A kind of joyous hysteria moved into the room, everything flying before the wind, vehicles outside getting dented to hell, the crowd sweaty and the smells of aftershave, manure, clothes dried on the line, your money’s worth of perfume, smoke, booze; the music subdued by the shout and babble through the bass hammer could be felt through the soles of the feet, shooting up the channels of legs to the body fork, center of everything. It is the kind of Saturday night that torches your life for a few hours, makes it seem like something is happening.

The flow. Yeah. Knowing you could step on the court and make it happen. You practiced, sure. But then, when you walked out there, you could just go. You could flow, that was it: you created and you didn't totally know how. You just knew you could, so you did. It wasn't thinking and it wasn't imitating somebody else's moves, though you always looked carefully when you watched good players play. But when you played... it was something you couldn't explain. Neal used to know. It didn't come from thinking about it.

I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.

You and I, under the moonlight, together until the stars don't shine any more... The world slips away as we dance in the fire as we had never yet danced...in anticipation of the red flame, that melts an iron will. Void of touch, eyes closed, hearts alive. Spirits flying, the senses aching to feast, souls embracing one another. Entwined together they're joyfully singing. Control no longer of a reality... A powerful union... Luminating us, innocently calling, erupting from within, & spreading infinitely a timeless passion... Eternal Love never known before...

Did I live the spring I’d sought?It’s true in joy, I walked along,took part in dance, and sang the song.and never tried to bind an hourto my borrowed garden bower;nor did I once entreata day to slumber at my feet.Yet days aren’t lulled by lyric song,like morning birds they pass along,o’er crests of trees, to none belong;o’er crests of trees of drying dew,their larking flight, my hands, eschewThus I’ll say it once and true…From all that I saw, and everywhere I wandered,I learned that time cannot be spent,It only can be squandered.

What's your name?" he asked above the roar of the music.She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song."He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself."I have no name," she purred. "I am whoever the keepers of my fate tell me to be."He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.

May I see your dance card?”“Don’t you believe me?” She presented it to him with a flourish.He ran his fingers down the list of names.“Hmm . . . Waterburn? Bastard. D’Andre. Definitely a worthless bastard. Lord Camber, a thoroughgoing bastard. Lord Michaelson? Bastard. Peter Cheswick? Bast—”She snatched it from him, laughing.“I wouldn’t dance a waltz with you, anyway, Lord Dryden.”“No?”“You might accidentally lock eyes with Lisbeth Redmond, stumble, and fling me across the room to avoid crushing my feet.

Caring for others tends to be the first cut when we review our personal time budget. It does not necessarily fulfill the goals of my ambition; it will not pave the way for my success; it takes away from my own depleted emotional resources. It is an imposition in every way. To some of us, it is an inconvenience from which we unashamedly run. We have become experts in maintaining a grand scope of friendships and amateurs in genuine intimacy and care. Unwittingly, we have sacrificed everything on the altar of self-sufficiency—only to discover that we have sold our souls to isolation.

I Name you Echthroi. I Name you Meg.I Name you Calvin.I Name you Mr. Jenkins.I Name you Proginoskes.I fill you with Naming.Be!Be, butterfly and behemoth,be galaxy and grasshopper,star and sparrow,you matter,you are,be!Be caterpillar and comet,Be porcupine and planet,sea sand and solar system,sing with us,dance with us,rejoice with us,for the glory of creation,seagulls and seraphimangle worms and angel host,chrysanthemum and cherubim.(O cherubim.)Be!Sing for the gloryof the living and the lovingthe flaming of creationsing with usdance with usbe with us.Be!"- Madeleine L'Engle, A Wind in the Doo

For the company to assemble at a late hour and engage in unusual, exciting and severe exercise throughout the entire night, is often too great a tax upon the physical system. To dress too thinly, and in a state of perspiration to be exposed, as ladies at the ball frequently are, to draughts of cold, is oftentimes to plant the seeds of a disease from which they never recover. Again, to come in contact, as ladies are liable to, more especially at the public ball, with disreputable men, is sometimes to form alliances that will make a lifetime of sorrow.' —Thomas E. Hill, Evils of the Ball, 1883

Who're you going with, then?" said Ron."Angelina," said Fred promptly, without a trace of embarrassment."What?" said Ron, taken aback. "You've already asked her?""Good point," said Fred. He turned his head and called across the common room, "Oi! Angelina!"Angelina, who had been chatting with Alicia Spinnet near the fire, looked over at him."What?" She called back."Want to come to the ball with me?"Angelina gave Fred a sort of appraising look."All right, then," she said, and she turned back to Alicia and carried on chatting with a bit of a grin on her face."There you go," said Fred to Harry and Ron, "piece of cake.

The 'Dance of Love' is much more of a dialogue, one takes the lead and the other follows. One dictates a step and the other carries it out. One determines the direction, the other determines the distance travelled in a given figure. One sets the pace, the other reveals the grace. One understands the language of the other and knows what is coming next. The one leading leads with love and respect; never seeing the follower as being weak or inferior. And in the same manner, the one following follows with Trust and Submission; never feeling too big to be led or scared to jump. There is a blind assurance that someone is there to catch.

As the sun began to rise, the man reached out to the woman, and they clasped hands. He cradled her, and languidly they lifted themselves up to their feet, their bodies brushing, their eyes lost in each other's. Sensuously, deliberately, they danced, moving as though they were one, their body language smooth as their limbs carefully unfolded. They twirled and rocked, intertwined and separated, nearly leaning onto one another but barely touching, their movements sometimes tender, sometimes almost violent...Moments passed while the dancers held tight to each other, as though their bodies were melting together. The expression on their features as they lifted their faces to the sky was one of unimaginable joy.

Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred.In those moments, I felt my spirit soar and become one with everything that exists. I become the stars and the moon. I become the lover and the beloved. I become thevictor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing...and dancing...and dancing. Until there is only...the dance.

الرقص مفرح...يدير الرأس...يسكر. لو عرفه الذين يشربون الخمر ليسكروا، لسكروا بالرقص بدلا مما يشربون. سكر الرقص أحسن، و دواره أرق دوار.