In the country, a good he-snowstorm makes a lovely design for putting on a holiday greetings card. In the city it just makes an infernal mess for the street-cleaning department to wrestle with. … By midday of next day it would be licked to a custard— molten into puddles of foggy slush where cellar furnaces exhaled their hot breath up out of sidewalk gratings, roiled and fouled and crunched down beneath the heels and the tires of the town, flung up in crumply billows by the conscripted shovel crews, and under the park trees and on the park meadows would show a stark and grayish cast like the face of a grimy pauper whose corpse the undertaker scanted. And the longer it stayed there the sootier and the dirtier and the deader-looking it would get to be. You may worry the city with your winter weathers; you cannot keep her licked for any great length of time.

You wake up on a winter morning and pull up the shade, and what lay there the evening before is no longer there--the sodden gray yard, the dog droppings, the tire tracks in the frozen mud, the broken lawn chair you forgot to take in last fall. All this has disappeared overnight, and what you look out on is not the snow of Narnia but the snow of home, which is no less shimmering and white as it falls. The earth is covered with it, and it is falling still in silence so deep that you can hear its silence. It is snow to be shoveled, to make driving even worse than usual, snow to be joked about and cursed at, but unless the child in you is entirely dead, it is snow, too, that can make the heart beat faster when it catches you by surprise that way, before your defenses are up. It is snow that can awaken memories of things more wonderful than anything you ever knew or dreamed.

When the full moon was out the other night, it created one of the most spectacular scenes that I have seen in the Alps. The high glaciers of the Mont Blanc range were glowing an eerie bright blue-white, and they looked like huge ghost ships in the dark ocean of sky, sailing amongst black mountain valleys.There were no clouds, and the moon was a huge and perfect disc tracking across the sky, shining on different parts of the glaciers through the night.Looking up, I saw the black silhouette of the mid-altitude mountains below the ethereal shining high-mountain terrain, which created a weird vision: the ghostly glaciers floating, and appearing separate, contrasting sharply with the dark valleys beneath.The Aiguille Verte especially, being so steep and isolated, seemed almost like a holographic mast with sails, plowing into the rolling waves, chasing after the Mont Blanc summit with its billowing spinnaker...

But germs are the most common snowflake starters and lie at the heart of 85 percent of all flakes.2So next time you gaze at a lovely snowstorm, inform your favorite germophobe or hypochondriac that living bacteria sit shivering in most of those untold billions of flakes. Then hand him or her a snow cone or organize a catch-a-snowflake-on-your-tongue party.Once the ice-forming process is started, more molecules join the party, and the crystal grows. It can ultimately become either a snowflake or a rough granule of ice called by the odd name graupel. A snowflake contains ten quintillion water molecules. That’s ten million trillion. Ten snowflakes—which can fit on your thumb tip—have the same number of molecules as there are grains of sand on the earth. Or stars in the visible universe. How many flakes, how many molecules fashioned the snowy landscape I was observing as I drove east? It numbed the brain.

On an impulse he went into the room and stood before the window, pushing aside the sheer curtain to watch the snow, now nearly eight inches high on the lampposts and the fences and the roofs. It was the sort of storm that rarely happened in Lexington, and the steady white flakes, the silence, filled him with a sense of excitement and peace. It was a moment when all the disparate shards of his life seemed to knit themselves together, every past sadness and disappointment, every anxious secret and uncertainty hidden now beneath the soft white layers. Tomorrow would be quiet, the world subdued and fragile, until the neighborhood children came out to break the stillness with their tracks and shouts and joy. He remembered such days from his own childhood in the mountains, rare moments of escape when he went into the woods, his breathing amplified and his voice somehow muffled by the heavy snow that bent branches low, drifted over paths. The world, for a few short hours, transformed.

I drag the body out into the snowdrifts, as far away from our shack as I can muster. I put her in a thicket of trees, where the green seems to still have a voice in the branches, and try not to think about the beasts that’ll soon be gathering. There’s no way of burying her; the ground is a solid rock of ice beneath us.I kneel beside her and want desperately to weep. My throat tightens and my head aches. Everything hurts inside. But I have no way of releasing it. I’m locked up and hard as stone.“I’m sorry, Mamma,” I whisper to the shell in front of me. I take her hand. It could belong to a glass doll. There’s no life there anymore. So I gather rocks, one by one, and set them over her, trying my best to protect her from the birds, the beasts, keep her safe as much as I can now. I pile the dark stones gently on her stomach, her arms, and over her face, until she becomes one with the mountain. I stand and study my work, feeling like the rocks are on me instead, then I leave the body for the forest and ice.

It was gentler here, softer, its seethe the quietest of whispers, as if, in deference to a drawing room, it had quite deliberately put on its 'manners'; it kept itself out of sight, obliterated itself, but distinctly with an air of saying, 'Ah, but just wait! Wait till we are alone together! Then I will begin to tell you something new! Something white! something cold! something sleepy! something of cease, and peace, and the long bright curve of space! Tell them to go away. Banish them. Refuse to speak. Leave them, go upstairs to your room, turn out the light and get into bed - I will go with you, I will be waiting for you, I will tell you a better story than Little Kay of the Skates, or The Snow Ghost - I will surround your bed, I will close the windows, pile a deep drift against the door, so that none will ever again be able to enter. Speak to them!...' It seemed as if the little hissing voice came from a slow white spiral of falling flakes in the corner by the front window - but he could not be sure.("Silent Snow, Secret Snow")

Yet there was a momentary hint of blue sky, and even this bit of light was enough to release a flash of diamonds across the wide landscape, so oddly disfigured by its snowy adventure. Usually the snow stopped at that hour of the day, as if for a quick survey of what had been achieved thus far; the rare days of sunshine seemed to serve much the same purpose—the flurries died down and the sun’s direct glare attempted to melt the luscious, pure surface of drifted new snow. It was a fairy-tale world, child-like and funny. Boughs of trees adorned with thick pillows, so fluffy someone must have plumped them up; the ground a series of humps and mounds, beneath which slinking underbrush or outcrops of rock lay hidden; a landscape of crouching, cowering gnomes in droll disguises—it was comic to behold, straight out of a book of fairy tales. But if there was something roguish and fantastic about the immediate vicinity through which you laboriously made your way, the towering statues of snow-clad Alps, gazing down from the distance, awakened in you feelings of the sublime and holy.

Seeing that I would never manage to fall asleep, I arose, lit a candle, and after dressing went outside.Beneath the dull glow of the winter moon the snow glowed like pale blue china. The sidewalks sparkled weakly beneath the rays of the flickering street lamps; the benumbed streets slumbered forlornly. I walked, passing one corner after the other, and suddenly found myself on the edge of town. Further, beyond the square, an endless expanse began to glisten with a somber silverness.I stopped just before the gates. My intent gaze could distinguish nothing in the distant white expanse. Before me rose the imposing bank of the Volga like a gigantic snowdrift. So barren and uninviting was this deserted view resembling eternity that my heart contracted.I turned to the right and approached quite close to the monastery enclosure. From behind the bronze gates, glimmered a dense net of crosses and gravestones. The ancient eyes of the church gazed forbiddingly down on me, and with an eerie feeling I thought of the monks sleeping at this moment in tomb-like cells together with corpses. Were any of them thinking of the hour of death on this night?("Lamia")

After six long hours of driving and three rest stops, Tiger pulls up to a snow-topped, metal speaker box just outside the State Penitentiary's first gate in Walla Walla. As he rolls down his window and snow flies in his face, Joshua starts begging for a Happy Meal.I turn around, snapping at him. "This ISN'T MCDONALDS and YOU AREN'T HUNGRY. NOW SHUT UP BRAT."A loud scratchy masculine voice blasts out of the speaker. "CAN I HELP YOU?"Tiger leans out the window, as he answers- We're here to visit Raven Chandler."HAVE YOU BEEN HERE BEFORE?""Yes sir. I've been here A LOT." "WHERE'S HIS MOTHER?""I don't know.. I haven't seen her in months.""NOT THE PRISONER'S MOTHER. THE BRAT IN THE BACK SEAT OF YOUR JEEP.""Oh- HIM-" As he turns, smiling and sticking his tongue out at Joshua, I lean towards his window to answer the guard's question. "SHE'S IN VEGAS, SIR. I'M BABYSITTING. HE'S MY GODSON." When the speaker remains disturbingly silent for far too long, I continue. "HE'S A GOOD BOY SIR. HE WON'T BE ANY TROUBLE- I SWEAR." "THAT'S RIGHT," Tiger said. "HE SWEARS ON THE LITTLE BRAT'S MOTHER'S GRAVE.

Do you know what the foundation of mathematics is?" I ask. "The foundation ofmathematics is numbers. If anyone asked me what makes me truly happy, I wouldsay: numbers. Snow and ice and numbers. And do you know why?"He splits the claws with a nutcracker and pulls out the meat with curved tweezers."Because the number system is like human life. First you have the natural numbers.The ones that are whole and positive. The numbers of a small child. But humanconsciousness expands. The child discovers a sense of longing, and do you knowwhat the mathematical expression is for longing?"He adds cream and several drops of orange juice to the soup."The negative numbers. The formalization of the feeling that you are missingsomething. And human consciousness expands and grows even more, and the childdiscovers the in between spaces. Between stones, between pieces of moss on thestones, between people. And between numbers. And do you know what that leadsto? It leads to fractions. Whole numbers plus fractions produce rational numbers.And human consciousness doesn't stop there. It wants to go beyond reason. It addsan operation as absurd as the extraction of roots. And produces irrational numbers."He warms French bread in the oven and fills the pepper mill."It's a form of madness.' Because the irrational numbers are infinite. They can't bewritten down. They force human consciousness out beyond the limits. And by addingirrational numbers to rational numbers, you get real numbers.

This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket.Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters. I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. ("The Vane Sisters")

Sniegam ir piecas pamatpazīmes.Tas ir balts.Tas sastindzina dabu un pasargā to.Tas nemitīgi pārvēršas.Tas ir slidens.Tas pārtop par ūdeni.Kad Juko par to ieminējās tēvam, viņš tajā saskatīja tikai negatīvo, it kā dēla dīvainā kaisle uz sniegu viņa acīs ziemas sezonu padarītu vēl biedējošāku.-Tas ir balts. Tātad neredzams un nav pelnījis būt redzams.Tas sastindzina dabu un pasargā to. Lepnais. Kas viņš tāds ir, lai apgalvotu, ka spēj sastindzināt pasauli?Tas nemitīgi pārvēršas. Tātad tas nav uzticams.Tas ir slidens. Kurš gan gūst baudu, paslīdot sniegā?Tas pārtop par ūdeni. Lai vairāk mūs appludinātu atkušņu laikā.Bet Juko savā sabiedrotajā saskatīja piecas citas īpašības, kas pilnībā apmierināja viņa māksliniecisko talantu.-Tas ir balts. Tātad sniegs ir dzeja. Neizsakāmas tīrības dzeja.Tas sastindzina dabu un pasargā to. Tātad sniegs ir glezna. Vissmalkākā ziemas glezna.Tas nemitīgi pārvēršas. Tātad sniegs ir kaligrāfija. Ir desmittūkstoš veidu, kā uzrakstīt vārdu sniegs.Tas ir slidens. Tātad sniegs ir deja. Uz sniega ikviens var sajusties kā virves dejotājs.Tas pārtop par ūdeni. Tātad sniegs ir mūzika. Pavasarī tas pārvērš upes un strautus baltu nošu simfonijās.-Sniegs Tev nozīmē to visu? - jautāja priesteris.-Vēl vairāk.

I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside.There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back.Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled.The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head.There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!