It was only vanity and discouragement that sometimes made me feel alone with my endless love, but now that I was taking one of the risks my heart had urged upon me I could also feel I was not alone. If endless love was a dream, then it was a dream we all shared, even more than we all shared the dream of never dying or of traveling through time, and if anything set me apart it was not my impulses but my stubbornness, my willingness to take the dream past what had been agreed upon as the reasonable limits, to declare that this dream was not a feverish trick of the mind but was an actuality at least as real as that other, thinner, more unhappy illusion we call normal life. After all, the intimations of endless love were the same now as they were thousands of years before, while normal life had changed a thousand times and in a thousand different ways. Which then, was more real?

Your young, sitting back thinking about your future, you feel heavily in your heart your desire to create your dream; no matter the tasks set before you. You hold that feeling; close to you, and you age. Your told to grow up, get a job and become successful in ways that will make someone else proud, whilst ignoring the ache inside yourself. Truth is, we're all raised to conform; damn it our parents were raised to conform, but does that mean you have to, too? No, than unravel that long lost dream inside yourself and start to create a life from it, you'll walk alone for a while, you will break down every comfort zone you've ever known; slowly transforming into a being without one, and you know what..? even if it's going to be hard, possibly some of the greatest hurdles of your time; one thing will feel certain- you'll never have felt so empowered in all your life.

The advice I like to give young artists, or really anybody who'll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case.

My father always used to tell one of his dreams, because it somehow seemed of a piece with what was to follow. He believed that it was a consequence of the thing's presence in the next room. My father dreamed of blood.It was the vividness of the dreams that was impressive, their minute detail and horrible reality. The blood came through the keyhole of a locked door which communicated with the next room. I suppose the two rooms had originally been designed en suite. It ran down the door panel with a viscous ripple, like the artificial one created in the conduit of Trumpingdon Street. But it was heavy, and smelled. The slow welling of it sopped the carpet and reached the bed. It was warm and sticky. My father woke up with the impression that it was all over his hands. He was rubbing his first two fingers together, trying to rid them of the greasy adhesion where the fingers joined." ("The Troll")

I sometimes have moments of such despair, such despair … Because in those moments I start to think that I will never be capable of beginning to live a real life; because I have already begun to think that I have lost all sense of proportion, all sense of the real and the actual; because, what is more, I have cursed myself; because my nights of fantasy are followed by hideous moments of sobering! And all the time one hears the human crowd swirling and thundering around one in the whirlwind of life, one hears, one sees how people live—that they live in reality, that for them life is not something forbidden, that their lives are not scattered for the winds like dreams or visions but are forever in the process of renewal, forever young, and that no two moments in them are ever the same; while how dreary and monotonous to the point of being vulgar is timorous fantasy, the slave of shadow, of the idea...

There are these rare moments when musicians together touch something sweeter than they´ve ever found before in rehearsals or performance, beyond the merely collaborative or technically proficient, when their expression becomes as easy and graceful as friendship or love. This is when they give us a glimpse of what might be, of our best selves, and of an impossible world in which you give everything you have to others, but lose nothing of yourself. Out in the real world there exist detailed plans, visionary projects for peacable realms, all conflicts resolved, happiness for everyone, for ever - mirages for which people are prepared to die and kill. Christ´s kingdom on earth, the workers´paradise, the ideal Islamic state. But only in music, and only on rare occasions, does the curtain actually lift on this dream of community, and it´s tantalisingly conjured, before fading away with the last notes.

Remember The DreamYou have a choiceYour heart will knowYou gotta look back sometimeTo know where to goYou have a voiceLong as you liveIt's never too smallWhatever you got to giveWhen your life is low (hold on)And you want to let go (be strong - hold on)Remember the dream we hadWhen there was nothing elseRemember the light that shinesAnd find it in yourselfRemember the dream is yoursSo let it guide your wayAnd keep it alive with you each dayDon't ever sayYou just don't carethe chances you takeWill take you as far as you darDon't be afraidHold your head highThere's strength in your soulYou never know till you tryWhen your life is low (hold on)And you want to let go (be strong -- hold on)You're not alone .. somebody cares(Hold on ...be strong)When you're walkin' the roadWith those who been there(You're not alone)Remember the dream is yoursSo let it guide your wayAnd keep it alive with you each day.

Viaţa şi visele sunt filele uneia şi aceleiaşi cărţi. Lectura ei coerentă înseamnă viaţa reală. Dar de fiecare dată, după ce s-a-ncheiat ora (ziua) destinată citirii şi a venit vremea repausului, adesea mai răsfoim plictisiţi câte-o carte, deschizând-o la o pagină sau alta, în dezordine şi incoerent; de multe ori este vorba despre o pagină deja citită sau una încă necunoscută, dar e-ntotdeauna din aceeaşi carte. E-adevărat, o filă citită separat n-are nici o legătură cu lectura integrală şi consecventă, însă astfel ea nu este cu mult mai prejos decât aceasta dacă ne gândim că, în ansamblul ei, şi o lectură consecventă începe şi se termină tot pe nepregătite şi, prin urmare, poate fi privită doar ca o singură pagină mai mare.

By noon Carter reached the jasper terraces of Kiran which slope down to the river's edge and bear that temple of loveliness wherein the King of Ilek-Vad comes from his far realm on the twilight sea once a year in a golden palanquin to pray to the god of Oukranos, who sang to him in youth when he dwelt in a cottage by its banks. All of jasper is that temple, and covering an acre of ground with its walls and courts, its seven pinnacled towers, and its inner shrine where the river enters through hidden channels and the god sings softly in the night. Many times the moon hears strange music as it shines on those courts and terraces and pinnacles, but whether that music be the song of the god or the chant of the cryptical priests, none but the King of Ilek-Vad may say; for only he had entered the temple or seen the priests. Now, in the drowsiness of day, that carven and delicate fane was silent, and Carter heard only the murmur of the great stream and the hum of the birds and bees as he walked onward under the enchanted sun.

What is human memory?" Manning asked. He gazed at the air as he spoke, as if lecturing an invisible audience - as perhaps he was. "It certainly is not a passive recording mechanism, like a digital disc or a tape. It is more like a story-telling machine. Sensory information is broken down into shards of perception, which are broken down again to be stored as memory fragments. And at night, as the body rests, these fragments are brought out from storage, reassembled and replayed. Each run-through etches them deeper into the brain's neural structure. And each time a memory is rehearsed or recalled it is elaborated. We may add a little, lose a little, tinker with the logic, fill in sections that have faded, perhaps even conflate disparate events. "In extreme cases, we refer to this as confabulation. The brain creates and recreates the past, producing, in the end, a version of events that may bear little resemblance to what actually occurred. To first order, I believe it's true to say that everything I remember is false.

My thoughts of you are a rainbow in splashing ocean waves...appearing...disappearing in sacred depths of skies the grasps of mine reach to the highest... Will you, ah, long for kissing me tonight? so I could feel the sweetest pleasure of your lips on mine... As we embrace in our dream, I'll dance your quiet loving tune deeply within. The softness of your gentle touch so ever fine..the painting fingertips caress my dewy glowing skin...and feel my heated inner flesh pulsate...they make my body sing like strings of violin...again.. The warmth of body yours so close... so real is the feeling of your beating heart against my chest...inhaling you is easy... I crave the safety of your soul arms around me. Joint passions together fully blooming, so wild, so intense..it makes time stand still... So kiss me, want tonight with golden, silver light of stars in darkest royal blue of velvet summer skies... To love you ~ I'm yours... I spread this crystal spring-like bliss under your feet...tread softly for you tread upon my dreams...

At some point in the night she had a dream. Or it was possible that she was partially awake, and was only remembering a dream? She was alone among the rocks on a dark coast beside the sea. The water surged upward and fell back languidly, and in the distance she heard surf breaking slowly on a sandy shore. It was comforting to be this close to the surface of the ocean and gaze at the intimate nocturnal details of its swelling and ebbing. And as she listened to the faraway breakers rolling up onto the beach, she became aware of another sound entwined with the intermittent crash of waves: a vast horizontal whisper across the bossom of the sea, carrying an ever-repeated phrase, regular as a lighthouse flashing: Dawn will be breaking soon. She listened a long time: again and again the scarcely audible words were whispered across the moving water. A great weight was being lifted slowly from her; little by little her happiness became more complete, and she awoke. Then she lay for a few minutes marveling the dream, and once again fell asleep.

One day or one night—between my days and nights, what difference can there be?—I dreamed that there was a grain of sand on the floor of my cell. Unconcerned, I went back to sleep; I dreamed that I woke up and there were two grains of sand. Again I slept; I dreamed that now there were three. Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me:You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.I felt lost. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream.— Jorge Luis Borges, The Writing of the God

Anna was, Livia is, Plurabelle's to be. Northmen's thing made southfolk's place but howmulty plurators made eachone in per-son? Latin me that, my trinity scholard, out of eure sanscreed intooure eryan! Hircus Civis Eblanensis! He had buckgoat paps on him, soft ones for orphans. Ho, Lord! Twins of his bosom. Lord save us! And ho! Hey? What all men. Hot? His tittering daugh-ters of. Whawk? Can't hear with the waters of. The chittering waters of. Flitter-ing bats, fieldmice bawk talk. Ho! Are you not gone ahome?What Thom Malone? Can't hear with bawk of bats, all thim liffey-ing waters of. Ho, talk save us! My foos won't moos. I feel as old as yonder elm. A tale told of Shaun or Shem? All Livia's daughter-sons. Dark hawks hear us. Night! Night! My ho head halls. I feel as heavy as yonder stone. Tell me of John or Shaun? Who wereShem and Shaun the living sons or daughters of? Night now!Tell me, tell me, tell me, elm! Night night! Telmetale of stem or stone. Beside the rivering waters of, hitherandthithering waters of. Night!

مَنْ كان ذا حلمٍ و طالَ بهِ المَدى، فليحمِهِ/ و ليحمِ أيضاً نفسَهُ مِن حلمِه/ فالحلمُ يكبرُ أشهراً في يومِه/ و يزيدُ دينُ الدهرِ حتى يستَحيل/ فإذا استحالَ ترى ابن آدم راضياً... منْ أي شيءٍ بالقليل