When we go online, we commit ourselves to the care of online mechanisms. Digital Band-Aids for digital wounds. We feed ourselves into machines, hoping some algorithm will digest the mess that is our experience into something legible, something more meaningful than the "bag of associations" we fear we are.
Scared people don’t really mean what they say, they’re just looking for ways to rationalize everything so they have someone or something to blame. They need to have a reason for what’s happening because when they have that they can take comfort in knowing it’s out of their control.
A heartbeat later a single pair of orange eyes rose from the darkened depths. Dim at first, then in full brightness of attention they moved up from the floor then glided toward here, drawing closer and closer. She staggered back in horror as they moved nearer still, staring into hers, piercing her soul.
As someone who struggles with anxiety and cowardice, as we all do, I’m profoundly inspired by. . . . full-on commitment to wonder, to wonder as a response to anguish or difficulty. It makes everything a puzzle, right? A catastrophe is nothing but a puzzle with the volume of drama turned up very high.
Love opens all channels, while Fear closes them down. Love facilitates sharing, while Fear demands selfishness. Love allows us to be exposed, while Fear insists we be covered. Love provides unconditional acceptance, while fear stipulates requirements. Love enables abundance. Fear chases abundance away.
But when, through the open door of the cross and the name and power of Jesus Christ, I commend myself to the Father's heart, then God cancels all my past, accepts all my present, swears His holy name for my future and the love of God take me over. Then fear goes out of my heart, because love has come in.
Fear is a strong instrument of power, brother, extremely strong, in fact. If you pluck the right strings the population stays docile, concentrates on idiotic rubbish and doesn't complain about the things that are really important, like freedom of expression and thought and other fundamental human rights.
In order to deserve, we must pay our dues and steadily work for perfection. We must relish in struggle, and relinquish pride. We must dispel fear and seek enlightenment. We must shun division and honor love. We must know our hearts and seek to understand others. We must try, live, create, feel, grow and love.
Many truths which are not believed are called lies,' the Laughing Beast said. 'Mirrors do not themselves lie unless they have been enchanted. Ordinary mirrors merely reflect what is revealed to them. People lie and mirrors reflect people. If your mother feared mirrors in your land, she feared herself.
It would be better to have no school at all than the schools we now have. Encouraged, instead of frightened, children could learn several languages before reaching age of four, at that age engaging in the invention of their own languages. Play'd be play instead of being, as now, release of repressed anger.
Maybe I am getting too grown to want to sleep with Mama. But like a baby, I still have this smallness to my mind. I don't need her hands to convince me the world I can't see from under my blanket is real. I need her hands to do more than her words. Convince me the world I see outside it- ain't.
I sweat terror, Robyn! I'm scared every single second about every single goddamned thing. I worry obsessively about being buried under an avalanche of fear. Jesus, Robyn, I'm scared like only the truly crazy can be.''But that, you dope, is the definition of courage: you go on despite the fear.
In these dangerous times, where it seems that the world is ripping apart at the seams, we all can learn how to survive from those who stare death squarely in the face every day and [we] should reach out to each other and bond as a community, rather than hide from the terrors of life at the end of the millennium.
মনে পাপ থাকার এই একটা লক্ষণ। মনে হয়, সকলে বুঝি সব জানে।
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
