Stories continue in all directions to include even the retelling of the stories themselves, as legend is informed by interpretation, and interpretation is informed by time. And so I tell my story to you, as the Mariner told his: he, standing outside the wedding party, snatching at a passing wrist, paralyzing his victim with his gaze; I, standing with my family at the edge of this immortal forest. I tell this story because telling this story is what I must do.

Families are wonderful institution," he said. "I value mine more than I can possibly say. But each of us has an individual life to live, our own path to tread, our own destiny to forge. You can imagine, if you will, how my family wished to shelter and protect me and do my living for me so that I would never again know fear or pain or abandonment. Eventually I had to step clear of them-or I might have fallen into the temptation of allowing them to do just that.

Men wiser and more learned than I have discerned in history a plot, a rhythm, a predetermined pattern. These harmonies are concealed from me. I can see only one emergency following upon another as wave follows upon wave, only one great fact with respect to which, since it is unique, there can be no generalizations; only one safe rule for the historian: that he should recognize in the development of human destinies the play of the contingent and the unforeseen.

Let me here remind you that the essence of dramatic tragedy is not unhappiness. It resides in the solemnity of the remorseless working of things. This inevitableness of destiny can only be illustrated in terms of human life by incidents which in fact involve unhappiness. For it is by them that the futility of escape can be made evident in the drama. This remorseless inevitableness is what pervades scientific thought. The laws of physics are the decrees of fate.

Ne vjerujem da mi je unaprijed zapisan put kojim ću proći, jer ne vjerujem u neki naročit red ovoga svijeta. Ne odlučujemo, već se zatičemo. Strmoglavljeni smo u igru, punu nebrojenih izmjena, jednog određenog trenutka, kad nas samo ta prilika čeka, jedina koja nas može sačekati, u toku miješanja. Ne možes je zaobići, ni odbiti. Tvoja je, kao voda u koju padneš. Pa plivaš, ili potones.

But no-one came here to live an ordinary life. Despite what our somnambulistic, mythless society society tells us — a place stuffed to the gilders with unawake, unthinking folk ruled by shoulds, oughts and have-tos; people who have no understanding of themselves; individuals afraid to acknowledge, let alone live their dreams — you came here to weave your unique essence and vision into the world, thus rendering it magnificent, both for yourself and others.

Wyatt knew with absolute conviction Clay didn't mean it. They didn't suffer through two very painful concussions together to walk the other way once they'd healed up. Those were battle wounds. It was like surviving a war together. Wyatt just chose to forget they'd been on opposing sides. He knew Clay was supposed to be his best friend. It felt like destiny. Just like he knew he was supposed to grow up, be sheriff, and marry Tabitha McMillen.

Façade. One, simple word. But, very complex portents. It’s like living a life of half-dead. You are neither fully inside a grave, nor completely out of it, beyond the oppressive calmness of the slabs, tombstones and plaques. There is one solace though, you soon discover that you are not alone in the vast graveyard of the half-dead. This is what Kamini soon realized when she plunged herself back into the world that the destiny had conspired her to inherit.

The sun would still rise, the seasons would still come, life would continue. I was thankful to have been a part of it; I would take the memories and savor them for the life ahead. I had been given the components that would comprise the fate of my destiny; they had aged into my soul so that part of the past would always remain with me. They would be there for me to draw strength from on days in my future when death would seem a triumph and life too hard to live any more.

that droplet of moisture that had slipped from me like a tear seemed almost to tell the story of my life. It fell through empty space, with no control whatsoever over its destiny; rolled along a path of silk; and somehow came to rest there on the teeth of that dragon. I thought of the petals I’d thrown into the Kamo River shallows outside Mr. Arashino’s workshop, imagining they might find their way to the Chairman. It seemed to me that, somehow, perhaps they had.

This was maybe the first time she’d done it when she’d felt the true intimacy of it. The first time she’d done it because she wanted to express her feelings for a guy in some new way she hadn’t before. The first time it meant something.The fact was, sex with a man she cared for was making all other sex pale in comparison. No wonder sex with Mike had been the best of her life from the very start—caring for him had been…destiny.Destiny in Destiny.

How had it happened that when choosing the men and women who were to be torn from this subjugated plain, the hand of destiny had stayed so far inland, away from the busy coastlines, to alight on the people who were, of all, the most stubbornly rooted in the silt of the Ganga, in a soil that had to be sown with suffering to yield its crop of story and song? It was as if fate had thrust its fist through the living flesh of the land in order to tear away a piece of its stricken heart.

Last Friday in the music room, every word I said felt like I was taking a knife to my own skin, cutting so deep that I thought I would never know how to not feel pain again,” he said, his voice remarkably calm for such a strong statement. “The worst of it was knowing that in fighting us being together, I was still causing you pain. I can’t do it anymore.” He stood still, focused intensely on me. “Do you believe that we have the ability to change destiny?

This is a new land, this is a new place, this is a new world, this is unknown. This is uncharted, this is all there is. We don't have any other place to go. I always quote Gene as saying "Why are we now going into space? Well, why did we trouble to look past the next mountain? Our prime obligation to ourselves is to make the unknown known. We are on a journey to keep an appointment with whatever we are." And that was his whole philosophy of Star Trek, of life, of everything else.

After all, is it not the way we humans shape the universe, shape time itself? Do we not take the raw stuff of chaos and impose a beginning, middle, and end on it, like the simplest and most profound of folktales, to reflect the shapes of our own tiny lives? And if the physicists are right, that the physical world changes as it is observed, and we are its only known observers, then might we not be bending the entire chaotic universe, the eternal, ever-active Now, to fit that familiar form?