Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design.

When I started writingI was a sick teenagedfuck inside who partlythought I was the newMarquis de Sade, a bodydoomed to communicatewith Satan who was us-ing my sickness as hishome away from home,and there’s your proof.

The moment of writing is not an escape...it is only an insistence, through the imagination, upon human ecstasy, and a reminder that such ecstasy remains as much a birthright in this world as misery remains a condition of it.

As much as I like it when a book I'm writing speeds along, the downside can be that an author becomes too eager to finish and rushes the end. The end is even more important than the first page, and rushing can damage it.

This is what works for me: I practise crop rotation with my creative endeavours. I’ve found that when the nitrogen runs out in the soil in one field, it’s best to leave it fallow for a while and cultivate another.

Sometimes, as much as writing saves one’s own life, you cannot imagine how it will save another’s. This is another reason why it is important to do the work, over and over again. It is food, the kind a soul needs.

Try looking at your mind as a wayward puppy that you are trying to paper train. You don't drop-kick a puppy into the neighbor's yard every time it piddles on the floor. You just keep bringing it back to the newspaper.

Tell the story that's been growing in your heart, the characters you can't keep out of your head, the tale story that speaks to you, that pops into your head during your daily commute, that wakes you up in the morning.

...Writings can be stolen, or changed, or used for evil purposes. But isn't the risk worth taking? The more people who share knowledge, the greater safeguard for it. Isn't there more danger in ignorance than knowledge?

No, women like you don't write. They carve onion sculptures and potato statues. They sit in dark corners and braid their hair in new shapes and twists in order to control the stiffness, the unruliness, the rebelliousness.

The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell together, as quickly as possible.

A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.

great writers are indecent peoplethey live unfairlysaving the best part for paper.good human beings save the worldso that bastards like me can keep creating art,become immortal.if you read this after I am deadit means I made it.

Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as writer."[1967 interview]

In many cases when a reader puts a story aside because it 'got boring,' the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.