Since she seen Fortune head in that big pot Miss Lydia say that room make her feel ill, sick with the thought of boiling human broth. I wonder how she think it make me feel? To dust the hands what use to stroke my breast; to dust the arms what hold me when I cried; to dust where his soft lips were and his chest what curved its warm against my back at night. From the poem "Dinah's Lament" (15)
There are no coincidences in life. What person that wandered in and out of your life was there for some purpose, even if they caused you harm. Sometimes, it doesn’t make sense the short periods of time we get with people, or the outcomes from their choices. However, if you turn it over to God he promises that you will see the big picture in the hereafter. Nothing is too small to be a mistake.
There are no coincidences in life. What person that wandered in and out of your life was there for some purpose, even if they caused you harm. Sometimes, it doesn’t make sense the short periods of time we get with people, or the outcomes from their choices. However, if you turn it over to God he promises that you will see the big picture in the hereafter. Nothing is too small to be a mistake.
All I was aware of was this hole, this gaping hole where my heart should have been. I read somewhere once that your heart is supposed to be the same size as your clenched fist, but this hole felt far bigger. It seemed to expand over my whole upper body and it felt cold, vacant - the cooling wind seemed to cut right through it. I felt frail and insubstantial, as if the wind could have blown me away.
And in it all, the sensation of shaking my fists at the sky, shaking my fists high up to the sky, because that is what we do when someone dies too early, too beautiful, too undervalued by the world, or sometimes just at all -- we shake our fists at the big, beautiful, indifferent sky, and the anger is righteous and strong and helpless and huge. I shook and I shook, and I put all of it into the dress.
Holding the knife with the blade against my palm, it became so clear how my life would only contain shadows now. Shadows of things gone; not just the people themselves but everything connected to them. Was this my future? Every moment, every tiny thing I saw and did and touched, weighted by loss. Every space in this house andmy town and the world in general, empty in a way that could never be filled.
Holding the knife with the blade against my palm, it became so clear how my life would only contain shadows now. Shadows of things gone; not just the people themselves but everything connected to them. Was this my future? Every moment, every tiny thing I saw and did and touched, weighted by loss. Every space in this house andmy town and the world in general, empty in a way that could never be filled.
It is through the tender austerity of our troubles that the Son of Man comes knocking. In every event He seeks an entrance to my heart, yes, even in my most helpless, futile, fruitless moments. The very cracks and empty crannies of my life, my perplexities and hurts and botched-up jobs, He wants to fill with Himself, His joy, His life...He urges me to learn of Him: 'I am gentle and humble in heart.
In the first year of my grief, there were times when I felt like hiding my personal story of loss and other times when I wanted to wear a sign on my body that read "Be nice to me, I'm grieving," or "Don't tick me off; I've already got the world on my shoulders," or maybe even "BEWARE - don't upset the widow!" I needed a variety of signs that I could switch out depending on my daily mood.
Apart from my father, this house if filled with women. Women stop their lives; they're programmed that way. A child comes into the world and suddenly the choices grow fewer. The women seem to understand the payoff. You sacrifice, yes. You don't get to the gym, to the shrink, to the office, but you get this fragment of a moment with a person who is momentary, who will not be like this again." - 74
And grief still feels like fear. Perhaps, more strictly, like suspense. Or like waiting; just hanging about waiting for something to happen. It gives life a permanently provisional feeling. It doesn't seem worth starting anything. I can't settle down. I yawn, fidget, I smoke too much. Up till this I always had too little time. Now there is nothing but time. Almost pure time, empty successiveness.
There are all sorts of losses people suffer - from the small to the large. You can lose your keys, your glasses, your virginity. You can lose your head, you can lose your heart, you can lose your mind. You can relinquish your home to move into assisted living, or have a child move overseas, or see a spouse vanish into dementia. Loss is more than just death, and grief is the gray shape-shifter of emotion.
And in a way, this was how he had come to see his death, as a series of small ones taking place over the course of his life and leading finally to the main event, which would be so anti-climatic, so undramatic (a sudden violent seizure in his long abused heart, a quick massive flooding of the brain) it would go unnoticed. It was the small deaths occurring over an entire lifetime that took the greater toll.
Gonzo's father told his son to grieve without reservation or embarrassment until he could grieve solemnly and inwardly, and then finally to hang up his tears and wear them only occasionally, as befits the true men of the heart. Grief is not a thing to be ashamed of or suppressed, he told Gonzo. Nor yet is it a thing to cherish. Feel it, inhabit it and leave it behind. It is right, but it is not the end.
I turned to face Audrey, and everything I loved was right there in her eyes, the memories tangible: the schooldays and sleepovers, the cheap bottles of wine and sappy chick flicks. She was there for my mother’s drunken relapses, there to hold me until I fell asleep the first time the ex from Seattle hit me. It was all there, and my God, each memory was suddenly sacred and the sun rose and set upon it.
