Last night I danced. My body rose from its slump for the first time since the beginning of sorrows—my fingers beckoning to the stars at arm's length, back arching as tingles bubbled up my spine, hips caught in a silent tempo while on tiptoe I twirled in endless euphoric circles. It didn't matter that you loved me or that you didn't. For I was wanted by the gods last night; their seraphs and muses descending on moonbeams into my midst, caressing my face and gliding their spirited arms about my waist, lifting my toes from the soil that I might feel what it is to fly without heaviness of heart. I danced with them under the glow of a loyal moon. For one brief, visceral dance I joyed as Heaven joys—in endless bliss.And the universe cherished me.

There is a time sometime, and a place where in the perfect stillness of the evening within the sunset serenity we unite in the glow... Blissful paradise divinity, brilliancy glassy deepness, shallowness slow and smooth... We forever are eternal wholeness only intimacy between us... Thorough adoration pleasure deep in souls with melodies slowness as we breathe...skin on skin with tenderness emotions... There is a time sometime, when I dream of you, feel caressing kissing across my eyes and hands...and a place where old memories fade away and I’m with you again locked tight in your embrace, hearing your laughter and seeing jolly smiles upon your face... Music of the reverberating mind waves crashes on the shore of my aching heart... There is a place I’m in a different time sometime...with you in the perfect stillness...

This was different. It had synths droning and sending saltwater waves under my feet. It had drumbeats bursting like fireworks, rumbling the furniture out of place, and then a crazy, irregular, disharmonious, spiral crescendo of pure electric noise, like a typhoon dragging our bodies into it. It featured brass orchestras and choirs of mermaids and a piano in Iceland, all of them right there, visible, touchable, in Axton House. It shook us, fucked us, suspended us far above the reach of Help bouncing on his hind legs. It spoke of magenta sunsets and plastic patio chairs growing moss under summer storms rolling on caterpillar tracks. It sprinkled a bokeh of car lights rushing through night highways and slapped our faces like the wind at a hundred and twenty miles an hour. It pictured Niamh playing guitar, washed up naked on a beach in Fiji.

There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. ... No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others

Without realizing what she was doing and more on an impulse than anything else, she leaned forward and kissed him. It was a simple, yet firm kiss and she pulled back after only a moment. But it sent a thrill through her. He leaned down for another. But she put her finger on his lips to stop him. "That was my reward to you," she said as they danced. "Don't squander it." "Reward? he asked still seeming both surprised and delighted at this unexpected attention. "What for?" "Why for living, Vaelros. And for doing so much else to help me. I will have you rewarded in state as well. But that was just from me." She saw Vaelros flush and she gave him a brilliant smile. "You don't like my reward?" she asked. "I do!" he replied. "I want only to learn how to earn more." The music was fading. The song was ending. Luthiel stepped back and let her hands drop. "A mysterious thing, my heart," she said.

I met Ana doing free weights,” Roger said. “This hard-body señorita was putting me to shame on squats, and I asked her how she got such a tight ass —”“And then she decked you.”“Nah, she loved it! She’s real proud of that butt — she should be. She took me to one of her classes, and I got hooked. She’s a Zumba instructor.”Grant absorbed that information for a moment. “You do...Zumba?”“It’s great! Much more fun than PT. You just get going...” He did a little two-step maneuver on the city street, dancing to an unknown Latin beat. “Cha cha cha. Heeuh? Ana does this a little better than me...”Grant tried to hold it in. He really did. But his body quivered, his shoulders shook, and soon a whooping laugh erupted — which lasted quite a few seconds.Roger abruptly stopped his dance. “You judge, Madsen. Not cool.

He can hum the music in his old man's quivering voice, but he prefers it in his head, where it lives on in violins and reedy winds. If he imagines it in rehearsal he can remember every step of his three-minute solo as if he had danced it only yesterday, but he knows, too, that one time, onstage in Berlin, he had not danced it as he had learned it; this much he knows but cannot recreate, could no recreate it even a moment after he had finished dancing it. While dancing he had felt blind to the stage and audience, deaf to the music. He had let his body do what it needed to do, free to expand and contract in space, to soar and spin. So, accordingly, when he tries to remember the way he danced it on stage, he cannot hear the music or feel his feet or get a sense of the audience. He is embryonic, momentarily cut off from the world around him. The three most important minutes of his life, the ones that determined his fate and future, are the three to which he cannot gain access, ever.

Countless people live their whole lives without ever knowing this...this unnameable thing that we share. This exclusive and secret club that we are so blessed to be a part of. I suppose that by many people's definition, it would simply be called 'Love'. And yet, this is unlike any other love or feeling or emotion that I have ever felt. Simply calling it 'Love' would be an injustice...it would do a massive disservice to this feeling that seems to envelop me with every breath I take. It's as if wherever I go, it goes; and whichever direction I look, it sees. It moves with me as if we've been doing this dance forever...like we are one being and of one mind. It has to uncanny ability to affect change by just existing; it speaks to me and with me and through me and every time it says my name, it cloaks my entire being with a warm comforting familiar glow...like it's only ever meant to be said that way and no different. It's not just simply love...it's everything.

It was a vision of the one thing that we both hoped someday would be...the warmth of our bodies next to each other's, reflected in sunset of our secret place... We longed for it to be like this, each and every evening... Dancing in the night, playing hide-and-seek in the day, the beauty of our souls blossoms... Never before had we felt so happy, never before had we felt so alive... We hear the birds, sensing the cheerful breeze, the rainbow's end does linger here....our tenderness, sighs and spirits speak and we do know clear... This place is where love and laughter meet... You take my hand, kiss each finger tip, with tears in your eyes you touch my cheek and whisper of how wondrous this, we share our love once again. The love that gives us wings to fly anew. Our hearts in sweet pleasing pain beat as one in the rhythm of long forgotten yet melody... Together again at this wondrous place, where just our presence adds more grace and makes it what was meant to be - a place for you a place for me...

My thoughts of you are a rainbow in splashing ocean waves...appearing...disappearing in sacred depths of skies the grasps of mine reach to the highest... Will you, ah, long for kissing me tonight? so I could feel the sweetest pleasure of your lips on mine... As we embrace in our dream, I'll dance your quiet loving tune deeply within. The softness of your gentle touch so ever fine..the painting fingertips caress my dewy glowing skin...and feel my heated inner flesh pulsate...they make my body sing like strings of violin...again.. The warmth of body yours so close... so real is the feeling of your beating heart against my chest...inhaling you is easy... I crave the safety of your soul arms around me. Joint passions together fully blooming, so wild, so intense..it makes time stand still... So kiss me, want tonight with golden, silver light of stars in darkest royal blue of velvet summer skies... To love you ~ I'm yours... I spread this crystal spring-like bliss under your feet...tread softly for you tread upon my dreams...

Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes!Ize Kranile!

إن الرقص من خلبؿ حركاتو يمثؿعاطفة أو شعو ا ر أو انفعالآ , فالانسان إذا ما شعر بفرح غامر أو ألم شديد يحتاج إلي التعبيرعنو ليس بالكممات فحسب , ولكن بحركات الجسم أيضا وىذا ابسط ما تعرؼ بو الرقص

That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.

Ο χορός είναι ένας χώρος δίχως νόμους που ελέγχεται όμως από το βλέμμα του καθενός πάνω σ’ όλους. Η ακαμψία, το σφίξιμο είναι ένα έγκλημα για το μάτι, σφάλμα ασυγχώρητο σε μια τέχνη αφιερωμένη στη θέα και στη φαινομενικότητα.

For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.