What’s more amazing is how we habitually take the power ofour voice for granted. When we bring our awareness to our voiceand learn to express it in new ways—with impeccability—werediscover our true message. Your voice is the key to unlockingthe power and magnificence of your message. This work isn’tabout singing on key, finding the right words, leaving out ‘ums’and ‘uhs’ and articulating clearly. This is about allowing andaccepting your Magical Self. Let’s talk about how words createyou.

People can go on telling themselves things like “Think before you speak!” or “You don’t believe that yourself” or “Forget it!” But they can also say, “Oh, what lovely flowers!” or “Are you a phone freak or something?” or “Suit yourself,” or “This record makes me feel so happy!’ Wonderful! Words are delightful little gifts we exchange like the Easter eggs we paint and hide for others to find and enjoy. I’d forgotten that, but you reminded me of it.

Look, words are like the air: they belong to everybody. Words are not the problem; it's the tone, the context, where those words are aimed, and in whose company they are uttered. Of course murderers and victims use the same words, but I never read the words utopia, or beauty, or tenderness in police descriptions. Do you know that the Argentinean dictatorship burnt The Little Prince ? And I think they were right to do so, not because I do not love The Little Prince , but because the book is so full of tenderness that it would harm any dictatorship.

I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly and language became an obstacle. It became clear that it would be necessary to invent a new language... I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was “it”? “It” was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless.

The keeping of lists was for November an exercise kin to repeating of a rosary. She considered it neither obsessive nor compulsive, but a ritual, an essential ordering of the world into tall, thin jars containing perfect nouns. Enough nouns connected one to the other create a verb, and verbs had created everything, had skittered across the face of the void like pebbles across a frozen pond. She had not created a verb herself, but the cherry-wood cabinet in the hall contained book after book, jar after jar, vessel upon vessel, all brown as branches, and she had faith.

I want to write something that means something to someone...the reminds them of what a second, a moment, really is...or that assures them that we are just as lost as they are. I want to write an emotion they are too fragile to let loose, so that my words can do the expression for them, the feeling for them. I want to write beyond the basics and the cliches...I want to write you, I want to write a long walk on a starry night, I want to write an exhale or an inhale...or suffocation.I want to write as clear as my voice could be heard...that is, if I had anything to say.

They say instant communication is not communication at all but merely a frantic, trivial, nerve-wracking bombardment of clichés, threats, fads, fashions, gibberish and advertising. However, who has not hung on a scripture, a quote, a statement, only to stumble upon the key phrase that brought all things to a turning point? The greatest sermons and speeches were pieced together by illuminating thoughts that powered men to surpass their own commonness. It is the sparkling magic of letters forming words, and those words colliding with passion, that makes statements into wisdom.

And now the measure of my song is done: The work has reached its end; the book is mine, None shall unwrite these words: nor angry Jove, Nor war, nor fire, nor flood, Nor venomous time that eats our lives away. Then let that morning come, as come it will, When this disguise I carry shall be no more, And all the treacherous years of life undone, And yet my name shall rise to heavenly music, The deathless music of the circling stars. As long as Rome is the Eternal City These lines shall echo from the lips of men, As long as poetry speaks truth on earth, That immortality is mine to wear.

And there was never a better time to delve for pleasure in language than the sixteenth century, when novelty blew through English like a spring breeze. Some twelve thousand words, a phenomenal number, entered the language between 1500 and 1650, about half of them still in use today, and old words were employed in ways not tried before. Nouns became verbs and adverbs; adverbs became adjectives. Expressions that could not have grammatically existed before - such as 'breathing one's last' and 'backing a horse', both coined by Shakespeare - were suddenly popping up everywhere.

Sento ancora la follia scorrermi dentro, ma ancora non ho scritto le parole che avrei voluto, la tigre mi è rimasta sulla schiena. Morirò con addosso quella figlia di puttana, ma almeno le ho dato battaglia. E se fra voi c'è qualcuno che si sente abbastanza matto da voler diventare scrittore, gli consiglio va' avanti, sputa in un occhio al sole, schiaccia quei tasti, è la migliore pazzia che possa esserci, i secoli chiedono aiuto, la specie aspira spasmodicamente alla luce, e all'azzardo e alle risate. Regalateglieli. Ci sono abbastanza parole per noi tutti.

ان الكلمات مثل العصافير ، تمضي طليقة دون نظام ولا وعي وبإمكان أي كان بقليل من السحر أن يحبسها ليتاجر بها

Our words are often only vague, inadequate descriptions of our thoughts. Something gets lost in translation every time we try to express our thoughts in words. And when the other person hears our words, something gets lost in translation again, because words mean different things to different people. "A long time" may mean 10 hours to one person, but 10 days to another. So when a thought is formed in my brain, and my mouth expresses it in words, and your ears hear it, and your brain processes it, your brain and my brain never truly see exactly the same thing. Communication is always just an approximation.

کلمات دروغ اند. اما حتی وقتی که می دانی فقط نقاب اند، آنقدر واقعی به نظر می رسند که دل ات می خواهد باورشان کنی.

As a result of these news stories, millions of people must have become aware of "niggardly," who otherwise would never have heard it, let alone thought to use it. If this is right, and the word has a new currency, it is probably not the currency I would wish for. The word's new lease of life is probably among manufacturers and retailers of sophomoric humor. I bet that even as I write, some adolescent boys, in the stairwell of some high school somewhere in America, are accusing each other of being niggardly, and sniggering at their own outrageous wit. I bet … Wait a minute. Sniggering? Oh, my God …

Each word's evocative value or virtue, its individual power of touching springs in the mind and of initiating visions, becomes a treasure to revel in. Besides this hold on affection a word may well have about it the glamorous prestige of high adventures in great company. Think of that the plain word "dust" calls to mind. "Then shall the dust return to the earth as it was." "Dust hath closed Helen's eye." "All follow this and come to dust." "The way to dusty death." So, to the lover of words, each word may be not a precious stone only, but one that has shone on Solomon's temple or in Cleopatra's hair.