The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply ‘the other’, ‘an object’, ‘commodity’, ‘thing’. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

Liberating ourselves from the traditional strictures of marriage altogether, and/or transforming those strictures to include all of us -- gay, feminist, career-focused, baby crazy, monogamous, non-monogamous, skeptical, romantic, and everyone in between -- is the challenge facing this generation. As we consciously opt out or creatively reimagine marriage one loving couple at a time, we'll be able to shift societal expectations wholesale, freeing younger generations from some of the antiquated assumptions we've faced (that women always want to get married and men always shy away from commitment, that gender parity somehow disempowers men, that turning 30 makes an unmarried woman into an old maid).

But the second kind seek out the women who love women, who can procure a young man for them and add to the pleasure which they get from finding themselves with him; much more, they can, in the same way, find the same pleasure with them as with a man. [...] For in the relationships they have with them, they play the role of another woman for the women who love women, and the woman offers them at the same time more or less what they find in a man, so that the jealous friend suffers from feeling that the man he loves is inseparable from the woman who is for him almost a man, at the same time as he feels him almost escaping from him, because, for these women, he is something he does not know, a sort of woman.

. . . [O]nce we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives.""The erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling.""Of course, women so empowered are dangerous. So we are taught to separate the erotic from most vital areas of our lives other than sex.

وفى الأجانب الذى يخشونان يتم توقيفهم بتهمة " التحرش الجنسى " . وهذا مفهوم تم استنباطه لكى تشعر نساء العالمقاطبة أنهن مكروهات

HECUBA: I had a knife in my skirt, Achilles. When Talthybius bent over me, I could have killed him. I wanted to. I had the knife just for that reason. Yet, at the last minute I thought, he's some mother's son just as Hector was, and aren't we women all sisters? If I killed him, I thought, wouldn't It be like killing family?Wouldn't it be making some other mother grieve? So I didn't kill him, but if I had, I might have saved Hector's child. Dead or damned, that's the choice we make. Either you men kill us and are honored for it, or we women kill you and are damned for it. Dead or damned. Women don't have to make choices like that in Hades. There is no love there, nothing to betray.

After all, as it says on a needlepoint sampler or throw pillow or the occasional bumper sticker: Good girls go to heaven, but bad girls go everywhere. In high heels. Or mules by Manolo Blahnik, the strappy, tangly kind that give you blisters. And when their feet start to hurt, they bitch about it a lot, until someone agrees to carry them home. Bad girls understand that there is no point in being good and suffering in silence. What good has good ever done? We women still only make seventy-one cents, on average, for every man's dollar. We still have to listen to studies telling us that a single woman over the age of 35 had best avoid airplanes because she is more likely to die in a terrorist attack than get married.

The girl with dark hair was coming towards them across the field. With what seemed a single movement she tore off her clothes and flung them disdainfully aside. Her body was white and smooth, but it aroused no desire in him, indeed he barely looked at it. What overwhelmed him in that instant was admiration for the gesture with which she had thrown her clothes aside. With its grace and carelessness it seemed to annihilate a whole culture, a whole system of thought, as though Big Brother and the Party and the Thought Police could all be swept into nothingness by a single splendid movement of the arm. That too was a gesture belonging to the ancient time. Winston woke up with the word ‘Shakespeare’ on his lips.

You need to respect people either good one or bad. Every person in this world have something good and something bad. You need to see the positive side of the person rather than the negative ones. By doing this you can never hate anyone in this world. Some time ago I use to think to shoot few peoples, but seeing the things they gave me when they love me, I use to forget their bad things. They taught me what's life, how to survive, how to struggle, how to be success, but they also left me on the middle of the desert…… but with due respect and the lessons they gave to me I easily come out from that desert…. And now I am trying to teach all these life experiences to them who need it…….

The photograph, then, becomes a representation of a representation of a disease that represents. In other words, in order to produce the most perfect images of hysteria, the hysteric – a woman whose illness simulates the symptoms of other diseases – was transformed, through hypnosis, into an artificial hysteric who perfectly simulated the simulations of hysteria. The medical photograph becomes a copy of a copy of a copy, a representation so far removed from the original that all duplicitous traits, were easily erased, leaving the deranged and chaotic nature of the original far behind. The photograph succeeded in turning the hysteric into a wholly artificial being, literally a flat, framed, unmoving image.

The man raised his glass, 'To you!'Can't you think of a wittier toast?'Something was beginning to irritate him about the girl's game. Now sitting face to face with her, he realized it wasn't just the words which were turning her into a stranger, but that her whole persona had changed, the movements of her body and her facial expression, and that she unpalatably and faithfully resembled that type of woman whom he knew so well and for whom he felt some aversion.And so (holding his glass in his raised hand), he corrected his toast: 'O.K., then I won't drink to you, but to your kind, in which are combined so successfully the better qualities of the animal and the worse aspects of the human being.

An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know.All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was!-that it must end; and no one in the whole world would know how she had loved it all; how, every instant . . .

In the street below, a posh-looking drunk man is reading the card of a prostitute, Blue-Tacked up by a doorbell. He’s examining it with all the forensic care I presume he puts into reading a wine list.‘What are you looking for?’ I ask him, in my head. ‘What woman will go best with your main course of terrible, horny loneliness?’I speculate, briefly, on how different the world would be if it were run by women. In that world, if you were a lonely, horny woman – as I am. As I always am – you’d see Blu-tacked postcards by Soho doorways that read, ‘Nice man in cardigan, 24, will talk to you about The Smiths whilst making you cheese-on-toast + come to parties with you. Apply within.

On problems finding female ancestors,of any background, remember "I cannot put gas in my car without a note from my husband. The Car, the house, and everything else I think that I own is in his name. When I die, I cannot decide who will receive my personal effects. If he dies first I may be allowed to stay in my own home, or may be given a certain number of days to vacate the premises. Any real estate I inherit from my husband is not mine to sell of devise in a will. All the money I earn belongs to my husband. I cannot operate or engage in business in my own name. If my ancestor is enslaved, I cannot marry, may not be allowed to raise my own children, join a church, travel freely, own property or testify against those who harm me.

The feminist story, she reminded me, is a counternarrative, a narrative of disobedience, a chronicle of battle, nto of surrender. Women who do not fit the mold are too often maneuvered, manipulated, and mangled into some culturally safe archetype. The makers of history transformed perpetua intoa cold, unfeeling mother - a villan of sorts. But who is to say that becoming a mother didn't also push Perpetua to become a martyr, didn't cause her to passionatley uphold her religious ideals because she wanted to offer her son the greatest gift she could - an ideal? Maybe, in the end, Perpetua's maternal instincts were precisely what gave her the strength to confront the burliest Roman gladiator and the to lie down with dignity?