minded individuals locked in their houses for weeks before harassing their doctors for prescriptions of Prozac and Beta blockers just to make it out the front door.
