Survivors look back and see omens, messages they missed.They remember the tree that died, the gull that splattered onto the hood of the car.They live by symbols. They read meaning into the barrage of spam on the unused computer, the delete key that stops working, the imagined abandonment in the decision to replace it.

Survivors look back and see omens, messages they missed.They remember the tree that died, the gull that splattered onto the hood of the car.They live by symbols. They read meaning into the barrage of spam on the unused computer, the delete key that stops working, the imagined abandonment in the decision to replace it.

Dark now. Blacker than black, I know it. And words are tiny things in the face of all that dark and all that cold. But hear these words, little sister. Hear and know. Tomorrow is coming, just as fast as the turning of the sky. And as sure as it’s black now, the sun will rise. Always. No matter how faint the glow.

Dark now. Blacker than black, I know it. And words are tiny things in the face of all that dark and all that cold. But hear these words, little sister. Hear and know. Tomorrow is coming, just as fast as the turning of the sky. And as sure as it’s black now, the sun will rise. Always. No matter how faint the glow.

Her absence is like the sky, spread over everything.But no, that is not quite accurate. There is one place where her absence comes locally home to me, and it is a place I can't avoid. I mean my own body. It had such a different importance while it was the body of H.'s lover. Now it's like an empty house.

Her absence is like the sky, spread over everything.But no, that is not quite accurate. There is one place where her absence comes locally home to me, and it is a place I can't avoid. I mean my own body. It had such a different importance while it was the body of H.'s lover. Now it's like an empty house.

I am crying, he thought, opening his eyes to stare through the soapy, stinging water. I feel like crying, so I must be crying, but it's impossible to tell because I'm underwater. But he wasn't crying. Curiously, he felt too depressed to cry. Too hurt. It felt as if she'd taken the part of him that cried.

I am crying, he thought, opening his eyes to stare through the soapy, stinging water. I feel like crying, so I must be crying, but it's impossible to tell because I'm underwater. But he wasn't crying. Curiously, he felt too depressed to cry. Too hurt. It felt as if she'd taken the part of him that cried.

The reality is that you will grieve forever. You will not ‘get over’ the loss of a loved one; you will learn to live with it. You will heal and you will rebuild yourself around the loss you have suffered. You will be whole again but you will never be the same. Nor should you be the same nor would you want to.

The reality is that you will grieve forever. You will not ‘get over’ the loss of a loved one; you will learn to live with it. You will heal and you will rebuild yourself around the loss you have suffered. You will be whole again but you will never be the same. Nor should you be the same nor would you want to.

There was this constant urge in me to tear my insides apart,I didn't know why. By the time I made my mind that it was impossible for meto do, there alighted the fear, haunting me with the words that rangconstantly in my head, "You're not brave enough".I didn't feel devastated, I felt the urge to be devastated.

Just days after Joseph died, we sat down to eat dinner at the dining room table. We each sat there, choking down our food, tears streaming down our faces, and no one speaking. There was no one in his chair; his side of the table had a gaping hole. A large part of the nightly conversation was missing. Everything felt wrong.

Yet the story of Orpheus, it occurs to me, is not just about the desire of the living to resuscitate the dead but about the ways in which the dead drag us along into their shadowy realm because we cannot let them go. So we follow them into the Underworld, descending, descending, until one day we turn and make our way back.

Yet the story of Orpheus, it occurs to me, is not just about the desire of the living to resuscitate the dead but about the ways in which the dead drag us along into their shadowy realm because we cannot let them go. So we follow them into the Underworld, descending, descending, until one day we turn and make our way back.

Century after century, the belief that an individual’s physical health was independent of his or her emotional health has so dominated medical thought that there has even been open contempt for anyone who would dare to claim that a person’s physical well-being is the sum of its internal and external influences.