Never write when you are not in the mood; when you are not feeling it. If the words do not flow freely, and come to you almost magically, then put it down and do not force yourself to write in the book, or it will reflect in your writing and it will be terribly obvious.
You have to follow your own voice. You have to be yourself when you write. In effect, you have to announce, 'This is me, this is what I stand for, this is what you get when you read me. I'm doing the best I can - buy me or not - but this is who I am as a writer.
So many people spend years (and money) studying to be doctors, lawyers, actors, dancers, business executives and scientists - when you're an author, you can be any of these things, and you don't need a degree or certificate; all you need is an imagination, a dream and an open mind.
I got words in me, Jess, fighting to find a way out. Sometimes there's so many words and they get so crowded in my skull I think my head is gonna explode. I want to write them down. I've tried, but most of the time my thoughts and my feelings are bigger than what I can get on paper.
You need that pride in yourself, as well as a sense, when you are sitting on Page 297 of a book, that the book is going to be read, that somebody is going to care. You can't ever be sure about that, but you need the sense that it's important, that it's not typing; it's writing.
Writing a first draft is like groping one's way into a dark room, or overhearing a faint conversation, or telling a joke whose punchline you've forgotten. As someone said, one writes mainly to rewrite, for rewriting and revising are how one's mind comes to inhabit the material fully.
Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow. You'll be amazed at what will come out on paper. I'm still learning what it is about the past that I want to write. I don't worry about it. It will emerge. It will insist on being told.
A veces tengo la impresión de que escribo por simple curiosidad intensa. Es que, al escribir, me entrego a las sorpresas más inesperadas. Es a la hora de escribir que muchas veces me vuelvo consciente de cosas, de las cuales, siendo inconsciente, antes no sabía que sabía.
I wear the universe backwards. I imagine putting stars in my coffee, and sugar in the sky. I imagine going fishing in clouds, and watching the sun hide behind lakes. I'm too busy dancing with my imagination to even tip toe with reality for a second. They say I'm going mad. They're right.
I write so others might contemplate things that are out of the ordinary. I write to make people feel—to cause laughter and tears and anger at injustice. I write so the world will imagine and wonder at crazy, incredible truths. I write to have a tiny bit of influence on a universal conscience.
Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
Don't quit. It's very easy to quit during the first 10 years. Nobody cares whether you write or not, and it's very hard to write when nobody cares one way or the other. You can't get fired if you don't write, and most of the time you don't get rewarded if you do. But don't quit.
I have never experienced writers block and I've written every day since June 1972. But I have experienced the need to get up and walk around, eat ice cream, let ideas percolate, forget the story for a time, and then return to the page. Even the muse needs a vacation to rest up before she gives more of herself.
When a poet settled down to write a poem, could he foresee the lines he would write? Did his head constantly spin with riddles and rhymes and was his only job to put them down? What if he couldn’t get them to make sense, and no one, not even the person he cared for most, could have pleasure in reading it? What would he do?
