And yet it was also true that the tumor could not be removed by our doctor, and as a result of that a strange medication had been given him that enabled my brother to become even more of an enigma than he was before, and as a result of that there came to exist not only the machine and the inertia that came with it, but a change of perspective among the townsfolk that was a result of their interactions with the various phases of my brother. And so it was that when the flood began to rear its terrible head, not only was there the inertia that we all had to deal with, but a sense of the sublime that we had begun to feel for the waters which had roared upon the horizon.
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From Flood, Flash, and Pheromones--coming soon:In the torrential downpour with water swirling that threatened to pull her down, she didn’t see the voice’s owner. The hurricane had blessed the entire city with a surprise drenching. All weather reports had predicted it to pass over with sporadic rainfall but that didn’t happen. The storm settled over Houston as if it had no intention to move on. Cassie flailed in panic as the roof of her car disappeared under the water twenty feet beyond. She prayed once more that the container in it was watertight. And that she’d see her car again. Then she concentrated on living. Where had the voice come from?
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You can’t blame yourself for what Socrates did. Those birds came because he wanted them to come, at least a part of him did. The pissed off part. Let that roll around in your brain for a while.”Jamie considered this. “No, Eddie. The hurt part, that’s what did it.”The crow shrieked again. It seemed louder, and that meant it was closer. Or maybe it was another crow, maybe several. Jamie and Eddie looked toward the sky, listening to the screams. Jamie spoke first.“We can’t let it happen again. We may be the only ones who know the truth about what Socrates can do.” “That thought probably has occurred to Socrates too.
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Time will solve all the problems Chinese school graduates face. In our bilingual society, there are no more Chinese school graduates, only English school graduates who can speak Mandarin. These English school graduates probably can also read and write Chinese, but they did not go to a Chinese school, and they act and think differently from us. Drawing a line between us, they would never say they graduated from a Chinese school, because former Chinese school graduates, that is, the vanishing group of people that includes us, are second-class citizens. They, on the other hand, belong to the first class, the Chinese elite, English school graduates who are fluent in Chinese.
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Six month of sitting home, six month of doing absolutely nothing but watching TV, going out, sleeping, getting drunk and sleeping again. Oh no, wait, I was busy with something, I was doing some renovations in my new apartment. Which legally became mine only a month ago. Yep, that's what all my life has been about, spontaneous decisions and living in the moment. Because right now technically I'm a 25-year-old illegal immigrant from Russia, four years in New York, no papers, no work authorization, no work itself. Only a crazy life filled with restaurants, shops, beauty salons, clubs and restaurants again. How is it all possible? Very simple. I used to be a stripper.
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Sully's, on South Prospect, was the quintessential biker-bar, complete with hefty, leather-clad Harley worshippers, and stringy-haired heroin-addicted women who made the rounds among the bikers. Its décor was decidedly Medieval Garage Sale, with a dose of Americana thrown in. An old motorcycle carcass dangled from the vaulted section of the beamed ceiling, and the wood plank floors were littered with butts, scarred by bottle caps and splattered with homogenized bodily fluids. The only light to be had was from neon, dying sconces, and lit cigarettes. Various medieval swords perched on each wall, reminiscent of the times of Beowulf and Fire Dragons on the Barrow.
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[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers -- namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out -- don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy -- when in fact the responsibility of showing should be assumed by the energetic and specific use of language.
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Not everyone can be rich,' Peter went on. 'Not everyone can be strong or clever. Not everyone can be beautiful. But we can ALL be brave! If we tell ourselves we can do it; if we say to our hearts, 'don't jump about'; if we carry ourselves like heroes... we can all be brave! We can all look Danger in the face and be glad to meet it, and draw our swords and say, 'Have at you, Danger! You don't scare me!' Courage is just there for the taking; you don't need money to buy it. You don't need to go to school to learn it! Courage is the thing, isn't it? Don't you think so, people? Aren't I right? Courage is the thing! All goes if courage goes!
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Well, I would tell Danny. I'd probably edit for Josh. That is if there wasanything worth editing.“Joshua Roberts, you had better get your butt on the move!” Dannyhollered as he walked down the stairs.I was nervously waiting for them to leave as I pretended to watch TV inthe front room.“We're going to be late.”“So the hair crisis is under control I see.”“A stray hair will never win between a bottle of gel and a gay man,” hedeclared with a smile. “Joshua!”“I'm coming. I'm coming.”I heard his sandals click on the stairs and I waited to see if the mentalimage matched the real one. To my non surprise it did.
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There’s an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don’t notice at what point that you’re actually overwhelmed by this. There’s no showiness, at all. It’s the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn’t have a notion of where the beauty was.(Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.)
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Sin is the only real colour-element left in modern life.''You really must not say things like that before Dorian, Harry.''Before which Dorian? The one who is pouring out tea for us, or the one in the picture?''Before either.''I should like to come to the theatre with you, Lord Henry,' said the lad.'Then you shall come; and you will come, too, Basil, won't you?''I can't, really. I would sooner not. I have a lot of work to do.''Well, then you and I will go alone, Mr. Gray.''I should like that awfully.'The painter bit his lip and walked over, cup in hand, to the picture. 'I shall stay with the real Dorian,' he said, sadly.
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When people pose the question, are you “coxom”, Tom Conrad? I like to pose a question back at them: Is J.K. Rowling actually a witch? Is Thomas Harris the no. 1 serial killer in the the US, did Yann Martell really spend a lifetime eating pie?Of course, as far as I know J.K. Rowling is not a witch, but instead is a rather lovely and talented writer. As for that Thomas Harris (equally talented), I very much suspect he isn’t actually a serial killer at all, or if he is, he’s involved in the biggest case of double bluff… ever! As for Yann Martell, well, as everyone with half a brain knows his book is actually concerned with a mathematical constant, so ignore the dumb pie joke. Hm :
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As the sun went down outside, the television screen started completely lighting up the room in obnoxiously bright colors at hyperactive speeds. The conversation had been slowly rising in volume and frequency, as everyone started becoming more delinquent and the social boundaries slowly wore away. I don't remember what any of them said because I wasn't honestly paying any attention. I was focusing on my own misery and trying to numb the inner demons, the ugly things Thomas claimed came from the Outside World. Yet, to me, it wasn't outside, but rather INSIDE, as in my own head. I kept hearing Charley's voice from bits and pieces of conversations we had, laughter that I'll never hear ever again.
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I have seen many cases like N. during the five years I've been in practice. I sometimes picture these unfortunates as men and women being pecked to death by predatory birds. The birds are invisible - at least until a psychiatrist who is good, or lucky, or both, sprays them with his version of Luminol and shines the right light on them - but they are nevertheless very real. The wonder is that so many OCDs manage to live productive lives, just the same. They work, they eat (often not enough or too much, it's true), they go to movies, they make love to their girlfriends and boyfriends, their wives and husbands . . . and all the time those birds are there, clinging to them and pecking away little bits of flesh.
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Inside the room there sat a rocker, which she sat on, and which had rocked her while she sipped the beer, because in spite of herself she had become so giddy to have so quickly relieved her heart that she allowed herself to lean backwards while in the rocker, which had made it possible for the rocker to rock her, although it was not her intention to be so rocked. Also there stood an ironing board with a still hot iron on it that was burning a yellow shift, and there was, among several items that were not as noticeable to the woman, and yet were noticeable enough to at least bear mention, a fake man."I hope you don't mind me asking," said the woman who lived in the room, but then while in her chair she nodded off.
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