But how many chose to ignore the direct attack they laid on what is fed to all of us as 'life,' with its well-defined roads to factory and pool-hall, to work and pleasure, both organized, both shells, both a continuation of existence by forced means, in the shadow of life?
I had a dream about you. You were so cute, and I was holding you for a long time. We went for a walk, happily strutting down the street. We saw a couple others but they weren’t having as much fun as we were. We arrived back home and I gave you a kiss on the nose and a bone.
When I'm in turmoil, when I can't think, when I'm exhausted and afraid and feeling very, very alone, I go for walks. It's just one of those things I do. I walk and I walk and sooner or later something comes to me, something to make me feel less like jumping off a building.
Today is one of those excellent January partly cloudies in which light chooses an unexpected part of the landscape to trick out in gilt, and then the shadow sweeps it away. You know you’re alive. You take huge steps, trying to feel the planet’s roundness arc between your feet.
Sure, I have nice shoes. They’re in my closet, collecting a patina of dust. My shoes were made for dancing, and that’s why they’re dusty, because my feet, unfortunately, were not made for dancing. My feet were made for making wine, and that’s why my walk is intoxicating.
To practice space is thus to repeat the joyful and silent experience of childhood; it is, in a place, to be other and to move toward the other...Kandinsky dreamed of: 'a great city built according to all the rules of architecture and then suddenly shaken by a force that defies all calculation.
Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.
Walking in the mountain with bare foot, Teasing the flowers with heavy soot, Touching the grasses, climbing the horses, swinging the girlsIt is joyful, jolly like the flying. Swimming in the rivers, tearing the clothes and burning the shoes Angel of the nature; counting the grasses, touching the flower, teasing the birds
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
As I went walking I saw a sign thereAnd on the sign it said "No Trespassing."But on the other side it didn't say nothing,That side was made for you and me.This land is your land, this land is my landFrom California to the New York islandFrom the Redwood forest to the Gulf Stream watersThis land was made for you and me.
[William] Coxe expresses...both the pedestrian's advantage of complete freedom of movement, and the inspiring effect of the combination of continual change of scene with maximum time for appreciation that characterises the mobile gaze of the pedestrian traveller. If not a peripatetic by profession, Coxe is clearly one by choice.
The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest).
I was recently told, 'You're a liar!' when I said to somebody I walked down the spine of the Andes. Every Spaniard in the sixteenth, seventeenth century did that. The idea that somebody could just walk! He can jog perhaps in the morning, but he can't walk anywhere! The world has become inaccessible because we drive there.
In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of the design and purpose as is being inside to eat, sleep, make shoes or love or music. The word citizen has to do with cities, and the ideal city is organized around citizenship -- around participation in public life.
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
