- Знаешь, Цири, что даёт человеку университетское образование?- Нет. Что?- Умение пользоваться источниками.

Such is the passage, x. 14, where, after giving an account that the sun stood still upon Gibeon, and the moon in the valley of Ajalon, at the command of Joshua, (a tale only fit to amuse children). This tale of the sun standing still upon Motint Gibeon, and the moon in the valley of Ajalon, is one of those fables that detects itself. Such a circumstance could not have happened without being known all over the world. One half would have wondered why the sun did not rise, and the other why it did not set; and the tradition of it would be universal; whereas there is not a nation in the world that knows anything about it.

Lift your head to me...’ His is the kiss of a timorous lover. Feel his inhuman lips on the throat, the heat of it. The bite, when it comes, is cold. Begin to sink as the blood flows into his mouth; it is almost soothing. No pain. No pain at all. His teeth grind into the muscles; ecstasy and torment. Life, the very being, is flowing out. Unholy nourishment. Holy nourishment. Drained slowly.The trauma of it feels like being torn, but it is no more than suddenly having the ability to experience reality in a different way. Waiting for the end... for what? Cannot foretell. No longer flesh, no longer blood. Soul. Free.

Have you ever felt as if your dreams were more memorable, more alive, than what you knew to be reality? Have your dreams ever seemed so tangible as to make you question upon waking if you’d truly only dreamt them? Have they at times been addictive enough to consume your waking hours; blurring actuality and pretend together until your wishes and passions stare back at you with open eyes?If only dreams could be reality, that beautiful garden of sweet-smelling roses we all long for. But reality for me is no such bed of roses. It is nothing but a field of unwanted dandelions."- From the thoughts of Annabelle Fanche

I think people should take mythology much more seriously, because it tells us an awful lot about the history of the human race. We tend to dismiss it as 'fairy tales,' when it isn't. Fairy tales in themselves are about fundamentals of human nature. And they keep being reinvented in different ways. Fantasy acknowledges that, whereas a lot of modern literature is trying to distance itself from 'story,' never mind anything else. Which is why a lot of books are read by the critics, then people buy them, put them on their shelves, and don't really read them much, because they're not very interesting!

Laurel look up at him in question, but he wouldn't meet her eyes. She always wished she had more time to draw secrets from him. "I'll wear it always," she said."And think of me?" His eyes held her captive, and she knew there was only one answer."Yes.""Good."She started to turn, but before she could step away, Tamani grabbed her hand. Without breaking eye contact, he raised her hand to his face and brushed his lips over her knuckles. For just a second, his eyes were unguarded. A spark went through Laurel at what she saw there: raw, unbridled desire.Before she could look any closer, he smiled, and the flash was gone.

A crush of bodies surrounded the featureless monument. The enraged dead clambered atop their ghastly kin. Caiaphas tucked his knees to his chest and hugged his legs tightly, staring at the scores of ragged, flailing hands as they scratched for purchase over the edge of the cylinder. Metal thrummed and thunder roared, filling his head.Now there were words within the deafening roar. “Straaaange,” they seemed to say. “Daaaace…”“Straaaangerrrr…”Then a quick, awful chant: “CAIAPHAS! FOREVER! CAI—”And with a piercing whistle it ended as his eardrums burst.

Hay gente que se enamora de los pájaros. Te enamoras de su canto, de sus alas, de su forma de volar o de cazar. Entonces te lo quedas y lo encierras en una jaula de madera. Lo miras cada mañana, le sonríes, pero el pájaro deja de volar, de cazar, de cantar. Sus alas se marchitan, y un día, sin saber por qué, despiertas y dejas de mirarlo. Ya no te importa si es feliz, si le brillas los ojos; te limitas a alimentarlo, toleras su presencia y te acostumbras a el, pero el pájaro ha perdido sus encantos. cansado del pájaro te enamorarás de otro lobo, con otros encantos...

Brea watched the other Jaren, the Jaren she wasn't sure she wanted to know, slip through the cracks of his face. He was like the changelings in that Dream Box game he was so invested in, Bladescape. Her own interested mask, the one she was supposed to wear, must have slanted a bit around the eyes because then the other Jaren, her Jaren, was back. She watched his dimples puddle in the black of his beard as his mind fumbled for something to say. And this impromptu self-modification, here at the monitoring station at the job where she'd made such a fool of herself, was the closest thing to love that Brea Morgen had ever known.

It’s okay. I’m—”“Fine?” Joseph chimed in. “Obviously not. You need to be checked out by a doctor.” “I am a doctor.” I rolled my eyes at him, but that didn’t deter him from his train of thought. “Not that kind of doctor.”“What is ‘that kind of doctor’ going to say when they see my shimmering pink blood, Joseph?” I changed my voice to mimic one of a concerned doctor. “I’m sorry ma’am, you appear to be suffering from a mild case of Pretty Pretty Princess syndrome. Have you ingested any magical woodland faeries recently?

Josephine è uno e molti. È fatta di respiri, ricordi, paure. Sogni, anche. Il suo nome è sconosciuto ai più, ma chi la incontra sa riconoscerla. Ha tanti volti. I suoi occhi ciechi esplorano intensamente tutti i mondi. E ha un’anima per ogni universo. Josephine vive su una stella. O nel fango delle paludi. O tra gli sterminati campi di grano delle praterie. Su ruvide montagne di roccia o tra le sabbie rosse di pianeti lontani. Sopra di lei, un cielo carico di oscuri presagi. Intorno, ombre dense e un corposo silenzio. Acque fluide la avvolgono e la cullano.Josephine è ovunque, e in nessun luogo.

To me, the best, if not the only function of imaginative writing, is to lead the human imagination outward, to take it into the vast external cosmos, and away from all that introversion and introspection, that morbidly exaggerated prying into one's own vitals—and the vitals of others—which Robinson Jeffers has so aptly symbolized as "incest." What we need is less "human interest," in the narrow sense of the term—not more. Physiological—and even psychological analysis—can be largely left to the writers of scientific monographs on such themes. Fiction, as I see it, is not the place for that sort of grubbing.

You were dancing with Yuki and I looked at you. And you turned away and held her closer. Why did you do that? If you didn't want to hurt me, then why?"He looked away, as though he'd been slapped, but he didn't look guilty. He looked pained. "I closed my eyes," he said, his voice so low and strangled she could hardly hear him."What?" she asked, not understanding."Tamani held up a hand and Laurel realized he hadn't finished-he was having trouble speaking at all. "I closed my eyes," he repeated after a few shallow breaths, "and imagined she was you."He looked at her, his face open, his eyes honest, his voice a song of anguish.

The idea of fairyland fascinates me because it's one of those things, like mermaids and dragons, that doesn't really exist, but everyone knows about it anyway. Fairyland lies only in the eye of the beholder who is usually a fabricator of fantasy. So what good is it, this enchanted, fickle land which in some tales bodes little good to humans and, in others, is the land of peace and perpetual summer where everyone longs to be? Perhaps it's just a glimpse of our deepest wishes and greatest fears, the farthest boundaries of our imaginations. We go there because we can; we come back because we must. What we see there becomes our tales.

Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan—punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish.