Most people say, “Show, don’t tell,” but I stand by Show and Tell, because when writers put their work out into the world, they’re like kids bringing their broken unicorns and chewed-up teddy bears into class in the sad hope that someone else will love them as much as they do.
Lie naked on the table, and let them cut. Criticism is surgery, and humility is the anesthetic that allows you to tolerate it. In the end, the process will make you a stronger, more flexible, and truly creative writer. It will replace attitude with genuine confidence, and empty arrogance with artistry.
Coffee, my delight of the morning; yoga, my delight of the noon. Then before nightfall, I run along the pleasant paths of the Jardin du Luxembourg. For when air cycles through the lungs, and the body is busy at noble tasks, creativity flows like water in a stream: the artist creates, the writer writes.
I admire the person who can write it right off. Mencken once said that a person who thinks clearly can write well. But I don't think clearly--too many thoughts bump into one another. Trains of thought run on a track of the Central Nervous System--the New York Central Nervous System, to make it worse.
In the minds of some people, writing is one thing, but thinking is quite another. If they define writing as spelling, the production of sentences with random meanings, and punctuation, then they might have a case. But who would accept such a definition? Writing is the production of meaning. Writing is thinking.
This is important to writing. . . that is, it is important to my own writing. This. . . is landscape! Mine. This dirt came from the prairie where I was a child. I played in it, dug in it, planted in it, and walked over it. It is where I began. And all my writing begins with a landscape such as this. A place.
Contrary to popular belief, people always say "It was a pleasure doing business with you". It is the only thing that has stayed with me after an assignment. Always mix business with pleasure. That is a secret they don't want you to know. BUT never mix pleasure with business. Then you might just end up in a divorce.
For the vision of a novelist is both complex and specialised; complex, because behind his characters and apart from them must stand something stable to which he relates them; specialised because since he is a single person with one sensibility the aspects of life in which he can believe with conviction are strictly limited
Aspiring authors, get this through your head. Cover art serves one purpose, and one purpose only, to get potential customers interested long enough to pick up the book to read the back cover blurb. In the internet age that means the thumb nail image needs to be interesting enough to click on. That’s what covers are for.
I'd written Smashed not because I was ambitious and not because writing down my feelings was cathartic (it felt more like playing one's own neurosurgeon sans anesthesia). No. I'd made a habit--and eventually a profession--of memoir because I hail from one of those families where shows of emotions are discouraged.
So I have to create the whole thing afresh for myself each time. Probably all writers now are in the same boat. It is the penalty we pay for breaking with tradition, and the solitude makes the writing more exciting though the being read less so. One ought to sink to the bottom of the sea, probably, and live alone with ones words.
Inspiration comes from your writing. Thoughts meander subliminally through our subconscious, at night when we sleep the brain is working. In the act of writing, phrases come out and you think: wow, did I write this? Did I have that insight? Sometimes you know something is good, good within your own limits, and those parts make life worth living.
Visual and performing artists produce art that lives in the present world. The art of the writer exists in another dimension. Through strings of words and phrases writers inspire their readers to imagine, to conjure images, to suspend disbelief, to enter a world visible only in their minds. It is in that unseen world where the art of the writer lives.
On a related note, I think for many of us, the first step in becoming a good writer is to write crap. In all seriousness, none of us are born knowing how to write. Almost all of us will produce a lot of really lousy stories before we start to get good. (Not all of us will choose to publish those lousy stories, but that's a whole separate discussion...)
No matter how entertaining, diverse, concise, or detailed, a writing craft book is, it’s not going to work magic on you, it’s not going to suddenly make you a brilliant writer simply by reading it. You need to use what you read and learn in your own writing. Because that’s when you have those AHA moments. That's when it really sticks.
