Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?
To call someone 'anti-American', indeed, to be anti-American, (or for that matter anti-Indian, or anti-Timbuktuan) is not just racist, it's a failure of the imagination. An inability to see the world in terms other than those that the establishment has set out for you: If you're not a Bushie you're a Taliban. If you don't love us, you hate us. If you're not Good you're Evil. If you're not with us, you're with the terrorists.
So far I had been travelling alone with my handbook and my Western Railway timetable: I was happiest finding my own way and did not require a liaison man. It had been my intention to stay on the train, without bothering about arriving anywhere: sight-seeing was a way of passing the time, but, as I had concluded in Istanbul, it was an activity very largely based on imaginative invention, like rehearsing your own play in stage sets from which all the actors had fled.
Transcendental artists are messengers. Their symbolic vocabulary originates from the infinite wisdom of higher spheres, in a non-referential time/space continuum... the way of the shaman. The presence of glyphs speaks a universal language of the soulthat transcends words. If one considers the notion of parallel realities and the plurality of dimensional realms, the premise of art as "consciousness-provoking vessel" can be viewed as an organic and natural occurrence.
But one day she handed me some more letters from people who had been researching fruitlessly through old newspapers, hoping to find the "real" events. I remarked that it was sad they wasted so much time. "Yes," said Joan - and then, absently, "but something did happen." Whether the something happened in the newspapers, in some anecdote she has heard or in her imagination's interconnections with some other world or time, I had no idea- and I knew better than to ask.
Formerly I believed books were made like this: a poet came, lightly opened his lips, and the inspired fool burst into song – if you please! But it seems, before they can launch a song, poets must tramp for days with callused feet, and the sluggish fish of the imagination flounders softly in the slush of the heart. And while, with twittering rhymes, they boil a broth of loves and nightingales, the tongueless street merely writhes for lack of something to shout or say
Possibly there are few imaginative writers who have not a leaning, secret or avowed, to the occult. The creative gift is in very close relationship with the Great Force behind the universe; for aught we know, may be an atom thereof. It is not strange, therefore, that the lesser and closer of the unseen forces should send their vibrations to it occasionally; or, at all events, that the imagination should incline its ear to the most mysterious and picturesque of all beliefs
IV The bounded is loathed by its possessor. The same dull round even of a universe would soon become a mill with complicated wheels.V If the many become the same as the few, when possess'd, More! More! is the cry of a mistaken soul, less than All cannot satisfy Man.VI If any could desire what he is incapable of possessing, despair must be his eternal lot.VII The desire of Man being Infinite the possession is Infinite & himself Infinite.
For, what is order without common sense, but Bedlam’s front parlor? What is imagination without common sense, but the aspiration to out-dandy Beau Brummell with nothing but a bit of faded muslin and a limp cravat? What is Creation without common sense, but a scandalous thing without form or function, like a matron with half a dozen unattached daughters?And God looked upon the Creation in all its delightful multiplicity, and saw that, all in all, it was quite Amiable.
When the white arm rests upon the knee it is a triangle; now it is upright - a column; now a fountain, falling. It makes no sign, it does not beckon, it does not see us. Behind it roars the sea. It is beyond our reach. Yet there I venture. There I go to replenish my emptiness, to stretch my nights and fill them fuller and fuller with dreams. And for a second even now, even here, I reach my object and say, “Wander no more. All is trial and make-believe. Here is the end.
L'homme n'est capable de maîtriser que ce qu'il peut concevoir. D'autre part, il ne peut concevoir que ce qu'il est possible d'exprimer; tout ce qui est inexprimable est également inconcevable. En explorant les étapes successives de l'évolution d'une langue, nous arrivons à anticiper les découvertes, transformations et révolutions de mœurs dont celle-ci pourrait être un jour le reflet.
I fall asleepCall it deep while all is well be-Cause my life seems like a freestyle mean-While asleep on the couch I dream it's a written piece and nowThe symphony's soundingShouting out to these feet whose leaps feel foul but quite loudBut howI'm allowed to live my dreamsMy Chimeran team brings the Siberian breedRiding reality free 'til these tires they freezeIn mires in dire need of wires, fire and heat butI love a dark, hard cold heart in the wintery breeze
When a person reaches the end of a book and says, 'I want to read that again,' what he's actually saying is that he wants to mentally merge with his favorite character and stroll among all the other creative personalities, feeding a hungry imagination through the vicarious reliving of each and every wild chapter that stirred his emotions, the whole while surrendering to a safe yet daring existence where any crazy, hopeful thing can and does happen. That's all.
Keats mourned that the rainbow, which as a boy had been for him a magic thing, had lost its glory because the physicists had found it resulted merely from the refraction of the sunlight by the raindrops. Yet knowledge of its causation could not spoil the rainbow for me. I am sure that it is not given to man to be omniscient. There will always be something left to know, something to excite the imagination of the poet and those attuned to the great world in which they live (p. 64)
A lover exists only in fragments, a dozen or so if the romance is new, a thousand if we're married to him, and out of those fragments our heart constructs an entire person. What we each create, since whatever is missing is filled by our imagination, is the person we wish him to be. The less we know him, of course, the more we love him. And that's why we always remember that first rapturous night when he was a stranger, and why this rapture returns only when he's dead.
