Death, mademoiselle, unfortunately creates a prejudice. A prejudice in favour of the deceased. I heard what you said just now to my friend Hastings. ‘A nice bright girl with no men friends.’ You said that in mockery of the newspapers. And it is very true—when a young girl is dead, that is the kind of thing that is said. She was bright. She was happy. She was sweet-tempered. She had not a care in the world. She had no undesirable acquaintances. There is a great charity always to the dead. Do you know what I should like this minute? I should like to find someone who knew Elizabeth Barnard and who does not know she is dead! Then, perhaps, I should hear what is useful to me—the truth.

الموت، أقسى الموت، أن تَنْحلَّ طينًا فى يد الخزّاف يعجنُهُ ويُبدئُهُ وينفخ فيه منأهوائِهِ وكأنه ما كان ذا شكلٍ ولا معنى.

The fear of death haunted me for a year. I cried whenever anyone dropped a glass or broke a picture. But even then that passed, I was left with a sadness that couldn't be rubbed off. It wasn't that something had happened. It was worse: I'd become aware of what had been with me all along without my notice. I dragged this new awareness around like a stone tied to my ankle. Wherever I went, it followed. I used to make up little sad songs in my head. I eulogized the falling leaves. I imagined my death in a hundred different ways, but the funeral was always the same: from somewhere in my imagination, out rolled a red carpet. Because after every secret death I died, my greatness was always discovered.

...The typhoon of madness that swept through the country [of Rwanda] between April 7 and the third week of May accounted for 80 percent of the victims of the genocide.That means about eight hundred thousand people were murdered during those six weeks, making the daily killing rate at least five times that of the Nazi death camps. The simple peasants of Rwanda, with their machetes, clubs, and sticks with nails, had killed at a faster rate than the Nazi death machine with its gas chambers, mass ovens, and firing squads. In my opinion, the killing frenzy of the Rwandan genocide shared a vital common thread with the technological efficiency of the Nazi genocide--satanic hate in abundance was at the core of both.

We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds & expectations, to burst open & give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning, we hope, more than anything for more. Heaven only knows why we love it so.

Rest in Peace?’ Why that phrase? That’s the most ridiculous phrase I’ve ever heard! You die, and they say ‘Rest in Peace!’ …Why would one need to ‘rest’ when they’re dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne d’Arc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and I’m only going to be here for a short while, so when I die, I certainly won’t need to rest again! Not while more adventures of the same kind are going on.

He would never be any different and now Scarlett realize the truth and accepted it without emotion - that until he died Gerald would always be waiting for Ellen, always listening for her. Her was in some dim borderline country where time was standing still and Ellen was always in the next room. The mainspring of his existence was taken away when she died and with it has gone his bounding assurance, his impudence and his restless vitality. Ellen was the audience before which the blustering drama of Gerald O'Hara had been played Now the curtain had been rung down forever, the footlights dimmed and the audience suddenly vanished, while the stunned old actor remained on his empty stage, waiting for his cues.

I know the truth, and I will tell you now: He was admired, loved, cheered, honored, respected. In life as well as in death. A great man, he is. A great man, he was. A great man he will be. He died that day because his body had served its purpose. His soul had done what it came to do, learned what it came to learn, and then was free to leave. And I knew, as Denny sped me toward the doctor who would fix me, that if I had already accomplished what I set out to accomplish here on earth, if I had already learned what I was meant to learn, I would have left the curb one second later than I had, and I would have been killed instantly by that car. But I was not killed. Because I was not finished. I still had work to do.

He took his hands off the oars and pulled in the mooring rope. If I make a couple of loops, he thought, I can strap the axe on to my back.He had a mental picture of what could happen to a man who plunged into the cauldron below a waterfall with a sharp piece of metal attached to his body.GOOD MORNING.Vimes blinked. A tall dark robed figure was now sitting in the boat.'Are you Death?'IT'S THE SCYTHE, ISN'T IT? PEOPLE ALWAYS NOTICE THE SCYTHE.'I'm going to die?'POSSIBLY.'Possibly? You turn up when people are possibly going to die?'OH, YES. IT'S QUITE THE NEW THING. IT'S BECAUSE OF THE UNCERTAINTY PRINCIPLE.'What's that?'I'M NOT SURE.'That's very helpful.

Funeral BluesStop all the clocks, cut off the telephone,Prevent the dog from barking with a juicy bone,Silence the pianos and with muffled drumBring out the coffin, let the mourners come.Let aeroplanes circle moaning overheadScribbling on the sky the message 'He is Dead'.Put crepe bows round the white necks of the public doves,Let the traffic policemen wear black cotton gloves.He was my North, my South, my East and West,My working week and my Sunday rest,My noon, my midnight, my talk, my song;I thought that love would last forever: I was wrong.The stars are not wanted now; put out every one,Pack up the moon and dismantle the sun,Pour away the ocean and sweep up the wood;For nothing now can ever come to any good.

When the little mouse, which was loved as none other was in the mouse-world, got into a trap one night and with a shrill scream forfeited its life for the sight of the bacon, all the mice in the district, in their holes were overcome by trembling and shaking; with eyes blinking uncontrollably they gazed at each other one by one, while their tails scraped the ground busily and senselessly. Then they came out, hesitantly, pushing one another, all drawn towards the scene of death. There it lay, the dear little mouse, its neck caught in the deadly iron, the little pink legs drawn up, and now stiff the feeble body that would so well have deserved a scrap of bacon.The parents stood beside it and eyed their child's remains.

Zu früh, befürcht ich; denn mein Herz erbangtUnd ahnet ein Verhängnis, welches, nochVerborgen in den Sternen, heute NachtBei dieser Lustbarkeit den furchtbarn ZeitlaufBeginnen und das Ziel des läst'gen Lebens,Das meine Brust verschließt, mir kürzen wirdDurch irgendeinen Frevel frühen Todes.Doch er, der mir zur Fahrt das Steuer lenkt,Richt' auch mein Segel!I fear, too early. For my mind misgivesSome consequence, yet hanging in the stars,Shall bitterly begin his fearful dateWith this night's revels, and expire the termOf a despisèd life, closed in my breast,By some vile forfeit of untimely death.But He that hath the steerage of my courseDirect my sail!Romeo: Act I, Scene 4

In the days after my heart attack & before I began to write again, all I could think about was dying. I'd been spared again, and only after the danger had passed did I allow my thoughts to unravel to their inevitable end. I imagined all the ways I could go. Blood clot to the brain. Infarction. Thrombosis. Pneumonia. Grand mal obstruction to the vena cava. I saw myself foaming at the mouth, writhing on the floor. I'd wake up in the night, gripping my throat. And yet. No matter how often I imagined the possible failure of my organs, I found the consequence inconceivable. That it could happen to me. I forced myself to picture the last moments. The penultimate breath. A final sigh. And yet. It was always followed by another.

They understand death, they stand there in the church under the skies that have a beginningless past and go into the never-ending future, waiting themselves for death, at the foot of the dead, in a holy temple. - I get a vision of myself and the two little boys hung up in a great endless universe with nothing overhead and nothing under bbut the Infinite Nothingness, the Enormousness of it, the dead without number in all directions of existence whether inward into the atom-worlds of your own body or outward to the universe which may only be one atom in an infinity of atom-worlds and each atom-world only a figure of speech - inward, outward, up and down, nothing but emptiness and divine majesty and silence for the two little boys and me.

Unreal City, Under the brown fog of a winter dawn,A crowd flowed over London Bridge, so many,I had not thought death had undone so many.Sighs, short and infrequent, were exhaled,And each man fixed his eyes before his feet.Flowed up the hill and down King William Street,To where St Mary Woolnoth kept the hours With a dead sound on the final stock of nine.There I saw one I knew, and stopped him crying: 'Stetson!You, who were with me in the ships at Mylae!That corpse you planted last year in your garden,Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed?Oh keep the Dog far hence, that's friend to men,Or with his nails he'll dig it up again!You! hypocrite lecteur!-mon semblable,-mon frere!