Whoever has received knowledgeand eloquence in speech from Godshould not be silent or secretivebut demonstrate it willingly.When a great good is widely heard of,then, and only then, does it bloom,and when that good is praised by man,it has spread its blossoms.
If you like fantasy and you want to be the next Tolkien, don’t read big Tolkienesque fantasies — Tolkien didn’t read big Tolkienesque fantasies, he read books on Finnish philology. Go and read outside of your comfort zone, go and learn stuff.
Some things are hard to write about. After something happens to you, you go to write it down, and either you over dramatize it, or underplay it, exaggerate the wrong parts or ignore the important ones. At any rate, you never write it quite the way you want to.
You should give it to Max, Liesel. See if you can leave it on the bedside table, like all the other things." Liesel watched him as if he'd gone insane. "How, though?" Lightly, he tapped her skull with his knuckles. "Memorize it. Then write it down for him.
For those whose ganglia were formed pre-TV, the mimetic deployment of pop-culture icons seems at best an annoying tic and at worst a dangerous vapidity that compromises fiction's seriousness by dating it out of the Platonic Always, where it ought to reside.
And yet sometimes it seems to me I am there, among the incriminated scenes, tottering under the attributes peculiar to the lords of creation ... Yes, more than once I almost took myself for the other, all but suffered after his fashion, the space of an instant.
Base words are uttered only by the baseAnd can for such at once be understood;But noble platitudes — ah, there's a caseWhere the most careful scrutiny is neededTo tell a voice that's genuinely goodFrom one that's base but merely has succeeded.
Almost all great writers have as their motif, more or less disguised, the passage from childhood to maturity, the clash between the thrill of expectation and the disillusioning knowledge of truth. 'Lost Illusion' is the undisclosed title of every novel.
I don't profess any religion; I don't think it’s possible that there is a God; I have the greatest difficulty in understanding what is meant by the words ‘spiritual’ or ‘spirituality.'[Interview, The New Yorker, Dec. 26, 2005]
I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking — which is fun only for amateurs. Old whores don't do much giggling. Nothing is fun when you have to do it — over and over, again and again...
I am really Chloe Anthony Wofford. That's who I am. I have been writing under this other person's name. I write some things now as Chloe Wofford, private things. I regret having called myself Toni Morrison when I published my first novel, The Bluest Eye.
Rules such as "Write what you know," and "Show, don't tell," while doubtlessly grounded in good sense, can be ignored with impunity by any novelist nimble enough to get away with it. There is, in fact, only one rule in writing fiction: Whatever works, works.
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.
I wrote a coded love note in my report for work. All the letters you need to read what I wrote are there—you just have to find them and rearrange the order until you’ve arrived at something romantic, and then you’ll have discovered what I wrote.
I had written all I was going to write, if the truth had been known, and there is nothing wrong with that. If more writers knew that, the world would be saved a lot of bad books, and more people--men and women alike--could go on to happier, more productive lives.
