So one must be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox...

Leif gripped Benny's shoulders to hold him back, but he broke free and chased the truck, pumping his tiny arms and legs with great furry."I love you!" he called out, when he was just ten feet away. I gripped the metal bars, my throat choked with emotion."I love you!" Silas cried, as he followed.They both kept after us, sprinting wildly behind the cage. I watched their mouths moving, saying those words over and again, as the truck bounded through the woods and their small bodies disappeared, unreachable, behind the trees.

When life gets rough, never think you have failed... allow your self a quality of emotion and introspection. It is called turning inwards. When you observe and examine your mental and emotional state, from your inner core of self — you then can put things in to perspective. Don't allow your futile attempts to want to change your outer world, take a detour, and instead, change the only thing that you have the power to - your inner world. And remember: There is no such thing as failure—only learning opportunities.

The Pāli term for "feeling" is vedanā, derived from the verb vedeti, which means both "to feel" and "to know". In its usage in the discourses, vedanā comprises both bodily and mental feelings. Vedanā does not include "emotion" in its range of meaning. Although emotions arise depending on the initial input provided by feeling, they are more complex mental phenomena than bare feeling itself and are therefore rather the domain of the next [third] satipaṭṭhāna, contemplation of states of mind.

There was still one response, the greatest, that she had missed. She thought: To find a feeling that would hold, as their sum, as their final expression, the purpose of all the things she loved on earth... To find a consciousness like her own, who would be the meaning of her world, as she would be of his... No, not Francisco d'Anconia, not Hank Rearden, not any man she had ever met or admired... A man who existed only in her knowledge of her capacity for an emotion she had never felt, but would have given her life to experience.

Changes in the Perception of Self:People who have been traumatized in childhood are often troubled by guilt, shame, and negative feelings about themselves, such as the belief they are unlikable, unlovable, stupid, inept, dirty, worthless, lazy, and so forth. In Complex Dissociative disorders there are typically particular parts that contain these negative feelings about the self while other parts may evaluate themselves quite differently. Alterations among parts thus may result in rather rapid and distinct changes in self perception.

To all those who care, You can't forever. Time steals the years,And your reflection in the mirror.But I can still see the story in your eyes, And your timeless passion that’s never died.While your skin became tired,Your heart became strong,The present became the past,And your memories like a song.And though the moment at hand is all that we have, You’ve taught me to live it like it is our last.Since two words don't say ‘thank you’ the way they are meant to,I'll try all my life to be something like you.

There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art. Neither is independent of the other or more important than the other. Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery. The truth of art keeps science from becoming inhuman, and the truth of science keeps art from becoming ridiculous."(Great Thought, February 19, 1938)

Alas, that love, whose view is muffled still,Should, without eyes, see pathways to his will!Where shall we dine? O me! What fray was here?Yet tell me not, for I have heard it all.Here’s much to do with hate, but more with love.Why, then, O brawling love! O loving hate!O any thing, of nothing first create!O heavy lightness! Serious vanity!Mis-shapen chaos of well-seeming forms!Feather of lead, bright smoke, cold fire, sick health!Still-waking sleep, that is not what it is!This love feel I, that feel no love in this.Dost thou not laugh?

Not wanting the girls to endure the shame of a crazy mother, I spent my days acting as normal as possible. I walked through life, an actor in a Leave it to Beaver episode, determined to disguise all clues of my real condition until... well, until I could find an appropriate moment to do away with myself." [...]"Yet even as my depression spiraled into ever more precarious territory, I retained an uncanny ability to disguise my true mental condition from everyone except Tom. He was my sole source of strength and he never stopped encouraging me.

Creators understand that their emotions are not necessarily a sign of the circumstances. They understand that in desperate circumstances they may experience joy, and in jubilant circumstances they may feel regret. They know that any emotion will change. But because emotions are not the centerpiece of their lives, they do not pander to them. They create what they create, not in reaction to their emotions but independent of them. On days filled with the depths of despair, they can create. On days filled with the heights of joy, they can create.

I have spent years ... clinging to the understanding that Iwas a defective biological unit .... This may truly be a valuableperspective for those who observe mental illness, but forme, as a subject, this tree bore only dry and tasteless fruit ...I have a chemical imbalance; I really didn't feel thosethings.I have a chemical imbalance; I didn't really experiencethose things.I have a chemical imbalance; I didn't really thinkthose things ...Here is an insight! The entire human drama of love, suffering,ecstasy, and joy, just chemistry.

Our lips now conjoin like the glittery coils of a wet snake dancing in the amazon. Kissing Nadia sends me into a savoring affair for that which is most delectable, always tasting the delicate layers that exist in her myriad of emotion. Always, Nadia’s opulent lips gratify and subdue by easing my sensitivity as she drags her fingers down my stomach like a tree scattering its roots. I now brush my lips over Nadia’s, dipping into her mouth like a brush that falls into a bucket of paint, osculating under this euphoric form of affection.

I thought you could build a story that would function as a machine or else a complex of machines, each one moving separately, yet part of a process that ultimately would produce an emotion or a sequence of emotions. You could swap out parts, replace them if they got too old. And this time you would build in some redundancy, if only just to handle the stress.One question was: Would the engine still work if you were aware of it, or if you were told how it actually functioned? Maybe this was one of the crucial differences between a story and a machine.

In truth she is not a hard lady naturally, and the time has been when the sight of the venerable figure suing to her with such strong earnestness would have moved her to great compassion. But so long accustomed to suppress emotion and keep down reality, so long schooled for her own purposes in that destructive school which shuts up the natural feelings of the heart like flies in amber and spreads one uniform and dreary gloss over the good and bad, the feeling and the unfeeling, the sensible and the senseless, she had subdued even her wonder until now.