But, for a Christian, there are, strictly speaking, no chances. A secret Master of the Ceremonies has been at work. Christ, who said to the disciples "Ye have not chosen me, but I have chosen you," can truly say to every group of Christian friends "You have not chosen one another but I have chosen you for one another." The Friendship is not a reward for our discrimination and good taste in finding one another out. It is the instrument by which God reveals to each the beauties of all the others. They are no greater than the beauties of a thousand other men; by Friendship God opens our eyes to them. They are, like all beauties, derived from Him through the Friendship itself, so that it is His instrument for creating as well as for revealing. At this feast it is He who has spread the board and it is He who has chosen the guests. It is He, we may dare to hope, who sometimes does, and always should, preside. Let us not reckon without our Host.

Basic Principles:1. Creativity is the natural order of life. Life is energy: pure creative energy.2. There is an underlying, in-dwelling creative force infusing all of life -- including ourselves.3. When we open ourselves to our creativity, we open ourselves to the creator's creativity within us and our lives.4. We are, ourselves, creations. And we, in turn, are meant to continue creativity by being creative ourselves.5. Creativity is God's gift to us. Using our creativity is our gift back to God.6. The refusal to be creative is self-will and is counter to our true nature.7. When we open ourselves to exploring our creativity, we open ourselves to God: good orderly direction.8. As we open our creative channel to the creator, many gentle but powerful changes are to be expected.9. It is safe to open ourselves up to greater and greater creativity.10. Our creative dreams and yearnings come from a divine source. As we move toward our dreams, we move toward our divinity.

Looking for Your FaceFrom the beginning of my lifeI have been looking for your facebut today I have seen itToday I have seenthe charm, the beauty,the unfathomable graceof the facethat I was looking forToday I have found youand those who laughedand scorned me yesterdayare sorry that they were not lookingas I didI am bewildered by the magnificenceof your beautyand wish to see youwith a hundred eyesMy heart has burned with passionand has searched foreverfor this wondrous beautythat I now beholdI am ashamedto call this love humanand afraid of Godto call it divineYour fragrant breathlike the morning breezehas come to the stillness of the gardenYou have breathed new life into meI have become your sunshineand also your shadowMy soul is screaming in ecstasyEvery fiber of my beingis in love with youYour effulgencehas lit a fire in my heartand you have made radiantfor methe earth and skyMy arrow of lovehas arrived at the targetI am in the house of mercyand my heartis a place of praye

Where the Divine and the Human Meet" shows how important it is to meet the world with the creativity of an artist, particularly in these uncertain times: "What do we do with chaos? Creativity has an answer. We are told by those who have studied the processes of nature that creativity happens at the border between chaos and order. Chaos is a prelude to creativity. We need to learn, as every artist needs to learn, to live with chaos and indeed to dance with it as we listen to it and attempt some ordering. Artists wrestle with chaos, take it apart, deconstruct and reconstruct from it. Accept the challenge to convert chaos into some kind of order, respecting the timing of it all, not pushing beyond what is possible—combining holy patience with holy impatience--that is the role of the artist. It is each of our roles as we launch the twenty-first century because we are all called to be artists in our own way. We were all artists as children. We need to study the chaos around us in order to turn it into something beautiful. Something sustainable. Something that remains".

. . . In all parts of our globe, fanatics have cut each other's throats, publicly burnt each other, committed without a scruple and even as a duty, the greatest crimes, and shed torrents of blood . . . Savage and furious nations, perpetually at war, adore, under divers names, some God, conformable to their ideas, that is to say, cruel, carnivorous, selfish, blood-thirsty. We find, in all the religions, 'a God of armies,' a 'jealous God,' an 'avenging God,' a 'destroying God,' a 'God,' who is pleased with carnage, and whom his worshippers consider it a duty to serve. Lambs, bulls, children, men, and women, are sacrificed to him. Zealous servants of this barbarous God think themselves obliged even to offer up themselves as a sacrifice to him. Madmen may everywhere be seen, who, after meditating upon their terrible God, imagine that to please him they must inflict on themselves, the most exquisite torments. The gloomy ideas formed of the deity, far from consoling them, have every where disquieted their minds, and prejudiced follies destructive to happiness.

Who among us has not suddenly looked into his child's face, in the midst of the toils and troubles of everyday life, and at that moment "seen" that everything which is good, is loved and lovable, loved by God! Such certainties all mean, at bottom, one and the same thing: that the world is plumb and sound; that everything comes to its appointed goal; that in spite of all appearances, underlying all things is - peace, salvation, gloria; that nothing and no one is lost; that "God holds in his hand the beginning, middle, and end of all that is." Such nonrational, intuitive certainties of the divine base of all that is can be vouchsafed to our gaze even when it is turned toward the most insignificant-looking things, if only it is a gaze inspired by love. That, in the precise sense, is contemplation...Out of this kind of contemplation of the created world arise in never-ending wealth all true poetry and all real art, for it is the nature of poetry and art to be paean and praise heard above all the wails of lamentation. No one who is not capable of such contemplation can grasp poetry in a poetic fashion, that is to say, in the only meaningful fashion. The indispensability, the vital function of the arts in man's life, consists above all in this: that through them contemplation of the created world is kept alive and active.

Killing, raping and looting have been common practices in religious societies, and often carried out with clerical sanction. The catalogue of notorious barbarities – wars and massacres, acts of terrorism, the Inquisition, the Crusades, the chopping off of thieves’ hands, the slicing off of clitorises and labia majora, the use of gang rape as punishment, and manifold other savageries committed in the name of one faith or another — attests to religion’s longstanding propensity to induce barbarity, or at the very least to give it free rein. The Bible and the Quran have served to justify these atrocities and more, with women and gay people suffering disproportionately. There is a reason the Middle Ages in Europe were long referred to as the Dark Ages; the millennium of theocratic rule that ended only with the Renaissance (that is, with Europe’s turn away from God toward humankind) was a violent time.Morality arises out of our innate desire for safety, stability and order, without which no society can function; basic moral precepts (that murder and theft are wrong, for example) antedated religion. Those who abstain from crime solely because they fear divine wrath, and not because they recognize the difference between right and wrong, are not to be lauded, much less trusted. Just which practices are moral at a given time must be a matter of rational debate. The 'master-slave' ethos – obligatory obeisance to a deity — pervading the revealed religions is inimical to such debate. We need to chart our moral course as equals, or there can be no justice.

As all material creation consists of out-births of things spiritual, the spiritual world being the world of causes, and the natural world that of effects, and as effects are the repositories of their causes, the natural world is the reflection of the spiritual. For this reason, from the beginning of things, the sun has stood out as a pre-eminent symbol of the things of God. Of all inanimate things it bears the closest correspondence to the Supreme Being, for what it is in the natural world the Supreme Being is in the Spiritual. Its central fire is the correspondence of the essence of the Divine Nature--DIVINE LOVE; its heat the correspondence of the heat flowing from Divine Love, which is Divine Goodness and all that that comprises; its light the correspondence of Divine Truth which is the light proceeding from Divine Wisdom; and the union of heat and light in its central essence forever symbolizes the union of the Divine Love and Wisdom resulting from that of the Divine Will and Understanding.God is the SUN from whose heat and light--His Love and Wisdom--proceed all that is spiritual, and through the spiritual, by the medium of the natural sun, all that is natural. The sun is supreme in all natural things, and its operations run through all in its own world, but the Divine SUN from which it derives its origin is supreme in all and operates through all, above and below. And as the natural sun is everywhere present in its own realm, and all things derive their life and grow in more or less perfect measure according to their forms and distances, so is the Supreme One omnipresent, filling both the spiritual and the natural world.