Celebrate your day of birthday as special day.Make a specific birthday wishes and write it down.You will be amazed about the power of pen and inner strength to accomplish the wishes.This will be a special gift for yourself on each birthday.
Urusan pembaca adalah mengekalkan ingatan pada apa yang mereka sukai. Sebaliknya, urusan penulis adalah menghapus ingatan dari apa-apa yang sudah ia bikin. Ia hanya memusatkan perhatian pada bagaimana melahirkan karya sebaik-baiknya saat ini.
A general is like a writer who wants to write a play, or a book, but whom the book itself, with the unexpected options that it reveals at one point, the impasse it presents at another, causes to deviate extensively from his preconceived plan.
There’s a difference between the ‘art’ of writing and the ‘craft’ of writing. Art is subjective, its beauty lies in the eyes of the beholder, but craft is objective. There is a right way and a wrong way to craft.
Every word I write is like a drop of my blood. If it's flowed passionately and long, I need time to recover from the emotion spent before I began a new story. My characters are my life. I have to respectfully and carefully move between them.
Dedicating a writing session to someone is like sending a prayer for them out into the world. I will never know if my writing, my dedication to them, my prayer for them made any difference in their lives. But I know it makes a difference in mine.
The setting sun threatened to consume me—it could have, you know. It would have been a beautiful death with an honorable eulogy: slain by a magnificent slice of piercing orange energy. I simply turned and walked away; I would live another day.
I read the novel I had been writing for several months with an odd sense that it was the work of a stranger. I usually work in the dead hours of night and surprising the manuscript mid-morning revealed the flaws and excesses it was trying to conceal.
The effect your readers want is for what they read to trigger in them the sights and sounds and smells of what's happening in the story. They don't want approximations, they don't want a report, they want to experience the story's reality.
The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.
When we sit down to write, we psychically enter a sanctuary. This safe haven is our own personal space where we can say whatever is on our mind, where we can talk about what matters most to us, where we can imagine the kind of world that we would like to live.
My best writing surfaces out of the need to rebel, the desire to end emotional chaos and the importance I place on embracing that independent streak inside us all that makes us want to break free of limits put on us by those who are prisoners of their own fear.
Maybe that's when bad scripts are written, when you choose the theme first. I consider that I've something to say when I've thought of a person, a moment, a single beat of the heart, that I think is true and interesting, and therefore should be seen.
Rules such as "Write what you know," and "Show, don't tell," while doubtlessly grounded in good sense, can be ignored with impunity by any novelist nimble enough to get away with it. There is, in fact, only one rule in writing fiction: Whatever works, works.
You cannot write the pages you love without writing the pages you hate. Nothing that you write is pointless, useless, or unnecessary. The product requires the process. The good days may be more enjoyable, but the tough ones are the ones they’re built upon.
