Shayari Bazar

The elk that you glimpse in the summer, those at the forest edge, are survivors of winter, only the strongest. You see one just before dusk that summer, standing at the perimeter of the meadow so it can step back to the forest and vanish. You can't help imagining the still, frozen nights behind it, so cold that the slightest motion is monumental. I have found their bodies, half drifted over in snow, no sign of animal attack or injury. Just toppled over one night with ice working into their lungs. You wouldn't want to stand outside for more than a few minutes in that kind of weather. If you lived through only one of those winters the way this elk has, you would write books about it. You would become a shaman. You would be forever changed. That elk from the winter stands there on the summer evening, watching from beside the forest. It keeps its story to itself.

And, I think, this greening does thaw at the edges, at least, of my own cold season. Joy sneaks in: listening to music, riding my bicycle, I catch myself feeling, in a way that’s as old as I am but suddenly seems unfamiliar, light. I have felt so heavy for so long. At first I felt odd- as if I shouldn’t be feeling this lightness, that familiar little catch of pleasure in the heart which is inexplicable, though a lovely passage of notes or the splendidly turned petal of a tulip has triggered it. It’s my buoyancy, part of what keeps me alive: happy, suddenly with the concomitant experience of a sonata and the motion of the shadows of leaves. I have the desire to be filled with sunlight, to soak my skin in as much of it as I can drink up, after the long interior darkness of this past season, the indoor vigil, in this harshest and darkest of winters, outside and in.

APPROACHRain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills.But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing.Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other.

The rapid nightfall of mid-December had quite beset the little village as they approached it on soft feet over a first thin fall of powdery snow. Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world without. Most of the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each that happy grace which is the last thing the skilled actor shall capture--the natural grace which goes with perfect unconsciousness of observation. Moving at will from one theatre to another, the two spectators, so far from home themselves, had something of wistfulnessin their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log.

She smiled as she poured tea into his cup. “I hope you find your rooms comfortable?”“Quite.” He took a too-hasty sip of tea and scalded his tongue.“The view is to your liking?”He had a view of a brick wall. “Indeed.”She fluttered her eyelashes at him over the rim of her teacup. “And the bed. Is it soft and… yielding?”He nearly choked on the bite of cake he’d just taken.“Or do you prefer a firmer bed?” she asked sweetly. “One that refuses to yield too soon?”“I think”—he narrowed his eyes at her—“whatever mattress I have on the bed you gave me is perfect. But tell me, my lady, what sort of mattress do you prefer? All soft goose down or one that’s a bit… harder?”It was very fast, but he saw it: Her gaze flashed down to the juncture of his thighs and then up again. If there hadn’t been anything to see there before, there certainly was now.“Oh, I like a nice stiff mattress,” she purred. “Well warmed and ready for a long ride.

The Art of Living is to be yourself. It is to be true to yourself. The Art of Living is learning to live with love, awareness and truth. Meditation is the way to learn The Art of Living. Being is you. To discover your being is the beginning of life.You can live in two ways:1. Ego - effort and desire and 2.Being - no-effort, being in a let go with existence. Religion is The Art of Living.Five keys to The Art of Living: 1. Be life-affirmative. Life is synonymous with God.Live with reverence, great respect and gratitude for life. Feel thankful and prayerful. 2. Make life an heartful, aesthetic experience.Become more sensitive, sensuous and creative - and you will become more spiritual.3.Experience life in all possible ways.Experience all dualities and polarities of life: good/bad, bitter/sweet, summer/winter, happiness/sadness and life/death.Do not be afraid of experience, because the more experiences you have, the more spiritually mature you become. 4. Live in the present.Forget the past and the future - this moment is the only reality.This moment has to become your whole love, life and death.5.Live courageously.Do not become too result-oriented, because result-oriented people miss life. Do not think of goals, because goals are in the future - and life is in the moment, in the here and now.

It was early autumn, then, before the snow began to fly. –(There’s an expression for you, born in the country, born from the imaginations of men and their feeling for the right word, the only word, to mirror clearly what they see! Those with few words must know how to use them.) Men who have seen it, who have watched it day by day outside their cabin window coming down from the sky, like the visible remorse of an ageing year; who have watched it bead upon the ears of the horses they rode, muffle the sound of hoofs on the trail, lie upon spruce boughs and over grass – cover, as if forever, the landscape in which they moved, round off the mountains, blanket the ice in the rivers – for them the snow flies. The snow doesn’t fall. It may ride the wind. It may descend slowly, in utter quiet, from the grey and laden clouds, so that you can hear the flakes touching lightly on the wide white waste, as they come to rest at the end of their flight. Flight – that’s the word. They beat in the air like wings, as if reluctant ever to touch the ground. I have observed them coming down, on a very cold day, near its end when the sky above me was still blue, in flakes great and wide as the palm of my hand. They were like immense moths winging down in the twilight, making the silence about me visible.

This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket.Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters. I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. ("The Vane Sisters")

Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky.Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished.The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked.His breath came out in a white cloud. “I’m not sure.

We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self.These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.

Странно е, че всички грешки свършват еднакво, че винаги ги повтаряме и продължаваме с нови надежди. Цяла нощ хапем устни, хълцаме във възглавницата с безпомощен гняв и твърдо се заклеваме да останем самотни, а щом съмне, поднасяме душата си като нежен балон от цъфнало глухарче на насрещните ветрове на живота и те го ронят и разнасят. Ала който спаси само едно малко пухче и го внесе на завет, той е спасил цялата си душа. Това е горчива работа, но който не обръща нежното цвете на душата си към ветровете на изпитанията, дори цялото да го спаси и да го пренесе докрай, той не може да почувства, че изобщо някога го е имал.

The story was called 'Annika and the Bears.' The beginning of the story is really the end, and Annika is staring wide-eyed into new velvet-black darkness. The eyes she stares with were brown once, sparkling and the exact color of root beer, but are now an empty ice-blue, almost white. Annika is waiting for her body to grow warm so that she can fall asleep and, as she waits, she remembers life outside this darkness, remembers the world she loved and how it changed. Once, her home was called the Land of Spring and Fall because that's what it was, a place in which the seasons didn't turn in a circle, but moved like a seesaw, Fall becoming Spring becoming Fall becoming Spring. And there had been a moment every year when the seesaw hit a perfect balance. This was Annika's favorite time because blossoms burst from branches alongside red and gold leaves, crocuses opened between rows of corn, and baby animals were born under autumn skies. In the Land of Spring and Fall, it was never too cold or too hot to play outside; brooks never froze or dried up; leaves never fell from the trees; and people and animals never grew old or died. But when a witch appeared in the land, a witch who was furiously angry, but for no reason anyone could understand, and the witch cast a spell that plunged the land into a never-ending winter. In Winterland, terrible things began to happen. People and animals got sick, with wrenching coughs and burning fevers. Desperate for warmth, the people began to kill their friends the animals in order to wrap themselves in fur coats. Food became scarce, and everyone began to fight over what little there was. And strangest of all, one by one, every living, breathing creature in the land began to turn as white as chalk, as colorless as snow with no sun shining on it. One day, Annika sat at her window, looking sadly at the blank world, when she saw, trudging across the snow, her beloved friend John the bear and his family of bears. Some of the bears were white, some were a dull gray, but only John was still a rich chestnut brown. The bears walked with their immense heads hanging down and some of them cried, dropping tears onto the snow. Before they hit the ground, the tears turned to ice. Annika ran outside, calling John's name. He stopped and looked at her with his kind eyes and told her that they were going away, to a cave deep inside one of the high hills that surrounded Winterland. 'To sleep,' he said. 'To wait.' Annika threw her arms around John, buried her face in his beautiful fur, and then stood and watched as the procession of bears patiently resumed their long journey.That night, Annika woke up with a start. She sat up in bed and saw that the hair falling over her shoulders was as white as milk, and she ran to the mirror. As she stared at her reflection, the pink began draining from her cheeks. 'Oh no,' she whispered. 'It's happening. I'm turning into someone else. A winter girl.' In a flash, she had on her shoes and her thickest wool coat and was out the door. The trail of crystal tears the bears had left gleamed in what little moonlight could force its way through the clouds and, slogging through snow, cold eating into her bones, Annika followed the trail. When she got to the cave and moved away the rock that blocked the entrance, all the bears were asleep, except John. He rested his paw on the patch of soft dirt next to him. 'For you, dear heart,' he said sleepily. Then he moved the rock into place and lay back down. Annika curled up between John and another bear, listening to their slow breathing, readying herself for sleep. The bears' bodies warmed her own from the outside in. The last thing to get warm was her heart, and then Annika fell asleep.The story ends this way: 'Imagine the deepest sleep you've ever slept. Multiply its deepness by the number of stars in the sky and the number of fish in the sea. Then you will know the sleep of Annika and the bears.