It's like Romeo & Juliet,' I say. 'You can't separate them. Otherwise, there would be no Shakespeare.' Silence. I decide to be more straightforward. I tell him, 'Nothing frightens me anymore. I am not even afraid to die.' Bussey's eyes, already wide open, grow even wider. My death is the last thing he needs. I have the strange feeling that there are two of me. One observes the conversation while the other does the talking. Everything is abnormal, especially this extreme calm that has taken me over. I try to explain to Bussey that if I decide to die, it will be without bitterness. I know I did everything I possibly could, so it will be respectful farewell. I will bow to life like an actor, who, having delivered his lines, bends deeply to his audience & retires. I tell Bussey that this decision has nothing to do with him, that it is entirely mine. I will choose either to live or to die, but I cannot allow myself to live in the in-between. I do not want to go through life like a ghost. 'Do you think you'll find Danny this way?' Bussey asks. My mind sifts through all available theories on the afterlife. It is as if this metaphysical question has become as real as the air we breathe. Buddhism teaches that life is an eternal cycle without beginning or end. I recall the metaphor: "Our individual lives are like waves produced from the great ocean that is the universe. The emergence of a wave is life, and its abatement is death. This rhythm repeats eternally." Finally I answer Bussey, 'No, I don't think so.' Bussey seems relieved, but I'm more panicky, because I had never thought that I could wind up alone. In my mind, whatever the odds, Danny & I were & would be together forever.

When an animal dies, another of the same species may cling to the body, eat the body, or look bored. Bees expel dead bodies from the hive or, if that is impossible, embalm them in honey. Elephants "say" a ritualistic good-bye, and touch their dead before slowly walking away. Corvids often accept the death of a companion without much fuss, but they at times have “funerals,” where scores of birds lament over the corpse of a deceased crow. But it is a bit odd that people should investigate whether animals “comprehend death,” as if human beings understood what it means to die. Is death a prelude to reincarnation? A portal to Heaven or Hell? Complete extinction? Union with all life? Or something else? All of these views can at times be comforting, yet people usually fear death, quite regardless of what they claim to believe.In the natural world, killing seems a casual affair. Human beings, of course, kill on a massive scale, but most of us can only kill, if at all, by softening the impact of the deed through rituals such as drink or prayer. The strike of a spider, a heron, or a cat is swift and, seemingly, without inhibition or remorse. They pounce with a confidence that could indicate ignorance, indifference, or else profound knowledge. Could this be, perhaps, because animals cannot conceive of killing, since they are not aware of death? Could it be because they understand death well, far better than do human beings?If animals envision the world not in terms of abstract concepts but sensuous images, the soul might appear as a unique scent, a rhythmic motion, or a tone of voice. Death would be the absence of these, though without that absolute finality that we find so severe. Perhaps the heron that snaps a fish thinks his meal lives on, as he one day will, in the form of currents in the pond.

Through Rohan over fen and field where the long grass growsThe West Wind goes walking, and about the walls it goes.What news from the West, oh wandering wind, do you bring to me tonight?Have you seen Boromir the Tall by moon or by starlight?‘I saw him ride over seven streams, over waters wide and grey;I saw him walk in empty lands, until he passed awayInto the shadows of the North. I saw him then no more.The North Wind may have heard the horn of the son of Denethor.’Oh, Boromir! From the high walls westward I looked afar.But you came not from the empty lands where no men are.From the mouth of the sea the South Wind flies,From the sand hills and the stones;The wailing of the gulls it bears, and at the gate it moansWhat news from the South, oh sighing wind, do you bring to me at eve?Where now is Boromir the Fair? He tarries and I grieve.‘Ask me not where he doth dwell--so many bones there lieOn the white shores and on the black shores under the stormy sky;So many have passed down Anduin to find the flowing sea.Ask of the North Wind news of them the North Wind sends to me!’Oh Boromir! Beyond the gate the Seaward road runs South,But you came not with the wailing gulls from the grey seas mouth.From the Gate of Kings the North Wind rides,And past the roaring fallsAnd loud and cold about the Tower its loud horn calls.What news from the North, oh mighty wind, do you bring to me today?What news of Boromir the Bold? For he is long away.‘Beneath Amon Hen I heard his cry. There many foes he foughtHis cloven shield, his broken sword, they to the water brought.His head so proud, his face so fair, his limbs they laid to rest;And Rauros, Golden Rauros Falls, bore him upon its breast.’Oh Boromir! The Tower of Guard shall ever northward gazeTo Rauros, Golden Rauros Falls until the end of days.

The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.

LADY LAZARUSI have done it again.One year in every tenI manage it--A sort of walking miracle, my skinBright as a Nazi lampshade,My right footA paperweight,My face a featureless, fineJew linen.Peel off the napkinO my enemy.Do I terrify?--The nose, the eye pits, the full set of teeth?The sour breathWill vanish in a day.Soon, soon the fleshThe grave cave ate will beAt home on meAnd I a smiling woman.I am only thirty.And like the cat I have nine times to die.This is Number Three.What a trashTo annihilate each decade.What a million filaments.The peanut-crunching crowdShoves in to seeThem unwrap me hand and foot--The big strip tease.Gentlemen, ladiesThese are my handsMy knees.I may be skin and bone,Nevertheless, I am the same, identical woman.The first time it happened I was ten.It was an accident.The second time I meantTo last it out and not come back at all.I rocked shutAs a seashell.They had to call and callAnd pick the worms off me like sticky pearls.DyingIs an art, like everything else.I do it exceptionally well.I do it so it feels like hell.I do it so it feels real.I guess you could say I've a call.It's easy enough to do it in a cell.It's easy enough to do it and stay put.It's the theatricalComeback in broad dayTo the same place, the same face, the same bruteAmused shout:'A miracle!'That knocks me out.There is a chargeFor the eyeing of my scars, there is a chargeFor the hearing of my heart--It really goes.And there is a charge, a very large chargeFor a word or a touchOr a bit of bloodOr a piece of my hair or my clothes.So, so, Herr Doktor.So, Herr Enemy.I am your opus,I am your valuable,The pure gold babyThat melts to a shriek.I turn and burn.Do not think I underestimate your great concern.Ash, ash--You poke and stir.Flesh, bone, there is nothing there--A cake of soap, A wedding ring,A gold filling.Herr God, Herr LuciferBewareBeware.Out of the ashI rise with my red hairAnd I eat men like air.

Modern man is drinking and drugging himself out of awarness, or he spends his time shopping, which is the same thing. As awarness calls for types of heroic dedication that his culture no longer provides for him, society contrives to help him forget. In the mysterious way in which life is given to us in evolution on this planet, it pushes in the direction of its own expansion. We don’t understand it simply because we don’t know the purpose of creation; we only feel life straining in ourselves and see it thrashing others about as they devour each other. Life seeks to expand in an unknown direction for unknown reasons.What are we to make of creation in which routine activity is for organisms to be tearing others apart with teeth of all types - biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one’s own organization, and then excreting with foul stench and gasses residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killer-bees attacking with a fury and a demonism, sharks continuing to tear and swallow while their own innards are being torn out - not to mention the daily dismemberment and slaughter in “natural” accidents of all types: an earthquake buries alive 70 thousand bodies in Peru, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all creatures. The soberest conclusion that we could make about what has actually been taking place on the planet about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism’s comfort and expansiveness.

AubadeI work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round. And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.

– But here is a question that is troubling me: if there is no God, then, one may ask, who governs human life and, in general, the whole order of things on earth?– Man governs it himself, – Homeless angrily hastened to reply to this admittedly none-too-clear question.– Pardon me, – the stranger responded gently, – but in order to govern, one needs, after all, to have a precise plan for a certain, at least somewhat decent, length of time. Allow me to ask you, then, how can man govern, if he is not only deprived of the opportunity of making a plan for at least some ridiculously short period, well, say, a thousand years , but cannot even vouch for his own tomorrow? And in fact, – here the stranger turned to Berlioz, – imagine that you, for instance, start governing, giving orders to others and yourself, generally, so to speak, acquire a taste for it, and suddenly you get ...hem ... hem ... lung cancer ... – here the foreigner smiled sweetly, and if the thought of lung cancer gave him pleasure — yes, cancer — narrowing his eyes like a cat, he repeated the sonorous word —and so your governing is over! You are no longer interested in anyone’s fate but your own. Your family starts lying to you. Feeling that something is wrong, you rush to learned doctors, then to quacks, and sometimes to fortune-tellers as well. Like the first, so the second and third are completely senseless, as you understand. And it all ends tragically: a man who still recently thought he was governing something, suddenly winds up lying motionless in a wooden box, and the people around him, seeing that the man lying there is no longer good for anything, burn him in an oven. And sometimes it’s worse still: the man has just decided to go to Kislovodsk – here the foreigner squinted at Berlioz – a trifling matter, it seems, but even this he cannot accomplish, because suddenly, no one knows why, he slips and falls under a tram-car! Are you going to say it was he who governed himself that way? Would it not be more correct to think that he was governed by someone else entirely?

Не се тревожи - усмихваше се той.- Да умреш е много по-трудно, отколкото човек си мисли.В неговия случай бе вярно. Увереността, че денят му е насрочен, го облече в загадъчна неприкосновеност, в безсмъртие до определен срок, което го направи неуязвим за опасностите на войната и му позволи накрая да извоюва едно поражение, много по-трудно, много по-кърваво и скъпо, отколкото победата.

Some historians subsequently said that the twentieth century actually started in 1914, when war broke out, because it was first war in history in which so many countries took part, in which so many people died and in which airships and airplanes flew and bombarded the rear and towns and civilians, and submarines sunk ships and artillery could lob shells ten or twelve kilometers. And the Germans invented gas and the English invented tanks and scientists discovered isotopes and general theory of relativity, according to which nothing was metaphysical, but relative.And when Senegalese fusiliers first saw an airplane they thought it was a tame bird and one of the Senegalese soldiers cut a lump of flesh from a dead horse and threw it as far as he could in order to lure it away. And airships and airplanes flew through the sky and the horses were terribly frightened. And writers and poets endeavored to find new ways of expressing it best and in 1916 they invented Dadaism because everything seemed crazy to them. And in Russia they invented a revolution. And the soldiers wore around their neck or wrist a tag with their name and the number of their regiment to indicate who was who, and where to send a telegram of condolences, but if the explosion tore off their head or arm and the tag was lost, the military command would announce that they were unknown soldiers, and in most capital cities they instituted an eternal flame lest they be forgotten, because fire preserves the memory of something long past. And the fallen French measured 2,681 kilometers, the fallen English 1,547 kilometers, and the fallen Germans, 3,010 kilometers, taking the average legth of a corpse as 172 centimeters. And a total of 15, 508 kilometers of soldiers fell worldwide. And in 1918 an influenza known as Spanish Flu spread throughout the world killing over twenty million people. Pacifists and anti-militarists subsequently said that these had also been victims of the war because the soldiers and civilian populations lived in poor conditions of hygiene, but epidemiologists said that the disease killed more people in countries where there was no war, such as Oceania, India or the United States, and the Anarchists said that it was a good thing because the world was corrupt and heading for destruction.

ليس هناك شيء يمكنك قوله لتجعل شخصًا ما يتوقف عن الشعور بالألم . ففي نصف المرات ، أشعر وحسب أنني يجب أن أخبرهم الحقيقة . وأن أقول : سوف تشعرون لمدة ثلاثة أشهر بشكل أسوأ مما شعرتم به في حياتكم ، وسوف تكافحون قدر استطاعتكم ، وبعد سنة أشهر لا يكون الألم بذلك السوء ، ولكنه لا يزال يؤلم أكثر مما تظنون ، حتى بعد سنوات ، ستبقون تجدون أنفسكم تفكرون بالشخص الذي فقدتموه ، وتحزنون بشأن ذلك ، وستبقون تفتقدونه طوال الوقت

MY MOTHER GETS DRESSEDIt is impossible for my mother to do eventhe simplest things for herself anymoreso we do it together,get her dressed.I choose the clothes withoutzippers or buckles or straps,clothes that are simplebut elegant, and easy to get into.Otherwise, it's just like every other day.After bathing, getting dressed.The stockings go on first.This time, it's the new ones,the special ones with opaque black trianglesthat she's never worn before,bought just two weeks agoat her favorite department store.We start with the heavy, careful stuff of the right toesinto the stocking tipthen a smooth yank past the knob of her ankleand over her cool, smooth calfthen the other toecool ankle, smooth calfup the legsand the pantyhose is coaxed to her waist.You're doing great, Mom,I tell heras we ease her bodyagainst mine, rest her whole weight against meto slide her black dresswith the black empire collarover her headstruggle her fingers through the dark tunnel of the sleeve.I reach from the outsidedeep into the dark for her hand,grasp where I can't see for her touch.You've got to help me a little here, MomI tell herthen her fingertips touch mineand we work her fingers through the sleeve's mouthtogether, then we rest, her weight against mebefore threading the other fingers, wrist, forearm, elbow, bicepand now over the head.I gentle the black dress over her breasts,thighs, bring her makeup to her,put some color on her skin.Green for her eyes.Coral for her lips.I get her black hat.She's ready for her company.I tell the two women in simple, elegant suitswaiting outside the bedroom, come in.They tell me, She's beautiful.Yes, she is, I tell them.I leave as they carefullyzip her intothe black body bag.Three days later,I dream a large, greensuitcase arrives.When I unzip it,my mother is inside.Her dress matchesher eyeshadow, which matchesthe suitcaseperfectly. She's wearingcoral lipstick."I'm here," she says, smiling delightedly, wavingand I wake up.Four days later, she comes homein a plastic black boxthat is heavier than it looks.In the middle of a meadow,I learn a nakedmore than naked.I learn a new way to hugas I tighten my fistaround her body,my hand filled with her ashesand the small stones of bones.I squeeze her tightthen open my handand release herinto the smallest, hottest sun,a dandelion screaming yellow at the sky.

Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.

The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army.'Where are we?' asked Gil Gil.'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?''What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man.'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")

People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists.“…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…”What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks.I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me.“The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.”“I know what you mean,” I said.His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.”“I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.“I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.