April 11, 2004Does anyone know where I can find a copy of the rules of thought, feeling, and behavior in these circumstances? It seems like there should be a rule book somewhere that lays out everything exactly the way one should respond to a loss like this. I'd surely like to know if I'm doing it right. Am I whining enough or too much? Am I unseemly in my occasional moments of lightheartedness? At what date and I supposed to turn off the emotion and jump back on the treadmill of normalcy? Is there a specific number of days or decades that must pass before I can do something I enjoy without feeling I've betrayed my dearest love? And when, oh when, am I ever really going to believe this has happened? Next time you're in a bookstore, as if there's a rule book.11:54 p.m.Jim

The light in that room was a glow; I seem to remember the color green, or perhaps flowers. A pale green sheet covered his inert body but not his head, which lay (eyes closed, mouth set in a tense and terrible grimace) unmoving. Gianluca. Barely able to see, barely able to stand - my knees kept buckling – and breathing so quietly I thought that I, too, might die; that out of shock, I would just drift away, the shell of my body cracking open. No longer anchored by my brother’s love, I would be reabsorbed by sky. Gianluca. If there was never another sound in the world, I would understand – yes, that would be appropriate, it would be fitting. This was the antithesis of music, the antithesis of noise. My brother’s death seemed to demand silence of all the world. Gianluca.

Kate lost a mother," I said, "but I lost a nothing."Kate doesn't feel that way," Jack assured me.But what about everybody else besides Kate? How can I ever explain to anyone what she was when she and I had no name? People need names for everything. I wasn't a relative or a friend, I was just an object of her kindness."He wiped my cheeks, saying Ssshh. I buried my face in his shoulder.True kindness is stabilizing," I went on. "When you feel it and when you express it, it becomes the whole meaning of things. Like all there is to achieve. It's life, demystified. A place out of self, a network of simple pleasures, not a waltz, but like whirls within a waltz."You're the one now," Jack said definitively. "That's why you met her. She had something she had to pass on." (p. 95)

Kate lost a mother," I said, "but I lost a nothing."Kate doesn't feel that way," Jack assured me.But what about everybody else besides Kate? How can I ever explain to anyone what she was when she and I had no name? People need names for everything. I wasn't a relative or a friend, I was just an object of her kindness."He wiped my cheeks, saying Ssshh. I buried my face in his shoulder.True kindness is stabilizing," I went on. "When you feel it and when you express it, it becomes the whole meaning of things. Like all there is to achieve. It's life, demystified. A place out of self, a network of simple pleasures, not a waltz, but like whirls within a waltz."You're the one now," Jack said definitively. "That's why you met her. She had something she had to pass on." (p. 95)

In some aspects losing a child is like a wall, but instead of getting over it, you must carry the wall with you, wherever you go, for as long as you live.The wall is immovable.You can’t go anywhere until you learn to move the wall.You are just stuck in the same place, forever.You can tug and tug all you want, there are days that the wall will not move.And there are days that it moves ever so slightly.Over time I have realized that in order to move forward, knowing that I must bring this wall with me, that the best way to do so is to metaphorically flood the soil near the wall with water, and have the wall float with me, instead of me having to carry it.Every act of love and kindness turns to water.Water and love can penetrate and move anything.It just takes time. I need to turn my wall into a raft.

It is not as if an 'I' exists independently over here and then simply loses a 'you' over there, especially if the attachment to 'you' is part of what composes who 'I' am. If I lose you, under these conditions, then I not only mourn the loss, but I become inscrutable to myself. Who 'am' I, without you? When we lose some of these ties by which we are constituted, we do not know who we are or what to do. On one level, I think I have lost 'you' only to discover that 'I' have gone missing as well. At another level, perhaps what I have lost 'in' you, that for which I have no vocabulary, is a relationality that is composed neither exclusively of myself nor you, but is to be conceived as *the tie* by which those terms are differentiated and related.

I don't really enjoy experiencing pain. No one does. But we will become less human if we learn to detach ourselves from one another to the point that when we experience death of a beautiful being (our mothers, our fathers, our sisters, our brothers, our soul mates, our friends etc.) that it will not bother us that we will not feel. But see that's suppression. It will bother us somewhere deep inside. So, love someone. Hold them tight. Don't fear the loss. Fear the part of being too afraid to love someone. Love Everyone. It's inevitable: we all die. Thats the ugly part of life. But Love and being alive is so beautiful and so strong that the love, the memories stay even in death. Life is love, life is being alive to feel pain. The love the beautiful love always remains. Love. Life. Joy. Peace

I don't really enjoy experiencing pain. No one does. But we will become less human if we learn to detach ourselves from one another to the point that when we experience death of a beautiful being (our mothers, our fathers, our sisters, our brothers, our soul mates, our friends etc.) that it will not bother us that we will not feel. But see that's suppression. It will bother us somewhere deep inside. So, love someone. Hold them tight. Don't fear the loss. Fear the part of being too afraid to love someone. Love Everyone. It's inevitable: we all die. Thats the ugly part of life. But Love and being alive is so beautiful and so strong that the love, the memories stay even in death. Life is love, life is being alive to feel pain. The love the beautiful love always remains. Love. Life. Joy. Peace

Everyone has always said I look like Bailey, but I don't.I have grey eyes to her green,an oval face to her heart-shaped one,I'm shorter, scrawnier, paler, flatter, plainer, tamer.All we shared is a madhouse of curlsthat I imprison in a ponytailwhile she let hers ravelike madnessaround her head.I don't sing in my sleepor eat the petals off flowersor run into the rain instead of out of it.I'm the unplugged-in one,the side-kick sister,tucked into a corner of her shadow.Boys followed her everywhere;they filled the booths at the restaurant where she waitressed,herded around her at the river.One day, I saw a boy come up behind herand pull a strand of her long hairI understood this-I felt the same way.In photographs of us together,she is always looking at the camera,and I am always looking at her.

Everyone has always said I look like Bailey, but I don't.I have grey eyes to her green,an oval face to her heart-shaped one,I'm shorter, scrawnier, paler, flatter, plainer, tamer.All we shared is a madhouse of curlsthat I imprison in a ponytailwhile she let hers ravelike madnessaround her head.I don't sing in my sleepor eat the petals off flowersor run into the rain instead of out of it.I'm the unplugged-in one,the side-kick sister,tucked into a corner of her shadow.Boys followed her everywhere;they filled the booths at the restaurant where she waitressed,herded around her at the river.One day, I saw a boy come up behind herand pull a strand of her long hairI understood this-I felt the same way.In photographs of us together,she is always looking at the camera,and I am always looking at her.

In twenty years you could say and do a lot you wish you hadn't. In twenty years you could store up a lot of regrets. And then, when it was too late, when there was no one left to say "I'm sorry" to, "I didn't mean it" to, you could stop sleeping for regret, stop eating, talking, working, for regret. You could stop wanting to live. You could want to die for regret.It was only remembering the good times that kept you from taking the knife from the kitchen drawer and, holding it so, tightly in your fist, on the bed, naked to no purpose except that that was how you came into the world and how your best moments in the world had been spent--holding it so, roll onto the blade, slowly so that it slid like love between your ribs and into that stupidly pumping muscle in your chest that kept you regretting.

I slept and I woke. She gave me a ring made from a leaf, a cluster of golden berries, a flower that opened and closed at the stroking of a finger....And once, when I startled awake with my face wet and my chest aching, she reached out to lay her hand on top of mine. The gesture was so tentative, her expression so anxious, you would think she had never touched a man before. As if she was worried I might break or burn or bite. Her cool hand lay on mine for a moment, gentle as a moth. She squeezed my hand softly, waited, then pulled away.It struck me as odd at the time. But I was too clouded with confusion and grief to think clearly. Only now, looking back, do I realize the truth of things. With all the awkwardness of a young lover, she was trying to comfort me, and she didn't have the slightest idea how.

That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.It was the Song of Eyllwe.Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan. When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.The next morning, by royal decree, the theatre was shut down.No one saw those musicians or their conductor again.

Take any emotion—love for a woman, or grief for a loved one, or what I’m going through, fear and pain from a deadly illness. If you hold back on the emotions—if you don’t allow yourself to go all the way through them—you can never get to being detached, you’re too busy being afraid. You’re afraid of the pain, you’re afraid of the grief. You’re afraid of the vulnerability that loving entails. “But by throwing yourself into these emotions, by allowing yourself to dive in, all the way, over your head even, you experience them fully and completely. You know what pain is. You know what love is. You know what grief is. And only then can you say, ‘All right. I have experienced that emotion. I recognize that emotion. Now I need to detach from that emotion for a moment’.

Take any emotion—love for a woman, or grief for a loved one, or what I’m going through, fear and pain from a deadly illness. If you hold back on the emotions—if you don’t allow yourself to go all the way through them—you can never get to being detached, you’re too busy being afraid. You’re afraid of the pain, you’re afraid of the grief. You’re afraid of the vulnerability that loving entails. “But by throwing yourself into these emotions, by allowing yourself to dive in, all the way, over your head even, you experience them fully and completely. You know what pain is. You know what love is. You know what grief is. And only then can you say, ‘All right. I have experienced that emotion. I recognize that emotion. Now I need to detach from that emotion for a moment’.