Oh, the torment bred in the race, the grinding scream of deathand the stroke that hits the vein,the hemorrhage none can staunch, the grief,the curse no man can bear.But there is a cure in the house, and not outside it, no,not from others but from them,their bloody strife. We sing to you,dark gods beneath the earth.Now hear, you blissful powers underground --answer the call, send help.Bless the children, give them triumph now.
...why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simply even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this.
We suddenly feel fearful and apprehensive, naked in our perishable flesh, and for just a moment we wish we could go back to being stone—crumbling in death rather than rotting, trapped inside an immobile prison of stone rather than reduced to immaterial souls like those that now rattled within our skulls. The moment passes. There is no point in regretting irreversible decisions—one has to live with them, and we try.
Our life is composed of events and states of mind. How ewe appraise our life from our deathbed will be predicated not only on what came to us in life but how we lived with it. It will not be simply illness or health, riches or poverty, good luck or bad, which ultimately define whether we believe we have had a good life or not, but the quality of our relationship to these situations: the attitudes of our states of mind. (34)
While he was waiting, leaning on the counter at a coffee place, he remembered the dream he'd had the night before about Antonio Jones, who had been dead for several years now. As before, he asked himself what Jones could have died of, and the one answer that occurred to him was old age. One day, walking down some street in Brooklyn, Antonio Jones had felt tired, sat down on the sidewalk, and a second later stopped existing.
Embryos think with each stage of their development that they have now reached the only condition that really suits them. This, they say, must certainly be their last, inasmuch as its close will be so great a shock that nothing can survive it. Every change is a shock; every shock is a pro tanto death. What we call death is only a shock great enough to destroy our power to recognize a past and a present as resembling one another.
My faceless neighbor spoke up:“Don’t be deluded. Hitler has made it clear that he will annihilate all Jews before the clock strikes twelve.”I exploded:“What do you care what he said? Would you want us to consider him a prophet?His cold eyes stared at me. At last he said, wearily:“I have more faith in Hitler than in anyone else. He alone has kept his promises, all his promises, to the Jewish people.
RequiescatTread lightly, she is nearUnder the snow,Speak gently, she can hearThe daisies grow.All her bright golden hairTarnished with rust,She that was young and fairFallen to dust.Lily-like, white as snow,She hardly knewShe was a woman, soSweetly she grew.Coffin-board, heavy stone,Lie on her breast,I vex my heart aloneShe is at rest.Peace, Peace, she cannot hearLyre or sonnet,All my life’s buried here,Heap earth upon it.
When she expressed a doubtful hope that Tinker Bell would be glad to see her, he said, ‘Who is Tinker Bell?’‘O Peter,’ she said, shocked; but even when she explained he could not remember.‘There are such a lot of them,’ he said. ‘I expect she is no more.’I expect he was right, for fairies don’t live long, but they are so little that a short time seems a good while to them.
The rapt pupil will be forgiven for assuming the Tsar of Death to be wicked and the Tsar of Life to be virtuous. Let the truth be told: There is no virtue anywhere. Life is sly and unscrupulous, a blackguard, wolfish, severe. In service to itself, it will commit any offense. So, too, is Death possessed of infinite strategies and a gaunt nature- but also mercy, also grace and tenderness. In his own country, Death can be kind.
When the rich give a party and the meal is finished, a man carries round amongst the guests a wooden image of a corpse in a coffin, carved and painted to look as much like the real thing as possible, and anything from 18 inches to 3 foot long; he shows it to each guest in turn, and says: "Look upon this body as you drink and enjoy yourself; for you will be just like it when you are dead."[Herodotus ‘Histories’, II 82]
A human doesn't have a heart like mine. The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.
I'm so sorry, Henri," I whisper in his ear. I close my eyes. "I love you. I wouldn't have missed a second of it, either. Not for anything," I whisper. "I'm going to take you back yet. Somehow I am going to get you back to Lorien. We always joked about it but you were my father, the best father I could have ever asked for. I'll never forget you, not for a minute for as long as I live. I love you, Henri. I always did.
This very pride in keeping his word was that he was keeping it to miscreants. It was his last triumph over these lunatics to go down into their dark room and die for something that they could not even understand. The barrel-organ seemed to give the marching tune with the energy and the mingled noises of a whole orchestra; and he could hear deep and rolling, under all the trumpets of the pride of life, the drums of the pride of death.
How often the priest had heard the same confession--Man was so limited: he hadn't even the ingenuity to invent a new vice: the animals knew as much. It was for this world that Christ had died: the more evil you saw and heard about you, the greater the glory lay around the death; it was too easy to die for what was good or beautiful, for home or children or civilization--it needed a God to die for the half-hearted and the corrupt.
