I had come from wondrous lands, from landscapes more enchanting than life, but only to myself did I ever mention these lands, and I said nothing about the landscapes which I saw in dreams. My feet stepped like theirs over the floorboards and the flagstones, but my heart was far away, even if it beat close by, false master of an estranged and exiled body.
Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.
She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!
As I look back on my life, I think of how few rules should be followed. As for men, we must learn bravery and live for Pleasure and for Beauty. More important than those two things should stand only one thing for us... Honor. A man's honor should be more sacred to him than his life — especially in our age, a time when very few men know what honor is.
Katie began to draw in the secrecy of her room, in anger at first, using her mother’s pencils and whatever paper she could find. Sometimes, she had to steal from Nader’s study to replenish her supplies, but it was worth it. She was nothing but a scribbler to begin with – scrawled lines, misshapen monsters – but slowly, she found a style.
The palace started as a single vaulted room and grew in proportion to my despair. It began as an exercise to keep my mind from its melancholy, then it became a dream and a necessity. . . . I built a temple in my head. . . . Its hallways were as lofty as a cathedral, and the arch of each window as supple as a bow. Its corridors were the passages of my own brain.
In order to survive, a plurality of true communities would require not egalitarianism and tolerance but knowledge, an understanding of the necessity of local differences, and respect. Respect, I think, always implies imagination - the ability to see one another, across our inevitable differences, as living souls. (pg. 181, Sex, Economy, Freedom, and Community)
The characters within a book were, from a certain point of view, identical on some fundamental level ‒ there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort.
Who but the artist has the power to open man up, to set free the imagination? The others - priest, teacher, saint, statesman, warrior - hold us to the path of history. They keep us chained to the rock, that the vultures may eat out our hearts. It is the artist who has the courage to go against the crowd; he is the unrecognized "hero of our time" - and of all time.
Alas, everything that men say to one another is alike; the ideas they exchange are almost always the same, in their conversation. But inside all those isolated machines, what hidden recesses, what secret compartments! It is an entire world that each one carries within him, an unknown world that is born and dies in silence! What solitudes all these human bodies are!
It doesn't matter if people are playing jazz or writing poetry -- if they want to be successful, they need to learn how to persist and persevere, how to keep on working until the work is done. Woody Allen famously declared that "eighty percent of success is showing up." NOCCA (New Orleans Center for the Creative Arts) teaches kids how to show up again and again.
L’amour, tu sais, ce dont il a le plus besoin, c’est l’imagination. Il faut que chacun invente l’autre avec toute son imagination, avec toutes ses forces et qu’il ne cède pas un pouce du terrain à la réalité ; alors, là, lorsque deux imaginations se rencontrent… Il n’y a rien de plus beau.
Before the Wright brothers flew, flying was fantasy. Before the civil rights movement, people getting along together and the races being equal was a fantasy. Things change because we imagine a different world, a world that is not. And I think that imagination is one of the most important and defining aspects of human existence: our ability to imagine a world that is not.
The contract between the author and the reader is a game. And the game . . . is one of the greatest invetions of Western civilization: the game of telling stories, inventing characters, and creating the imaginary paradise of the individual, from whence no one can be expelled because, in a novel, no one owns the truth and everyone has the right to be heard and understood.
If you sell, say, two thousand copies, it is the same thing as if you had sold nothing at all because two thousand is too vast—I mean, for the imagination to grasp. While thirty-seven people—perhaps thirty-seven are too many, perhaps seventeen would have been better or even seven—but still thirty-seven are still within the scope of one's imagination.
