Publishing a book is like stuffing a note into a bottle and hurling it into the sea. Some bottles drown, some come safe to land, where the notes are read and then possibly cherished, or else misinterpreted, or else understood all too well by those who hate the message. You never know who your readers might be.
Even if there were only seventeen syllables left in the universe, I still don’t think The Mythical Mr. Boo would write a haiku. Especially not if those syllables were groups of “oh,” “no,” “ah,” “ouch,” “ugh,” “eek,” and “shit!
To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.
I often think publishing a book is like doing a poo. Once it's ready for the world, you have to relinquish that control and let nature take its course. A few will be impressed by your creation, others will be disgusted. Plus, no one will enjoy your success and achievement in producing it as much as you did.
I think of rounds of editing as hammer time. Then, when they interrupt my writing, I can say... *shakes head* Nah, I just can't do it. Although when I come across a brilliant line, I do think, Can't touch this. And when I'm worried I'm overwriting a scene, I think, Hammer, don't hurt 'em.
It's wonderful to look back at our old writing and cringe. It simply means we have grown and can write better now. And you found some parts you can be proud of, so when you throw the old writing on the floor and stomp on it, remember to celebrate those seeds of genius and be glad that you're still writing.
I used to feel for years and years and years that I was very remiss not to have written a novel and I would question people who wrote novels and try to find out how they did it and how they had got past page 30. Then, with the approach of old age, I began to just think: “Well, lucky I can do anything at all.
I realized Michael was right. I mean, I am always writing in this journal. And I do compose a lot of poetry, and write a lot of notes and emails and stuff. I mean, I feel like I am always writing. I do it so much, I never even thought about it as a talent. It's just something I do all the time, like breathing.
Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
Writing is the voices inside our heads, our minds, the creativity that exists for us to, from nothing, create alternate worlds, manipulate a personality or to introduce a new kind of love, a new kind of hate or pain or happiness or wonder or... anything we want. Through words, we can do, we can be anything we want.
Die, welche schwierige, dunkle, verflochtene, zweideutige Reden zusammensetzen, wissen ganz gewiss nicht recht, was sie sagen wollen, sondern haben nur ein dumpfes, nach einem Gedanken erst ringendes Bewusstsein davon; oft aber wollen sie sich selber und anderen verbergen, dass sie eigentlich nichts zu sagen haben.
The mind travels faster than the pen; consequently, writing becomes a question of learning to make occasional wing shots, bringing down the bird of thought as it flashes by. A writer is a gunner, sometimes waiting in the blind for something to come in, sometimes roaming the countryside hoping to scare something up.
Miss Abigail, I want to be an author because writers know when a person is lonely. I mean, when Molly read me some books, those writers reached out and said, Look Gideon, we know about your loneliness and we know you're feeling downtrodden. And they said...I'll stand up for you. You're not lone anymore.
I am not a fan of the magical quick fix in any fiction, including fantasy, scifi and comic books. Unless Dr. Who is involved, and then only because we get to use the phrase 'Timey-wimey wibbliness' which, I'm sure you'll agree, there are not enough occasions to drop into ordinary adult conversation.
Well then – I see two ways of letting things take their course – Create one’s own sensations with the help of a flamboyant collision of rare words – not often, mind you – or else neatly draw the angles, the squares, the entire geometry of feelings – those of the moment, naturally.
