There may be some truth (atheists) do not need to believe in a god to be good, but then if they do not believe in a god, who do they believe gives the Universal Law of following good and shunning evil? Obviously, mankind. But then that is a dangerous thing, for if a man does not believe in a god capable of giving perfect laws, he is in the position of declaring all laws come from man, and as man is imperfect, he can declare that as fallible men make imperfect laws, he can pick and choose what he wishes to follow, that which, in his own mind seems good. He does not believe in divine retribution, therefore he can also declare his own morality contrary to what the divine may decree simply because he believes there is no divine decree. He may follow his every whim and passion, declaring it to be good when it may be very evil, for he like all men is imperfect, so how can he tell what is verily good? The atheist is in danger of mistaking vice for good and consequently follow another slave master and tyrant, his own physical and mental weakness. Evil would be wittingly or unwittingly perpetrated, therefore, to recognise the existence of a perfect divine being that gives perfect Universal Laws is much better than not to believe in a god, for if there is a perfect god, they will not allow their laws to be broken with impunity as in the case with many corrupt judges on earth, but will punish accordingly in due time. Therefore, to be pious and reverent is the surest path to true freedom as a perfect god will give perfect laws to prevent all manner of slavery, tyranny and moral wantonness, even if we do not understand why they are good laws at times.

Dad, will they ever come back?""No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road.""Oh, no," said Will."Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun."They moved around the carousel slowly."What will they look like? How will we know them?""Why," said Dad, quietly, "maybe they're already here."Both boys looked around swiftly.But there was only the meadow, the machine, and themselves.Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad.Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole.Will stepped up beside him. Jim stepped up beside Will.Jim stroked a horse's mane. Will patted a horse's shoulders.The great machine softly tilted in the tides of night.Just three times around, ahead, thought Will. Hey.Just four times around, ahead, thought Jim. Boy.Just ten times around, back, thought Charles Halloway. Lord.Each read the thoughts in the other's eyes.How easy, thought Will.Just this once, thought Jim.But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally...The thought hit them all in the same quiet moment....finally you wind up owner of the carousel, keeper of the freaks...proprietor for some small part of eternity of the traveling dark carnival shows....Maybe, said their eyes, they're already here.

All of nature, therefore, is good, since the Creator of all nature is supremely good. But nature is not supremely and immutably good as is the Creator of it. Thus the good in created things can be diminished and augmented. For good to be diminished is evil; still, however much it is diminished, something must remain of its original nature as long as it exists at all. For no matter what kind or however insignificant a thing may be, the good which is its 'nature' cannot be destroyed without the thing itself being destroyed. There is good reason, therefore, to praise an uncorrupted thing, and if it were indeed an incorruptible thing which could not be destroyed, it would doubtless be all the more worthy of praise. When, however, a thing is corrupted, its corruption is an evil because it is, by just so much, a privation of the good. Where there is no privation of the good, there is no evil. Where there is evil, there is a corresponding diminution of the good. As long, then, as a thing is being corrupted, there is good in it of which it is being deprived; and in this process, if something of its being remains that cannot be further corrupted, this will then be an incorruptible entity [natura incorruptibilis], and to this great good it will have come through the process of corruption. But even if the corruption is not arrested, it still does not cease having some good of which it cannot be further deprived. If, however, the corruption comes to be total and entire, there is no good left either, because it is no longer an entity at all. Wherefore corruption cannot consume the good without also consuming the thing itself. Every actual entity [natura] is therefore good; a greater good if it cannot be corrupted, a lesser good if it can be. Yet only the foolish and unknowing can deny that it is still good even when corrupted. Whenever a thing is consumed by corruption, not even the corruption remains, for it is nothing in itself, having no subsistent being in which to exist.

Където и да отидеш - заговори старецът, - от теб винаги ще искат да твориш зло. Такъв е основният принцип на живота - насилието спрямо собствената личност. Всяко живо същество в някой момент от живота си се изправя пред този избор.Това е неизбежната сянка, фаталната клопка на сътворението, проклятието, което се храни от всичко живо във вселената.

что бы делало твое добро, если бы не существовало зла, и как выглядела бы земля, если бы с неё исчезли тени? Ведь тени получаются от предметов и людей. Вот тень от моей шпаги. Но бывают тени от деревьев и от живых существ. Не хочешь ли ты ободрать весь земной шар, снеся с него прочь все деревья и всё живое из-за твоей фантазии наслаждаться голым светом? Ты глуп.

I have no idea how long Quisser was gone from the table. My attention became fully absorbed by the other faces in the club and the deep anxiety they betrayed to me, an anxiety that was not of the natural, existential sort but one that was caused by peculiar concerns of an uncanny nature. What a season is upon us, these faces seemed to say. And no doubt their voices would have spoken directly of certain peculiar concerns had they not been intimidated into weird equivocations and double entendres by the fear of falling victim to the same kind of unnatural affliction that had made so much trouble in the mind of the art critic Stuart Quisser. Who would be next? What could a person say these days, or even think, without feeling the dread of repercussion from powerfully connected groups and individuals? I could almost hear their voices asking, "Why here, why now?" But of course they could have just as easily been asking, "Why not here, why not now?" It would not occur to this crowd that there were no special rules involved; it would not occur to them, even though they were a crowd of imaginative artists, that the whole thing was simply a matter of random, purposeless terror that converged upon a particular place at a particular time for no particular reason. On the other hand, it would also not have occurred to them that they might have wished it all upon themselves, that they might have had a hand in bringing certain powerful forces and connections into our district simply by wishing them to come. They might have wished and wished for an unnatural evil to fall upon them but, for a while at least, nothing happened. Then the wishing stopped, the old wishes were forgotten yet at the same time gathered in strength, distilling themselves into a potent formula (who can say!), until one day the terrible season began. Because had they really told the truth, this artistic crowd might also have expressed what a sense of meaning (although of a negative sort), not to mention the vigorous thrill (although of an excruciating type), this season of unnatural evil had brought to their lives.("Gas Station Carnivals")

It was so awful! And he kept on looking at me and I knew I must get out of bed or he'd come and touch me. I did, too, but when I got out I wasn't me-I was a little white bunny. And he started out of the room and I had to go with him for fear he'd touch me. It felt so horrid, going out with him and looking back at mother there asleep."We went into the main part of the house, and one of the big front doors was open, and we went out through it. And then he gave a big jump, and so did I, and it took us clear up into the sky. We couldn't fly, but we kept jumping and jumping."Sometimes we stayed in the sky a little while, jumping from cloud to cloud, and the moon would get closer and closer and bigger and bigger, and its face would change and get horrible and grin at us until it seemed like its mouth was a mile wide and open, to swallow us up. And then we'd come down again and jump from one cliff to another, and the sea would be roaring down under us, and the waves all grey and cold and moving around and boiling like they were mad or afraid."We went all over the island and sometimes we jumped over the sea to the mainland and back again; and sometimes I tried to get away and run back to Mother - I thought she'd know me even if I was a bunny - but always, whichever way I turned, the hare was there in front of me, and his teeth were shining."We kept it up all night, and I was so tired and cold and miserable, and so scared. I didn't know whether he would ever let me go home or whether he would take me to Aunt Sarai. Then finally I did get away and the hare chased me!"She broke off, her voice rising again to a wail."It was so awful! I ran all over the island, into all sorts of queer little places that I never knew were there before - it seems so different after dark - and finally, when two or three times I'd been so tired that I thought I just couldn't go any farther, before he caught me, I saw the house in front of me and the front door still open and I started to run in, and then I thought - what if they'd planned it that way, and Aunt Sarai had come down from her portrait and was inside there in the dark, waiting for me?

Faut-il regretter le temps des guerres "à sens" ? souhaiter que les guerres d'aujourd'hui "retrouvent" leur sens perdu ? le monde irait-il mieux, moins bien, indifféremment, si les guerres avaient, comme jadis, ce sens qui les justifiait ? Une part de moi, celle qui a la nostalgie des guerres de résistance et des guerres antifascistes, a tendance à dire : oui, bien sûr ; rien n'est plus navrant que la guerre aveugle et insensée ; la civilisation c'est quand les hommes, tant qu'à faire, savent à peu près pourquoi ils se combattent ; d'autant que, dans une guerre qui a du sens, quand les gens savent à peu près quel est leur but de guerre et quel est celui de leur adversaire, le temps de la raison, de la négociation, de la transaction finit toujours par succéder à celui de la violence ; et d'autant (autre argument) que les guerres sensées sont aussi celles qui, par principe, sont les plus accessibles à la médiation, à l'intervention - ce sont les seules sur lesquelles des tiers, des arbitres, des observateurs engagés, peuvent espérer avoir quelque prise...Une autre part hésite. L'autre part de moi, celle qui soupçonne les guerres à sens d'être les plus sanglantes, celle qui tient la "machine à sens" pour une machine de servitude et le fait de donner un sens à ce qui n'en a pas, c'est-à-dire à la souffrance des hommes, pour un des tours les plus sournois par quoi le Diabolique nous tient, celle qui sait, en un mot, qu'on n'envoie jamais mieux les pauvres gens au casse-pipe qu'en leur racontant qu'ils participent d'une grande aventure ou travaillent à se sauver, cette part-là, donc, répond : "non ; le pire c'était le sens"; le pire c'est, comme disait Blanchot, "que le désastre prenne sens au lieu de prendre corps" ; le pire, le plus terrible, c'est d'habiller de sens le pur insensé de la guerre ; pas question de regretter, non, le "temps maudit du sens". (ch. 10De l'insensé, encore)

Добро в мире - изначально. Оно родилось вместе со Вселенной. Зло возникло просто как отрицание добра и всего мира. Беда в том, что злу живётся гораздо легче. У него ведь одна цель: уничтожить добро. А у добра целей две: во-первых, творить, строить, созидать мир, а во-вторых, защищать то, что сделано, от зла. Значит, и энергии нужно вдвое. А её у добра и зла, увы, поровну.(Настоятель Пётр (Альбин Ксото) - Корнелию Гласу)

Thalion continued. “The human world was very young and the disobedient children of God had just fallen, creating the underworld. Your God because of their desire to be like God forsook them. They craved and desired, the one thing that they should have never wanted, and that was to be as great as their creator. During this time of peace, the supernaturals traveled freely between the realms. We all knew of the fallen, the angels that had become demons, and knew that they were never to be released from the hell in which they had been cast. Their evil was beyond anything that was ever known. The leader of them, Lucifer, had declared war on the human children of God and desired more than anything to take their souls, to drag them to the hell he and his were stuck in for all eternity. All of the supernatural races were warned by an angel of God to never allow the demons from the underworld to escape their own realm. The veil was sealed by the angel and hidden from all.Unfortunately, evil always seems to find more evil. All evil things are drawn to each other, seeking out those who would help them in their cause. Though the veil to the underworld was hidden, the evil beyond it was great and as more and more lost souls were cast there after their deaths, and so the evil grew. It began to permeate the air around the veil such that other beings could detect it. There was no one who knew how to open it, but that didn’t stop them from trying.As the sons of men began to allow evil into their hearts, and as they began to stray farther from their God, they began seeking out other ways to fill the void inside them. They began to worship other beings, or objects. They sought out meanings for their lives in ways that caused darkness to creep into their hearts. God desired men to have free will and he would not force their loyalty to him. Sin was corrupting the world and Lucifer was allowed some control in the human realm. That sin gave Lucifer just the opening he needed to whisper lies into the ears of those who would listen. He pointed them in the direction divinity and sorcery where they learned how to contact the dead. They thought they were contacting loved ones who had passed on, but in reality they were drawing the demon spirits to them and giving them power, so much power that the demons began to be able to manipulate the actions of men and women still living.

SEPTEMBER 1, 1939I sit in one of the divesOn Fifty-second StreetUncertain and afraidAs the clever hopes expireOf a low dishonest decade:Waves of anger and fearCirculate over the brightAnd darkened lands of the earth,Obsessing our private lives;The unmentionable odour of deathOffends the September night.Accurate scholarship canUnearth the whole offenceFrom Luther until nowThat has driven a culture mad,Find what occurred at Linz,What huge imago madeA psychopathic god:I and the public knowWhat all schoolchildren learn,Those to whom evil is doneDo evil in return.Exiled Thucydides knewAll that a speech can sayAbout Democracy,And what dictators do,The elderly rubbish they talkTo an apathetic grave;Analysed all in his book,The enlightenment driven away,The habit-forming pain,Mismanagement and grief:We must suffer them all again.Into this neutral airWhere blind skyscrapers useTheir full height to proclaimThe strength of Collective Man,Each language pours its vainCompetitive excuse:But who can live for longIn an euphoric dream;Out of the mirror they stare,Imperialism's faceAnd the international wrong.Faces along the barCling to their average day:The lights must never go out,The music must always play,All the conventions conspireTo make this fort assumeThe furniture of home;Lest we should see where we are,Lost in a haunted wood,Children afraid of the nightWho have never been happy or good.The windiest militant trashImportant Persons shoutIs not so crude as our wish:What mad Nijinsky wroteAbout DiaghilevIs true of the normal heart;For the error bred in the boneOf each woman and each manCraves what it cannot have,Not universal loveBut to be loved alone.From the conservative darkInto the ethical lifeThe dense commuters come,Repeating their morning vow;'I will be true to the wife,I'll concentrate more on my work,'And helpless governors wakeTo resume their compulsory game:Who can release them now,Who can reach the dead,Who can speak for the dumb?All I have is a voiceTo undo the folded lie,The romantic lie in the brainOf the sensual man-in-the-streetAnd the lie of AuthorityWhose buildings grope the sky:There is no such thing as the StateAnd no one exists alone;Hunger allows no choiceTo the citizen or the police;We must love one another or die.Defenseless under the nightOur world in stupor lies;Yet, dotted everywhere,Ironic points of lightFlash out wherever the JustExchange their messages:May I, composed like themOf Eros and of dust,Beleaguered by the sameNegation and despair,Show an affirming flame.

Five actors playing allotted parts on a set stage; and now he, for whom no part had been written, had walked onto the stage unexpectedly, because one of the players had turned rebel, as she had once before. He threw everything out of focus, and them into a fever. The heat and intensity of these flying questions was enough to make a man with even partially trained clairvoyant faculties feel as if he sat in a room filled with flashing fireflies.He took warning and withdrew himself to a cold inner isolation, as he knew how to do, even while laughing and talking with surface ease. It would not do to let his mind become clouded with emotion; or open any door of his imagination. But the impressions that came across that safer inner distance did not make his companions seem less dramatic, more normal: they were still out of focus. Something about the picture was distorted, even to a clear vision. The sense of evil was as strong as ever although the lurking Presence seemed to have retreated into a far background.He saw presently what the distortion was.Their modern figures were somehow incongruous in the old house, not at home. Like actors who had somehow got onto the wrong stage, onto sets with which their voices and costumes clashed. Interlopers. Or else-actors of an old school dressed up in an unbecoming masquerade.Witch House was an old house. Not old as other houses are old, that remain beds of the continuous stream of life, of marriages and births and deaths, of children crying and children laughing, where the past is only part of the pattern, root of the present and the future. Joseph de Quincy, dead nearly a quarter of a thousand years, was still its master: he had been strong, so strong that no later personality could dim or efface him here where he had set his seal."He left his evil here when he could no longer stay himself," Carew thought. "As a man with diphtheria leaves germs on the things he has handled, the bed he has lain in. Thoughts are tangible things; on their own plane they breed like germs and, unlike germs, they do not die. He may have forgotten; he may even walk the earth in other flesh, but what he has left here lives."As probably it had been meant to do. For the man whose malignance, swollen with the contributions of the centuries, still ensouled these walls would not have cared to build a house or found a family except as a means to an end. Witch House was set like a mold, steeped in ritual atmosphere as a temple.Dangerous business, for who could say that such a temple would not find a god? There are low, non-human beings that coalesce with and feed on such leftover forces: lair in them.

The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto.The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing.In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out.A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.”Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag.This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done.After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber?What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here.It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness.“What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?”They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.

Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death.At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ.Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow?I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man.Is there a God?I do not know.Is man immortal?I do not know.One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be.We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.