If you are a “now-person”, you reduce the time rate during which your success story is to be published; if you delay a bit, you are either prolonging the date of publishing or you are deleting it at all cost! Be a “now-person” and do it now!
All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.
The schoolroom clock was worn raw by stares; and you couldn't look up at the big Puritanical face of it and not feel the countless years of young eyes reflected in it, urging it onwards. It was a dark, old spirit that didn't so much mark time as bequeath it.
I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich.
Tomorrow camewith the illusion of todayeven more fleeting than yesterdayit camelike it always comesand wentlike it’s always gonelike a favorite song in its final secondsTomorrow came and leftleaving nothingnothing...but a familiarlingeringsense of loss behind.
I thought, too, about time. How fleet it is, and how certain, and like death how indifferent to our commentary upon it. Once not long before we had been boys and girls, and soon we would be middle-aged, thickening with rueful pleasure toward the thinness of old age.
Breakfast was an irritable business. The clock, on the wall, MapHead noticed, seemed to make everyone unhappy. Everyone checked the clock on the wall, then rushed around looking grim. It would be a simple matter to fix it, MapHead thought. No reason not to be happy.
I had a dream about you. You introduced me to a clock, and I’m right handed, so I didn’t know which clock hand to shake, the hour or the minute. So I chose instead to go in for a hug. Big mistake. Time does not like to be embraced by a mere mortal.
Small children will talk to anyone, once the guard of shyness has fallen, and they have, like the elderly, a sense of immediacy, a need to say or do something, now, now, the minute it is thought of, combined with that other sense, of the complete irrelevance of time.
Visual impressions are greatly intensified and the eye recovers some of the perceptual innocence of childhood, when the sensum was not immediately and automatically subordinated to the concept. Interest in space is diminished and interest in time falls almost to zero.
I only know two things in life for certain: I know I love her and I know when her memory of our time together fades, I’ll still feel exactly the same as I do today. Time is irrelevant, as I once said to her. And I’m happy wasting every second of it on her.
It is unworthy of excellent men to lose hours like slaves in the labour of calculation which could safely be relegated to anyone else if machines were used.(Describing, in 1685, the value to astronomers of the hand-cranked calculating machine he had invented in 1673.)
Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense.
It seems to me then as if all the moments of our life occupy the same space, as if future events already existed and were only waiting for us to find our way to them at last, just as when we have accepted an invitation we duly arrive in a certain house at a given time.
you live through . . . that little piece of time that is yours, but that piece of time is not only your own life, it is the summing-up of all the other lives that are simultaneous with yours. It is, in other words, History, and what you are is an expression of History.
