Woher willst du wissen, dass nur das existiert, was wir mit unseren menschlichen Sinnen wahrnehmen können? Wir bilden uns ein, alles zu wissen. Dabei sind uns so viele Bereiche verschlossen, die zum Beispiel Tiere hören oder spüren können. Das beste Beispiel für unsere Beschränktheit ist doch, dass wir seit langem fleißig an dem Ast sägen, auf dem wir sitzen. Welches Geschöpf mit Ausnahme des Menschen wäre so dumm, seinen eigenen Lebensraum zu vernichten?
I turned away from him, the hot blood still coursing through my veins. I gripped the door handle, and it molded like dough into the form of my hand. Not even caring, I wrenched the handle free from the door without turning it. It cracked loose of the solid oak door, sending splinters showering to the floor. My hand tossed the now crumpled piece of metal behind me with unexpected force. It zoomed across the room and embedded itself into the wood paneling with the end my hand had crushed sticking out to see.
When he wasn’t busy chasing unseen mice around the academy, Ion spent hours in the Borean Study, searching through dusty books for anything that had to do with the banshee or the Shroud. But finding this anything proved to be difficult as well, especially when the books you’re reading have everything to do with something, but certainly nothing to do with your anything. And in trying to find this anything, Ion forgot about a very important, specific thing, which would quickly ruin his Wednesday.
...You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell.
On the corner of Cathedral Road a raven sat in a tree watching him. He knew it was Dorkus for two reasons. Firstly, he'd told Dorkus to stay there to keep an eye on Michael. Secondly, he was wearing a top hat, carrying a cane, and if Corvid's eyes were right, he now had spats over his feet."Cacaw," Dorkus said."Really?" Corvid replied, "we're back to cawing?""I thought it would be less suspicious in public.""You do know you just said that carrying a cane and wearing a top hat and a pair of spats?
Shivers heaved out a sigh. “Just trying to make tomorrow that bit better than today is all. I’m one of those … you’ve got a word for it, don’t you?”“Idiots?”He looked sideways at her. “It was a different one I had in mind.”“Optimists.”“That’s the one. I’m an optimist.”“How’s it working out for you?”“Not great, but I keep hoping.”“That’s optimists. You bastards never learn.
As the last dish of confections was removed a weird pageant swept across the further end of the banqueting-room: Oberon and Titania with Robin Goodfellow and the rest, attired in silks and satins gorgeous of hue, and bedizened with such late flowers as were still with us. I leaned forward to commend, and saw that each face was brown and wizened and thin-haired: so that their motions and their wedding paean felt goblin and discomforting; nor could I smile till they departed by the further door.("The Basilisk")
A faerie heart is different from a human heart. Human hearts are elastic. They have room for all sorts of passions, and they can break and heal and love again and again. Faerie hearts are evolutionarily less sophisticated. They are small and hard, like tiny grains of sand. Our hearts are too small to love more than one person in a lifetime...I tried to talk sense into my hard little heart. But it had landed on Peter, a creature two hundred times my size and barely aware of me, and there was no prying it loose.
Joseph, you’re out of clean towels.” Lucia poked her head into the living room, the rest of her hidden behind the wall. Her red hair dripped water onto my wooden floors.“She’s in the buff.” Jenna guffawed. Gabriella rolled her eyes, beaming.I rose. “Go back to the bathroom. I’ll bring you a towel,” I ordered Lucia. She disappeared down the hall.“You have naked angels running around your house,” Jenna continued through her laughter. Gabby laughed louder.
When I’m gone, time won’t change. It will pass the way it always has. I’ve seen it happen. People always move on. You will find your mate. You will move on then I’ll be nothing but a memory, but I will never forget you. I will always love you for you have drawn emotions in me no other has in two thousand years. I will live with the memory of you in my heart because nothing can erase you from within me. You have forever changed me. You’ve taught me what it’s like to truly love.
The value of the myth is that it takes all the things we know and restores to them the rich significance which has been hidden by ‘the veil of familiarity.’ The child enjoys his cold meat, otherwise dull to him, by pretending it is buffalo, just killed with his own bow and arrow. And the child is wise. The real meat comes back to him more savory for having been dipped in a story…by putting bread, gold, horse, apple, or the very roads into a myth, we do not retreat from reality: we rediscover it.
Ich war zum ersten Mal in der Stadt der Lichter, und ich war endlich angetreten, dem Ruf zu folgen, den zu hören ich immer vorgeschützt hatte, um meinen Eltern meine Unsicherheit, meinen Freunden meine Unabkömmlichkeit, meinen Bekanntschaften meine Geistesabwesenheit zu erklären. Leider, und das war nun sehr offensichtlich, würde meine bloße Anwesenheit in Paris mich ebenso wenig zu einem Schriftsteller machen, wie mich ein Dirigent mit seinem Stab in Paganini verwandeln könnte.
Ce este, de fapt, normal pentru mine? Ce poate fi normal într-o lume în care nimic nu e ceea ce pare? Doar moartea mai pare să fie un lucru adevărat, pentru că viața s-a transformat într-o farsă. Dar nu pot să mor, chiar de-aș vrea, pentru că n-am curajul să fac asta. Nu pot să termin cu ceva ce nu-mi mai aparține și nu mi-a aparținut niciodată. Ce-am trăit până acum... nu era pentru mine. Era pentru cineva uman.
Swelter, as soon as he saw who it was, stopped dead, and across his face little billows of flesh ran swiftly here and there until, as though they had determined to adhere to the same impulse, they swept up into both oceans of soft cheek, leaving between them a vacuum, a gaping segment like a slice cut from a melon. It was horrible. It was as though nature had lost control. As though the smile, as a concept, as a manifestation of pleasure, had been a mistake, for here on the face of Swelter the idea had been abused.
Then someone within closed the door, shutting Norah out into the howling dust of the night. The clouds parted briefly to reveal the full moon's cold eye, then closed again. Wind seared over the pavilion's double roof, its voice rising to a shriek. Distantly, among the maze of walls, came the frenzied barking of hundreds of tiny dogs. As she drifted towards wakefulness, Norah could not tell whether it was the wind that she heard just at the end, or whether, within the dark hall, the girl had begun to scream.
