There is neither a proportional relationship, nor an inverse one, between a writer’s estimation of a work in progress & its actual quality. The feeling that the work is magnificent, & the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged.

And the good writer chooses his words for their 'meaning', but that meaning is not a a set, cut-off thing like the move of knight or pawn on a chess-board. It comes up with roots, with associations, with how and where the word is familiarly used, or where it has been used brilliantly or memorably.

Tell me this--if you knew you would be poor as a church mouse all your life--if you knew you'd never have a line published--would you still go on writing--would you?''Of course I would,' said Emily disdainfully. 'Why, I have to write--I can't help it at times--I've just got to.

When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill. It was good to be old, no matter what they said. It was reasonable that a man had to be at least 50 years old before he could write with anything like clarity.

Iniisip ni Lucas kung gaano kalaki ang kapangyarihan ng isang writer. Sa pamamagitan ng mga salita ay kaya niyang patigilin ang dyip, ilabas ang lihim ng mga pasahero, pabuhusin ang ulan upang linisin ang mga basura sa palibot, ikulong ang mga opisyal na corrupt at tuluyang i-delete sa bansa ang kahirapan.

I...have always known that my destiny was, above all, a literary destiny — that bad things and some good things would happen to me, but that, in the long run, all of it would be convertedinto words. Particularly the bad things, since happiness does not need to be transformed: happiness is its own end.

Only stilted pedants can conceive the idea that there are absolute norms to tell what is beautiful and what is not. They try to derive from the works of the past a code of rules with which, as they fancy, the writers and artists of the future should comply. But the genius does not cooperate with the pundit.

The act of writing, it seems to me, makes up a shelter, allows space to what would otherwise be hidden, crossed out, mutilated. Sometimes writing can work toward a reparation, making a sheltering space for the mind. Yet it feeds off ruptures, tears in what might otherwise seem a seamless, oppressive fabric.

Maybe being oneself is an acquired taste. For a writer it's a big deal to bow--or kneel or get knocked down--to the fact that you are going to write your own books and not somebody else's. Not even those books of the somebody else you thought it was your express business to spruce yourself up to be.

I'm simply interested in what is going to happen next. I don't think I can control my life or my writing. Every other writer I know feels he is steering himself, and I don't have that feeling. I don't have that sort of control. I'm simply becoming. I'm startled that I became a writer.

(An unhappy childhood was not) an unsuitable preparation for my future, in that it demanded a constant wariness, the habit of observation, and the attendance on moods and tempers; the noting of discrepancies between speech and action; a certain reserve of demeanour; and automatic suspicion of sudden favours.

The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.

It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? For the moment passes, it is forgotten; the mood is gone; life itself is gone. That is where the writer scores over his fellows: he catches the changes of his mind on the hop.

You keep seeing your picture on posters that you are missing but you're not. That'd be weird, right? Or say you look down at the sidewalk and earthworms are spelling your name. Or you open a peanut bag and the 'hello' is written in your writing on the inside of the shell. Would that weird ya?

If you are destined to become a writer, you can't help it. If you can help it, you aren't destined to become a writer. The frustrations and disappointments, not even to mention the unspeakable loneliness, are too unbearable for anyone who doesn't have a deep sense of being unable to avoid writing.