Gripped with bitter cold, ice-locked, Petersburg burned in delirium. One knew: out there, invisible behind the curtain of fog, the red and yellow columns, spires, and hoary gates and fences crept on tiptoe, creaking and shuffling. A fevered, impossible, icy sun hung in the fog - to the left, to the right, above, below - a dove over a house on fire. From the delirium-born, misty world, dragon men dived up into the earthly world, belched fog - heard in the misty world as words, but here becoming nothing - round white puffs of smoke. The dragon men dived up and disappeared again into the fog. And trolleys rushed screeching out of the earthly world into the unknown. ("The Dragon")

Outside the window, there slides past that unimaginable and deserted vastness where night is coming on, the sun declining in ghastly blood-streaked splendour like a public execution across, it would seem, half a continent, where live only bears and shooting stars and the wolves who lap congealing ice from water that holds within it the entire sky. All white with snow as if under dustsheets, as if laid away eternally as soon as brought back from the shop, never to be used or touched. Horrors! And, as on a cyclorama, this unnatural spectacle rolls past at twenty-odd miles an hour in a tidy frame of lace curtains only a little the worse for soot and drapes of a heavy velvet of dark, dusty blue.

He shoved his hips against her, reminding her of what they had just done, and said, “I had never bedded a woman before you. I made that plain. Did you think I let you seduce me lightly? No, I did not. You made a deal with me the moment you gave me entry into your body.”“I made no such deal!” Her eyes were angry—and frightened—but he would not let her make him back down.“Precious Isabel,” he whispered. “You made a deal with your heart, your soul, and your body, and you sealed it with the wash of your climax on my c*ck.”She blinked, looking dazed. He’d never used such words before, especially not with her, but their bluntness was necessary.

Zac dangled his legs off the edge of the building, hanging onto every word I said as though I were some old time bard telling an epic war tale. I tried to be as detailed as possible, and I knew that I was doing a good job when he'd lean back and shut his eyes. He'd breathe slowly and watch the pictures that I painted for him with my words. He'd smile, not a cunning toothy one, but a sincere smile that comes only from being truly happy. I'd sit across from him and just watch his reactions. We could be up there for hours. I would see the sunset across his face and be as captivated with his skin's changing colours as he was with my everyday stories. That's when I learned to dislike winters.

She'd first seen Covent Garden after a heavy snow, walking with her hand in Win's, and she remembers the secret silence of London then, the amazing hush of it, slush crunching beneath her feet and the sound made by trapezoidal sections of melting snow falling from wires overhead. Win had told her that she was seeing London as it had looked long ago, the cars mostly put away and the modern bits shrouded in white, allowing the outlines of something older to emerge. And what she had seen, that childhood day, was that it was not a place that consisted of buildings, side by side, as she thought of cities in America, but a literal and continuous maze, a single living structure (because still it grew) of brick and stone.

They gathered after mass, sang hymns and read. Everyone had grown even more serene; beneath the sisters' kerchiefs it was as if there were no faces. When they met Daryushka — it was as if they bowed down lower. She was walking in the Spirit.Daryushka was entirely serene. She was thinking of nothing, had turned within herself, peering inside; and inside her all was smiling ever so gently.After the storm clear days came, frosty, crackling, clear days. Snow and sky, snow and sky, and the sky was even brighter, whiter, from the snow — and the snow sparkled with blue fires from the sky.Daryushka went down to the river with buckets, to the ice-hole. She went down to the landing alone... Snow, and sky, and brilliance...("He Has Descended")

From above you could see the chaos of entangled plots on the other side of the road, and a couple of tough tethered goats, and the glint of a frozen pond somewhere in the trees. Above them the sun was shining vaguely through the milky November sky, old but strong. In April – between the thaw and the jungly green explosion of summer – or in raw mid-October, I bet the same view would have been barren and depressing. But when we stood there all the bits of old tractors and discarded refrigerators, the shoals of empty vodka bottles and dead animals that tend to litter the Russian countryside were invisible, smothered by the annual oblivion of the snow. The snow let you forget the scars and blemishes, like temporary amnesia for a bad conscience.

So I am not a broken heart. I am not the weight I lost or miles or ran and I am not the way I slept on my doorstep under the bare sky in smell of tears and whiskey because my apartment was empty and if I were to be this empty I wanted something solid to sleep on. Like concrete. I am not this year and I am not your fault.I am muscles building cells, a little every day, because they broke that day,but bones are stronger once they heal and I am smiling to the bus driver and replacing my groceries once a week and I am not sitting for hours in the shower anymore. I am the way a life unfolds and bloom and seasons come and go and I am the way the spring always finds a way to turn even the coldest winter into a field of green and flowers and new life. I am not your fault.

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.

Perhpas if I call out to Rat he might hear," said the Mole to himself, but without much hope.Rat! Ratty! O Rat, please hear me!" he called out as loudly as he could, holding up his lantern as he did so, waving it about/ But the wind rushed and roared around him even more, and snatched his weak words away the moment they were they were uttered, and scattered them wildly and uselessly as if they were flakes of snow,Even worse, the light of the lantern began to gutter, and then, quiet suddenly, an extra strong gust of wind blew it out.Well then," said the daunted but resolute Mole, putting the spent lantern on the ground, "there's nothing else for it! Frozen rivers are dangerous thinngs, no doubt, but I must try to cross, despite the dangers."--The Willows in the Winte

Ah! comme la neige a neigé!Ma vitre est un jardin de givre.Ah! comme la neige a neigé!Qu'est-ce que le spasme de vivreÀ la douleur que j'ai, que j'ai!Tous les étangs gisent gelés,Mon âme est noire: Où vis-je? Où vais-je?Tous ses espoirs gisent gelés:Je suis la nouvelle NorvègeD'où les blonds ciels s'en sont allés.Pleurez, oiseaux de février,Au sinistre frisson des choses,Pleurez, oiseaux de février,Pleurez mes pleurs, pleurez mes roses,Aux branches du genévrier.Ah! comme la neige a neigé!Ma vitre est un jardin de givre.Ah! comme la neige a neigé!Qu'est-ce que le spasme de vivreÀ tout l'ennui que j'ai, que j'ai!...

The season was waning fastOur nights were growing cold at lastI took her to bed with silk and song,'Lay still, my love, I won’t be long;I must prepare my body for passion.''O, your body you give, but all else you ration.''It is because of these dreams of a sylvan scene:A bleeding nymph to leave me serene...I have dreams of a trembling wench.''You have dreams,' she said, 'that cannot be quenched.''Our passion,' said I, 'should never be feared;As our longing for love can never be cured.Our want is our way and our way is our will,We have the love, my love, that no one can kill.''If night is your love, then in dreams you’ll fulfill...This love, our love, that no one can kill.'Yet want is my way, and my way is my will,Thus I killed my love with a sleeping pill.

Big Brown MooseI'm a big brown moose,I'm a rascally moose,I'm a moose with a tough, shaggy hide;and I kick and I prancein a long-legged dancewith my moose-mama close by my side.I shrug off the coldand I sneeze at the windand I swivel my ears in the snow;and I tramp and I trompover forest and swamp,'cause there's nowhere a moose cannot go.I'm a big brown moose, I'm a ravenous mooseas I hunt for the willow and yew;with a snort and a crunch,I rip off each bunch,and I chew and I chew and I chew.When together we slumpin a comfortable clump --my mountainous mama and I --I give her a nuzzleof velvety muzzle.Our frosty breath drifts to the sky.I'm a big brown moose,I'm a slumberous moose,I'm a moose with a warm, snuggly hide;and I bask in the moonas the coyotes croon,with my moose-mama close by my side.

Daylight would have shown a wilderness weathered and blowzy, a wanton that had lived her summer too fast and too greedily. It would have shown the white birches pale and shivering in a sudden ague, and here and there an ash or a sumac burning red, like a hectic spot, where the first frosts already had set the marks of their galloping consumption on the cheek of the forest, giving warning of the time when the white plague of the winter would make a massacre of all this present glory and turn the trees to naked skeletons and stretch a bony bare cadaver on every steeper hillside to bleach there until the snows covered things up. But now the kindly nighttime had all signs and threats of approaching death, so that each shriveled speckled leaf, as revealed and traced in the waning light, seemed flawless — a perfect part of a perfect tapestry.

...Following the bird you lay into a deep turn in the steepening descent. It [the snow] is super soft, bottomless and amazingly light, yet supportive. It feels like something in between floating on top, and within the top of a deep-pile carpet as you link turn after turn down the open glacier. Each side of you are fellow riders, though not too close, whooping with exhilaration and flying down, down towards the valley below. The pitch gets steeper and the slope widens out, with seemingly endless space to the sides and an untracked oblivion ahead and beneath you. Each turn is delicious softness; you can almost feel every snow crystal reacting with the base of your skis. Those skis feel like extensions of your feet, and you connect with the mountain through a portal link created by the snowpack, as the spray from the turn hangs in the air behind you...