Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think.
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The gift of imagination is by no means an exclusive property of the artist; it is a gift we all share; to some degree or other all of us are endowed with the powers of fantasy, the dullest of dullards among us has the gift of dreams at night - visions and yearnings and hopes. Everyone can also think; it is the quality thought that makes the difference - not just the quality of logical thinking, but of imaginative thinking. And our greatest thinkers, those who have radically changed our world, have always arrived at their truths by dreaming them; they are first fantasized, and only then subjected to proof.
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If there is a deity of the kind imagined by votaries of the big mail-order religions such as Christianity and Islam, and if this deity is the creator of all things, then it is responsible for cancer, meningitis, millions of spontaneous abortions everyday, mass killings of people in floods and earthquakes-and too great mountain of other natural evils to list besides. It would also,as the putative designer of human nature, ultimately be responsible or the ubiquitous and unbeatable human propensities for hatred, malice, greed, and all other sources of the cruelty and murder people inflict on each other hourly.
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Then my sole relief was to walk along the corridor of the third storey, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind's eye to dwell on whatever bright visions rose before it - and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement, which, while it swelled it in trouble, expanded it with life; and, best of all, to open my inward ear to a tale that was never ended - a tale my imagination created, and narrated continuously; quickened with all of incident, life, fire, feeling, that I desired and had not in my actual existence.
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For people never say anything the same way twice; no two of them ever say it the same. The greatest imaginative writer that ever brooded in a lavender robe and a mellowed briar in his teeth, couldn't tell you, though e try for a lifetime, how the simplest strap-hanger will ask the conductor to be let off at the next stop. ...It is all for the taking. All the manuals by frustrated fictioneers on how to write can't give you the first syllable of reality, at any cot, that any common conversation can. All the classics, read and re-read, can't help you catch the ring of truth as does the word heard first-hand.
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Words are little houses, each with its cellar and garret. Common-sense lives on the ground floor, always ready to engage in "foreign commerce" on the same level as the others, as the passers-by, who are never dreamers. To go upstairs in the word house, is to withdraw, step by step; while to go down to the cellar is to dream, it is losing oneself in the distant corridors of an obscure etymology, looking for treasures that cannot be found in words. To mount and descend in the words themselves - this is a poet's life. To mount too high or descend too low, is allowed in the case of poets, who bring earth and sky together.
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Christians . . . ought not to be threatened by fantasy and imagination. Great painting is not "photographic": think of the Old Testament art commanded by God. There were blue pomegranates on the robes of the priest who went into the Holy of Holies. In nature there are no blue pomegranates. Christian artists do not need to be threatened by fantasy and imagination, for they have a basis for knowing the difference between them and the real world "out there." The Christian is the really free person--he is free to have imagination. This too is our heritage. The Christian is the one whose imagination should fly beyond the stars.
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What we have witnessed in our own time is the death of universities as centres of critique. Since Margaret Thatcher, the role of academia has been to service the status quo, not challenge it in the name of justice, tradition, imagination, human welfare, the free play of the mind or alternative visions of the future. We will not change this simply by increasing state funding of the humanities as opposed to slashing it to nothing. We will change it by insisting that a critical reflection on human values and principles should be central to everything that goes on in universities, not just to the study of Rembrandt or Rimbaud.
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Because," explained Mary Rommely simply, "the child must have a valuable thing which is called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out by believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination. I, myself, even in this day and at my age, have great need of recalling the miraculous lives of the Saints and the great miracles that have come to pass on earth. Only by having these things in my mind can I live beyond what I have to live for.
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Imagination has brought mankind through the Dark Ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity. Imagination has given us the steam engine, the telephone, the talking-machine and the automobile, for these things had to be dreamed of before they became realities. So I believe that dreams - day dreams, you know, with your eyes wide open and your brain-machinery whizzing - are likely to lead to the betterment of the world. The imaginative child will become the imaginative man or woman most apt to create, to invent, and therefore to foster civilization.
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He had never got so much back for himself from any pupil as he did from Miss Kronborg. From the first she had stimulated him; something in her personality invariably affected him. Now that he was feeling his way toward her voice, he found her more interesting than ever before. She lifted the tedium of the winter for him, gave him curious fancies and reveries. Musically, she was sympathetic to him. Why this was true, he never asked himself. He had learned that one must take where and when one can the mysterious mental irritant that rouses one's imagination; that it is not to be had by order. She often wearied him, but she never bored him.
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We dream — it is good we are dreaming —It would hurt us — were we awake —But since it is playing — kill us,And we are playing — shriek —What harm? Men die — externally —It is a truth — of Blood —But we — are dying in Drama —And Drama — is never dead —Cautious — We jar each other —And either — open the eyes —Lest the Phantasm — prove the Mistake —And the livid SurpriseCool us to Shafts of Granite —With just an Age — and Name —And perhaps a phrase in Egyptian —It's prudenter — to dream —
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Never surrender your hopes and dreams to the fateful limitations others have placed on their own lives. The vision of your true destiny does not reside within the blinkered outlook of the naysayers and the doom prophets. Judge not by their words, but accept advice based on the evidence of actual results. Do not be surprised should you find a complete absence of anything mystical or miraculous in the manifested reality of those who are so eager to advise you. Friends and family who suffer the lack of abundance, joy, love, fulfillment and prosperity in their own lives really have no business imposing their self-limiting beliefs on your reality experience.
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Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.
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Why,' I said, quite surprised by my own eloquence in inventing all this stuff, 'it happens every day. The old old story. Boys and girls fall in love, that is, they are driven mad and go blind and deaf and see each other not as human animals with comic noses and bandy legs and voices like frogs, but as angels so full of shining goodness that like hollow turnips with candles put into them, they seem miracles of beauty. And the next minute the candles shoot out sparks and burn their eyes. And they seem to each other like devils, full of spite and cruelty. And they will drive each other mad unless they have grown some imagination. Even enough to laugh.
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