She loved your mother', Taliesin said gently. 'This is her farewell.' As he spoke, a chanted melody began inside the chamber, a song without words. Yet it spoke of the beauty in the heart of the flame, of the passing glory of the white bird on the wing, and the blossom of the sea spray under the shining prow. It sang of a mother with her baby, of the hard love between men and women, and the gentle rest that comes at last to all.
And then the queen wept with all her heart. Not for the cruel and greedy man who had warred and killed and savaged everywhere he could. But for the boy who had somehow turned into that man, the boy whose gentle hand had comforted her childhood hurts, the boy whose frightened voice had cried out to her at the end of his life, as if he wondered why he had gotten lost inside himself, as if he realized that it was too, too late to get out again.
In the midst of the darkness of loss, I found light. Admittedly, in those first weeks, it might have been but a single small spark I sensed deep inside of me, but that spark guided me in the twisted, dark journey of grief. As I stumbled over the roots of hopelessness and despair, that light grew to illuminate my path, a path I sometimes felt very alone on. At some point in the journey I’d turned around, and there was God.That is grace.
You will lose someone you can’t live without,and your heart will be badly broken, and the bad news is that you never completely get over the loss of your beloved. But this is also the good news. They live forever in your broken heart that doesn’t seal back up. And you come through. It’s like having a broken leg that never heals perfectly—that still hurts when the weather gets cold, but you learn to dance with the limp.
You will lose someone you can’t live without,and your heart will be badly broken, and the bad news is that you never completely get over the loss of your beloved. But this is also the good news. They live forever in your broken heart that doesn’t seal back up. And you come through. It’s like having a broken leg that never heals perfectly—that still hurts when the weather gets cold, but you learn to dance with the limp.
How can she explain to him that every tear takes her further and further away from the box of razors that lies between them. How can she explain that she is terrified of such a thing happening. That although she thought she wanted freedom from her implements, she doesn't know if she can handle what she's experiencing now. That she wants to know that she is still in charge of her grief. That her blades have always done her bidding.
In Memoriam A.H.H. Section 5I sometimes hold it half a sinTo put in words the grief I feel;For words, like Nature, half revealAnd half conceal the Soul within.But, for the unquiet heart and brain,A use in measured language lies;The sad mechanic exercise,Like dull narcotics, numbing pain.In words, like weeds, I'll wrap me o'er,Like coarsest clothes against the cold:But that large grief which these enfoldIs given in outline and no more.
In Memoriam A.H.H. Section 5I sometimes hold it half a sinTo put in words the grief I feel;For words, like Nature, half revealAnd half conceal the Soul within.But, for the unquiet heart and brain,A use in measured language lies;The sad mechanic exercise,Like dull narcotics, numbing pain.In words, like weeds, I'll wrap me o'er,Like coarsest clothes against the cold:But that large grief which these enfoldIs given in outline and no more.
June is gone. For the first time, the enormity of that hits me. Every muscle aches, my heart most of all. I am throbbing with how much I miss her. It hurts worse than anything. I don't know how I'm supposed to be expected to live day to day carrying this kind of pain. I don't know how I'm supposed to go out there, spread her ashes, and let her go.I want to stop running away from everything.I want to find something to run toward.
June is gone. For the first time, the enormity of that hits me. Every muscle aches, my heart most of all. I am throbbing with how much I miss her. It hurts worse than anything. I don't know how I'm supposed to be expected to live day to day carrying this kind of pain. I don't know how I'm supposed to go out there, spread her ashes, and let her go.I want to stop running away from everything.I want to find something to run toward.
In fact, since the accident, Mom doesn't love anyone. She is marble. Beautiful. Frigid. Easily stained by her family. What's left of us anyway. We are corpses.At first, we sought rebirth. But resurrection devoid of her love has made us zombies. We get up every morning, skip breakfast, hurry off to work or school. For in those other places, we are more at home.And sometimes we stagger beneath the weight of grief, the immensity of aloneness.
Grief is an artist of powers as various as the instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs.
Tears of grief are unique. They contain chemicals that aren't found in the more mundane droplets of moisture that bathe the eyes, as if our tears wash us free of some noxious cause of sorrow. And tonight, after crying until I am empty, I have a rare glimpse of my own interior landscape - wounds piled like tiny skeletons into the reef of conscious adult life. I am aground amid my conquered traumas, stranded as a consequence of my achievements.
Tears of grief are unique. They contain chemicals that aren't found in the more mundane droplets of moisture that bathe the eyes, as if our tears wash us free of some noxious cause of sorrow. And tonight, after crying until I am empty, I have a rare glimpse of my own interior landscape - wounds piled like tiny skeletons into the reef of conscious adult life. I am aground amid my conquered traumas, stranded as a consequence of my achievements.
I don’t know anything different about death than I ever have, but I feel differently. I inhabit this difference in feeling- or does it live in me?- at the same time as I’m sorrowing. The possibility of consolation, of joy even, does not dispel the sorrow. Sorrow is the cathedral, the immense architecture; in its interior there’s room for almost everything; for desire, for flashes of happiness, for making plans for the future…
