Darkness is a defining characteristic of Rotters. But it’s worthy to remember that darkness is just that—it’s dark—and what is being concealed in the dark is not just the horrible and fearsome, it’s also the inspirational and moving. Horror means nothing without happiness; dark means nothing without light. Rotters may make you feel scared, but hopefully it will also make you simply feel. It’s that kind of book, or at least I hope it is.
In this world where too many are willing to see only the light that is visible, never the Light Invisible, we have a daily darkness that is night, and we encounter another darkness from time to time that is death, the deaths of those we love, but the third and most constant darkness is with us everyday, at all hours of every day, is the darkness of the mind, the pettiness and meanness and hatred, which we have invited into ourselves, and which we pay out with generous interest.
[Buddhism and Christianity] are in one sense parallel and equal; as a mound and a hollow, as a valley and a hill. There is a sense in which that sublime despair is the only alternative to that divine audacity. It is even true that the truly spiritual and intellectual man sees it as sort of dilemma; a very hard and terrible choice. There is little else on earth that can compare with these for completeness. And he who does not climb the mountain of Christ does indeed fall into the abyss of Buddha.
Had she believed all that? Old Pilar's folklore? No, not really; or not exactly. Most likely Pilar hadn't quite believed it either, but it was a reassuring story: that the dead were not entirely dead but were alive in a different way; a paler way admittedly, and somewhat darker. But still able to send messages, if only such messages could be recognized and deciphered. People need such stories, Pilar said once, because however dark, a darkness with voices in it is better than a silent void.
আঁধারে প্রেতাত্মাকে তবু বিশ্বাস করা চলে; দু'নম্বর মানুষকে বিশ্বাস করার কোনো কারণ নেই!
There is darkness inside all of us, though mine is more dangerous than most. Still, we all have it—that part of our soul that is irreparably damaged by the very trials and tribulations of life. We are what we are because of it, or perhaps in spite of it. Some useit as a shield to hide behind, others as an excuse to do unconscionable things. But, truly, the darkness is simply a piece of the whole, neither good nor evil unless you make it so. Ittook a witch, a war, and a voodoo queen to teach me that.
Darkness I find myself set upon a ship of fools and cast adrift.Adrift in sea of madness, steaming towards a storm of uncertainty. Overboard, swirling, twirling tumbling.Engulfed in madness. Shipwrecked, marooned. Washed upon a rock of hope. Darkness surrounds. Within the darkness madness laps upon a distant shore. Morning breaks and sun rises once more.Darkness retreats into the shadows. Golden rays of light cleanse the mind and soul. A new day dawns heralding sanity, and hopefor the human race once more.
Now with her eyes closed and fist clenched at her side. She was as off balanced as he was. Lilith took a deep breath and opened her eyes. She looked at Ian and did what took every ounce of will power she had; she walked away and out the doors. Ian watched as Lilith left the study and was shocked. He wanted her and she walked away from him. Then anger stormed his emotions and now he was royally pissed off. He was getting fucking tired of the cold and hot treatment she was giving him. Why the hell was she running?
All my life,I've been afraid of things, as a child and a woman must be. I lied about it naturally. I fancied myself a witch and walked in dark streets to punish myself for my doubts. But I knew what it meant to be afraid.And now, in this darkness, I fear nothing. If you were to leave me here, I would feel nothing. I would walk as I am walking now. As a man, you can't know what I mean by what I say.You can't know a woman's vulnerability. You can't know the sense of power that belongs to me now.
Through the Mud (from the book Blue Bridge)A line of robots,We approach a wall of mud,Some of us carrying flowers.The others laughBit when we enter that wallIt is the flowersThat will make us an arkTo carry us on through the darkness,Sailing throughWith our symbols the only lightUntil we flyOut over the fieldsOn the other side of midnightAnd all our wires And bits of metal fall off.-And our souls are bright again,So new and lightThey shoot up –Up to plant our brilliant flowersLike starsIn the face of heaven.
Montag shook his head. He looked at a blank wall. The girl's face was there, really quite beautiful in memory: astonishing, in fact. She had a very thin face like the dial of a small clock seen faintly in a dark room in the middle of a night when you waken to see the time and see the clock telling you the hour and the minute and the second, with a white silence and a glowing, all certainty and knowing what it had to tell of the night passing swiftly on toward further darknesses, but moving also toward a new sun.
This fall I think you're riding for—it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started.
Light is shallow; darkness is infinitely deep. Light is always bounded, it has boundaries. Darkness has no boundaries, it is unbounded. Light comes and goes; darkness always is. When there is light you cannot see it. When light is not there you can see it. But it is always there; you cannot cause it. Light has a cause. You burn the fire, you put on wood. When the wood is finished the light will be gone. It is caused, hence it is an effect. But darkness is not caused by anything, it is not an effect. It is uncaused eternity.
Truth And if sun comes How shall we greet him?Shall we not dread him,Shall we not fear himAfter so lengthy aSession with shade?Though we have wept for him,Though we have prayedAll through the night-years—What if we wake one shimmering morning toHear the fierce hammeringOf his firm knucklesHard on the door?Shall we not shudder?—Shall we not fleeInto the shelter, the dear thick shelterOf the familiarPropitious haze?Sweet is it, sweet is itTo sleep in the coolnessOf snug unawareness.The dark hangs heavilyOver the eyes.
As Hamlet said to Ophelia, ”God has given you one face, and you make yourself another." The battle between these two halves of identity...Who we are and who we prebend to be, is unwinnable. "Just as there are two sides to every story, there are two sides to every person. One that we reveal to the world and another we keep hidden inside. A duality governed by the balance of light and darkness, within each of us is the capacity for both good and evil. But those who are able to blur the moral dividing line hold the true power.
