For most of the process, nothing but faith, fueled by your own stubbornness, will be pulling you along. The work that you've done on the book so far won't be much comfort, because so much of it will be insufferable crap, until the very last moment, when you figure out how to fix it and everything comes together.
This piece of earth I billet grows small. Bullets of time dart past, dropping shards of opportunity at my feet. And until the rift that surrounds my decaying body clamps shut—swallows me up like so many remains—I army on, simultaneously ignoring and saving my comrades in the hole.Such is a writer’s life.
Of course, the writer can impose control; It's just a really shitty idea. Writing controlled fiction is called "plotting." Buckling your seatbelt and letting the story take over, however... that is called "storytelling." Storytelling is as natural as breathing; plotting is the literary version of artificial respiration.
These scenes, by the way, are not altogether a literary device - a means of summing up and making a knot of innumerable little threads. Innumerable threads were there; still, if I stopped to disentangle, I could collect a number. But whatever the reason may be, I find that scene making is my natural way of marking the past.
I'd written Smashed not because I was ambitious and not because writing down my feelings was cathartic (it felt more like playing one's own neurosurgeon sans anesthesia). No. I'd made a habit--and eventually a profession--of memoir because I hail from one of those families where shows of emotions are discouraged.
(...) Você e Tania sugerem que eu releia e desentorte o livro. Mas eu não consigo mais entrar dentro do ambiente dele. Para mim é como ler uma coisa vazia e eu tenho que parar de palavra em palavra para me concentrar, exatamente como eu encaro o primeiro livro, com o qual felizmente eu nada mais tenho a ver.
Swoopers write a story quickly, higgledy-piggledy, crinkum-crankum, any which way. Then they go over it again painstakingly, fixing everything that is just plain awful or doesn’t work. Bashers go one sentence at a time, getting it exactly right before they go on to the next one. When they’re done they’re done.
At it's best,the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it. You search, you break your heart, your back, your brain, and then - and only then - it is handed to you. From the corner of your eye you see motion. Something is moving through the air and headed your way.
The difference between wanting to write and having written is one year of hard, relentless labour. It's a bridge you have to build all by yourself, all alone, all through the night, while the world goes about its business without giving a damn. The only way of making this perilous passage is by looking at it as a pilgrimage.
Kegiatan fisik dalam menulis fiksi bertolak belakang dengan hasil yang didapat. Kegiatan tersebut adalah duduk tegang dan jenuh sepanjang siang atau malam di depan meja dan mesin ketik, pada saat aku ingin berdiri dan pergi ke suatu tempat untuk melihat sesuatu yang aku yakini lebih menarik dibanding apa yang sedang aku kerjakan.
To write a profound thought, I have to put myself onto a very special stratum, otherwise the ideas and words just don't come. I have to forget myself and at the same time be superconcentrated. But it's not a question of the will, it is a mechanism I can set in motion or not, like scratching my nose or doing a backward roll.
I hope I don't write TOO many books! When I look at authors who have written too many books, I wonder to myself "When did they live?" I certainly want to write BECAUSE I live! I know I don't want to write in order to live! My writing is an overflow of the wine glass of my life, not a basin in which I wash out my ideals and expectations.
Writing is a beast to tame, an energy to transform. Whip that toad into a prince and French kiss it to life. We start at the top but keep looking down, from macro to micro, from what could work to what does—but start with the dream. Nothing is real apart from the clouds, and all clouds pass with life in their wake—some rain thoughts.
Writing had never become routine for him, but remained a constant surprise. He was always surprised at how much fun it was, once it all got moving. And never failed to be surprised at how bloody hard it was. It was like having an intense, frustrating love affair with a capricious, gorgeous, and often mean-spirited woman.He loved every moment of it.
On a related note, I think for many of us, the first step in becoming a good writer is to write crap. In all seriousness, none of us are born knowing how to write. Almost all of us will produce a lot of really lousy stories before we start to get good. (Not all of us will choose to publish those lousy stories, but that's a whole separate discussion...)
