Hing hang hung! the words rang faintly through his daydream like echoes of Miz Cunningham's tart little doorbell. Then he looked again at the old woman herself. Why, she was really quite wonderful - this old fat woman! In the end, she got her hands on nearly everything in the world! Just look at her window! There by the pair of old overshoes were Jamey Hankins' ice skates. There was old Walt Spoon's elk's tooth. There - his mother's own wedding ring! There was a world in the window of this remarkable old woman. And it was probable that when Miz Cunningham like an ancient barn owl fluttered and flapped to earth at last, they would take her away and pluck her open and find her belly lined with fur and feathers and the tiny mice skulls of myriad dreams.

I don’t want to wake up. I can’t feel the cold of life. I can’t feel fear in my dreams. When awake we are green and red bits glowing under a machine, lights turn off and on, and people of science convince themselves they know what’s going on. Backs are patted, hand are shaken. Test, record, collect. They tell us what we already know. We are all dying, dying slow. When awake, there is a feeling of impending doom, and if you can’t feel it, close your eyes, or open them further. When we’re in a box underground, heaven is finally above us, but it’s not in the sky. Heaven is the planet we lived on, and all of the angels are people. Here, in a dream, it’s just me floating in the back of my mind, among parts we don’t fully understand.

It's what you have always wanted to accomplish. Everyone, when they are young, knows what their destiny is. At that point in their lives, everything is clear and everything is possible. They are not afraid to dream, and to yearn for everything they would like to see happen to them in their lives. But, as time passes, a mysterious force begins to convince them that it will be impossible for them to realize their destiny... It's a force that appears to be negative, but actually shows you how to realize your destiny. It prepares your spirit and you will, because there is one great truth on this planet: whoever you are, or whatever it is that you do, when you really want something, it's because that desire originated in the soul of the universe. It's your mission on earth.

The Truth Is That I Was Recognized For Stubbornness And Not Goodness. Even, Though I Was Very Intelligent And Sent To School By A Little Few Supports From Sponsors And My Mother. My Brain Was Never Ever Cool. Due To All The Mistakes I Saw From A Very Tender Age From All Those Whom I Looked Upon As Elders And Shinning Examples. Although They Where Some Good Examples Which Still Live On. Still The Early Damaged As Already Been Done. So It Led Me Dropping Out Of School In To Working And Using The Great Ancient Vedic Philosophies I Have Been Hearing From The Very Beginning Of My Conception In My Mother Womb Till The Day I Was Born And Forever. I Used Them All To Materialize Many Of My Dreams And Practice Mysticism Coupled With Spiritualism To Keep My Self Secured And Keep Cool Depending On God.

HOW ANGELS SLEEP. Unsoundly. They toss and turn, trying to understand the mystery of the living. They know so little about what it's like to fill a new prescription for glasses and suddenly see the world again, with a mixture of disappointment and gratitude ... Also, they don't dream. For this reason, they have one less thing to talk about. In a backward way, when they wake up they feel as if there is something they are forgetting to tell each other. There is disagreement among the angels as to whether this is a result of something vestigial, or whether it is the result of the empathy they feel for the Living, so powerful it sometimes makes them weep. In general, they fall into these two camps on the subject of dreams. Even among the angels, there is the sadness of division.

Listen, listen!" I interrupted her. "Forgive me if I tell you something else.... I tell you what, I can't help coming here to-morrow, I am a dreamer; I have so little real life that I look upon such moments as this now, as so rare, that I cannot help going over such moments again in my dreams. I shall be dreaming of you all night, a whole week, a whole year. I shall certainly come here to-morrow, just here to this place, just at the same hour, and I shall be happy remembering today. This place is dear to me already. I have already two or three such places in Petersburg. I once shed tears over memories ... like you.... Who knows, perhaps you were weeping ten minutes ago over some memory.... But, forgive me, I have forgotten myself again; perhaps you have once been particularly happy here....

I have dreamed of that song, of the strange words to that simple rhyme-song, and on several occasions I have understood what she was saying, in my dreams. In those dreams I spoke that language too, the first language, and I had dominion over the nature of all that was real. In my dream, it was the tongue of what is, and anything spoken in it becomes real, because nothing said in that language can be a lie. It is the most basic building brick og everything. In my dreams I have used that language to heal the sick and to fly; once I dreamed I kept a perfect little bed-and-breakfast by the seaside, and to everyone who came to stay with me I would say, in that tongue, 'Be whole.' and they would become whole, not be broken people , not any longer, because I had spoken the language of shaping.

There are no perfect circumstances, just circumstances that can become 'perfect' because you choose to act upon a platform. Trusting that the first brush stroke is one closer to the finished painting. You can alter as you work. But you must take that first step, regardless of how good the shoes are - that first step forward is one closer to the finish line that you’re dreaming up.OR: There is a set of circumstances viewed by the perfectionist as imperfect, leading to hindrance. The shoes aren’t right for the race so they hesitate. Know this, you are the alchemist. You have the capacity to turn any situation into your personal victory, into gold, if you choose. What do you want to sculpt? It’s clay, it’s not meant to be perfect but your touch can turn it into a masterpiece.

But sleep didn't come. She could hear Jace's soft piano playing through the walls, but that wasn't what was keeping her awake. She was thinking of Simon, leaving for a house that no longer felt like home to him, of the despair in Jace's voice as he said 'I want to hate you', and of Magnus, not telling Jace the truth: that Alec did not want Jace to know about his relationship because he was still in love with him. She thought of the satisfaction it would have brought Magnus to say the words out loud, to acknowledge what the truth was, and the fact that he hadn't said them - had let Alec go on lying and pretending - because that was what Alec wanted, and Magnus cared about Alec enough to give him that. Maybe it was true what the Seelie Queen had said, after all: Love made you a liar.

Do you know why I gave my daughter permission to marry your father?”“No,” Bailey says. It is not a topic that has ever been discussed in his presence, though Caroline once told him in secret she heard it was something of a scandal. Even almost twenty years later, his father never sets foot in his grandmother’s house, nor does she ever come out to Concord.“Because she would have run off with him regardless,” she says. “That was what she wished. It would not have been my choice for her, but a child should not have their choices dictated for them...Follow your dreams, Bailey,” she says. “Be they Harvard or something else entirely. No matter what that father of yours says, or how loudly he might say it. He forgets that he was someone’s dream once, himself.

Over the years, we worked on some promising projects that Hunter could do while never leaving the Farm. One was The Gonzo Book of Etiquette, a radical updating of Emily Post that would instruct modern people on such niceties as how to tell your parents that your significant other is a drug dealer; how to cope with partiers or guests who won't leave when the festivities are over; how to respond, legally and shrewdly, to various forms of police interrogation (the „What Marijuana?“ as we called it); what to wear to a wedding between a rock star and a stripper; how to explain what a Deering grinder full of coke is to your mother-in-law; how to get the car keys away from a drunk without being stranded; using guns safely around drug abusers, and so on. I don't know why he was never able to sell that concept.

So for me the creative world isn’t what you do after your day job, though many professional musicians do this to make ends meet, but it’s something that IS a job. Perhaps that’s why I’m not as disheartened by the more cold blooded aspects of the industry. Over the course of watching my mother navigate the creative world I’ve seen just about every trick pulled that could have been and I’ve seen her deposit the checks received for a job well done. When I recently asked her why she chose the creative world she said: “Early on I decided that if I had to work I was going to work at something that I loved.”I’m glad she did. As difficult, chaotic, dysfunctional and crazy as the world in music and the arts can be I always knew that they mattered deeply to her, as they do to me.

Thank, God,” Jason said as the tide of his blue eyes washed over her.“What?” Alexis asked, her own smile turning the corners of her mouth up.“You’re really here. It wasn’t just a dream,” Jason responded, kissing her forehead.“I plan on always being here,” she said, her hands drawing circles on his bare chest.He pulled her closer, their fronts molding together, one of her legs rested on his hip.“You’ve sufficiently invaded every part of me, Alexis; my heart, my mind, and now my dreams.”“You don’t have to dream to have me, Jason.” Alexis’ heart melted, realizing just how true his statement had become. This man had invaded every part of her, captured it exclusively for himself; her heart, mind, dreams, and body belonged to this man.

And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then

Yet I never sought what is real, yearned for the real, but rather I have yearned for dreams more than solid things. I can say I love the textures of dreams. The way they hover and almost taste. The clouds and darkness that linger behind, mostly unseen. And the palette of dreams. You can almost taste the colours, they seem as words on the tip of the tongue, unsayable as pomegranate seeds, unsayable as thick cream, the darkness of such a thick cream. This is why I am obsessed with dreams. They know what we cannot. Night after night they try and tell us the impossible. Dreams are secret and closed, and also contain everything, gushing, splayed open. Dream suitcases, carpetbags, hold-alls. They influence us secretly and they draw me to travel to nowhere, to beauty’s passage, through halls of mirrors where I know I am not myself, I know I am sublime.